- Photoshop User Guide
- Introduction to Photoshop
- Photoshop and other Adobe products and services
- Work with Illustrator artwork in Photoshop
- Work with Photoshop files in InDesign
- Substance 3D Materials for Photoshop
- Photoshop and Adobe Stock
- Use the Capture in-app extension in Photoshop
- Creative Cloud Libraries
- Creative Cloud Libraries in Photoshop
- Use the Touch Bar with Photoshop
- Grid and guides
- Creating actions
- Undo and history
- Photoshop on the iPad
- Photoshop on the iPad | Common questions
- Get to know the workspace
- System requirements | Photoshop on the iPad
- Create, open, and export documents
- Add photos
- Work with layers
- Draw and paint with brushes
- Make selections and add masks
- Retouch your composites
- Work with adjustment layers
- Adjust the tonality of your composite with Curves
- Apply transform operations
- Crop and rotate your composites
- Rotate, pan, zoom, and reset the canvas
- Work with Type layers
- Work with Photoshop and Lightroom
- Get missing fonts in Photoshop on the iPad
- Japanese Text in Photoshop on the iPad
- Manage app settings
- Touch shortcuts and gestures
- Keyboard shortcuts
- Edit your image size
- Livestream as you create in Photoshop on the iPad
- Correct imperfections with the Healing Brush
- Create brushes in Capture and use them in Photoshop
- Work with Camera Raw files
- Create and work with Smart Objects
- Adjust exposure in your images with Dodge and Burn
- Photoshop on the web beta
- Common questions | Photoshop on the web beta
- Introduction to the workspace
- System requirements | Photoshop on the web beta
- Keyboard shortcuts | Photoshop on the web beta
- Supported file types | Photoshop on the web beta
- Open and work with cloud documents
- Collaborate with stakeholders
- Apply limited edits to your cloud documents
- Cloud documents
- Photoshop cloud documents | Common questions
- Photoshop cloud documents | Workflow questions
- Manage and work with cloud documents in Photoshop
- Upgrade cloud storage for Photoshop
- Unable to create or save a cloud document
- Solve Photoshop cloud document errors
- Collect cloud document sync logs
- Share access and edit your cloud documents
- Share files and comment in-app
- Workspace
- Workspace basics
- Learn faster with the Photoshop Discover Panel
- Create documents
- Use the Touch Bar with Photoshop
- Tool galleries
- Performance preferences
- Use tools
- Touch gestures
- Touch capabilities and customizable workspaces
- Technology previews
- Metadata and notes
- Default keyboard shortcuts
- Touch capabilities and customizable workspaces
- Place Photoshop images in other applications
- Preferences
- Default keyboard shortcuts
- Rulers
- Show or hide non-printing Extras
- Specify columns for an image
- Undo and history
- Panels and menus
- Place files
- Position elements with snapping
- Position with the Ruler tool
- Presets
- Customize keyboard shortcuts
- Grid and guides
- Web, screen, and app design
- Image and color basics
- How to resize images
- Work with raster and vector images
- Image size and resolution
- Acquire images from cameras and scanners
- Create, open, and import images
- View images
- Invalid JPEG Marker error | Opening images
- Viewing multiple images
- Customize color pickers and swatches
- High dynamic range images
- Match colors in your image
- Convert between color modes
- Color modes
- Erase parts of an image
- Blending modes
- Choose colors
- Customize indexed color tables
- Image information
- Distort filters are unavailable
- About color
- Color and monochrome adjustments using channels
- Choose colors in the Color and Swatches panels
- Sample
- Color mode or Image mode
- Color cast
- Add a conditional mode change to an action
- Add swatches from HTML CSS and SVG
- Bit depth and preferences
- Layers
- Layer basics
- Nondestructive editing
- Create and manage layers and groups
- Select, group, and link layers
- Place images into frames
- Layer opacity and blending
- Mask layers
- Apply Smart Filters
- Layer comps
- Move, stack, and lock layers
- Mask layers with vector masks
- Manage layers and groups
- Layer effects and styles
- Edit layer masks
- Extract assets
- Reveal layers with clipping masks
- Generate image assets from layers
- Work with Smart Objects
- Blending modes
- Combine multiple images into a group portrait
- Combine images with Auto-Blend Layers
- Align and distribute layers
- Copy CSS from layers
- Load selections from a layer or layer mask's boundaries
- Knockout to reveal content from other layers
- Layer
- Flattening
- Composite
- Background
- Selections
- Select and Mask workspace
- Make quick selections
- Get started with selections
- Select with the marquee tools
- Select with the lasso tools
- Select a color range in an image
- Adjust pixel selections
- Convert between paths and selection borders
- Channel basics
- Move, copy, and delete selected pixels
- Create a temporary quick mask
- Save selections and alpha channel masks
- Select the image areas in focus
- Duplicate, split, and merge channels
- Channel calculations
- Selection
- Bounding box
- Image adjustments
- Perspective warp
- Reduce camera shake blurring
- Healing brush examples
- Export color lookup tables
- Adjust image sharpness and blur
- Understand color adjustments
- Apply a Brightness/Contrast adjustment
- Adjust shadow and highlight detail
- Levels adjustment
- Adjust hue and saturation
- Adjust vibrance
- Adjust color saturation in image areas
- Make quick tonal adjustments
- Apply special color effects to images
- Enhance your image with color balance adjustments
- High dynamic range images
- View histograms and pixel values
- Match colors in your image
- How to crop and straighten photos
- Convert a color image to black and white
- Adjustment and fill layers
- Curves adjustment
- Blending modes
- Target images for press
- Adjust color and tone with Levels and Curves eyedroppers
- Adjust HDR exposure and toning
- Filter
- Blur
- Dodge or burn image areas
- Make selective color adjustments
- Replace object colors
- Adobe Camera Raw
- Camera Raw system requirements
- What's new in Camera Raw
- Introduction to Camera Raw
- Create panoramas
- Supported lenses
- Vignette, grain, and dehaze effects in Camera Raw
- Default keyboard shortcuts
- Automatic perspective correction in Camera Raw
- How to make non-destructive edits in Camera Raw
- Radial Filter in Camera Raw
- Manage Camera Raw settings
- Open, process, and save images in Camera Raw
- Repair images with the Enhanced Spot Removal tool in Camera Raw
- Rotate, crop, and adjust images
- Adjust color rendering in Camera Raw
- Feature summary | Adobe Camera Raw | 2018 releases
- New features summary
- Process versions in Camera Raw
- Make local adjustments in Camera Raw
- Image repair and restoration
- Image transformations
- Drawing and painting
- Paint symmetrical patterns
- Draw rectangles and modify stroke options
- About drawing
- Draw and edit shapes
- Painting tools
- Create and modify brushes
- Blending modes
- Add color to paths
- Edit paths
- Paint with the Mixer Brush
- Brush presets
- Gradients
- Gradient interpolation
- Fill and stroke selections, layers, and paths
- Draw with the Pen tools
- Create patterns
- Generate a pattern using the Pattern Maker
- Manage paths
- Manage pattern libraries and presets
- Draw or paint with a graphics tablet
- Create textured brushes
- Add dynamic elements to brushes
- Gradient
- Paint stylized strokes with the Art History Brush
- Paint with a pattern
- Sync presets on multiple devices
- Text
- Add and edit the text
- Unified Text Engine
- Work with OpenType SVG fonts
- Format characters
- Format paragraphs
- How to create type effects
- Edit text
- Line and character spacing
- Arabic and Hebrew type
- Fonts
- Troubleshoot fonts
- Asian type
- Create type
- Text Engine error using Type tool in Photoshop | Windows 8
- Add and edit the text
- Video and animation
- Filters and effects
- Saving and exporting
- Printing
- Automation
- Color Management
- Content authenticity
- 3D and technical imaging
- Photoshop 3D | Common questions around discontinued 3D features
- Creative Cloud 3D Animation (Preview)
- Print 3D objects
- 3D painting
- 3D panel enhancements | Photoshop
- Essential 3D concepts and tools
- 3D rendering and saving
- Create 3D objects and animations
- Image stacks
- 3D workflow
- Measurement
- DICOM files
- Photoshop and MATLAB
- Count objects in an image
- Combine and convert 3D objects
- 3D texture editing
- Adjust HDR exposure and toning
- 3D panel settings
About adjustment and fill layers
An adjustment layer applies color and tonal adjustments to your image without permanently changing pixel values. For example, rather than making a Levels or Curves adjustment directly to your image, you can create a Levels or Curves adjustment layer. The color and tonal adjustments are stored in the adjustment layer and apply to all the layers below it; you can correct multiple layers by making a single adjustment, rather than adjusting each layer separately. You can discard your changes and restore the original image at any time.
Fill layers let you fill a layer with a solid color, a gradient, or a pattern. Unlike adjustment layers, fill layers do not affect the layers underneath them.
Adjustment layers provide the following advantages:
Nondestructive edits. You can try different settings and re‑edit the adjustment layer at any time. You can also reduce the effect of the adjustment by lowering the opacity of the layer.
Selective editing. Paint on the adjustment layer's image mask to apply an adjustment to part of an image. Later you can control which parts of the image are adjusted by re-editing the layer mask. You can vary the adjustment by painting on the mask with different tones of gray.
Ability to apply adjustments to multiple images. Copy and paste adjustment layers between images to apply the same color and tonal adjustments.
Adjustment layers have many of the same characteristics as other layers. You can adjust their opacity and blending mode, and you can group them to apply the adjustment to specific layers. Likewise, you can turn their visibility on and off to apply or preview the effect.

Because adjustment layers contain adjustment data rather than pixels, they increase file size far less than standard pixel layers. If you are working with an unusually large file, however, you may want to reduce file size by merging adjustment layers into pixel layers.
Create and confine adjustment and fill layers
Adjustment and fill layers have the same opacity and blending mode options as image layers. You can rearrange, delete, hide, and duplicate them just as you do image layers.

A. Adjustment layer confined to "Log home" layer only B. Layer thumbnail C. Fill layer D. Layer mask
Create an adjustment layer
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Do one of the following:
Click the New Adjustment Layer button
at the bottom of the Layers panel, and choose an adjustment layer type.
Choose Layer > New Adjustment Layer, and choose an option. Name the layer, set layer options, and click OK.
Note:To confine the effects of an adjustment layer to specific image layers, select the image layers, choose Layer > New > Group From Layers, and change the Mode from Pass Through to any other blending mode. Then place the adjustment layer at the top of the layer group.
Create a fill layer
To create a fill layer, do one of the following:
- Choose Layer > New Fill Layer, and choose an option - Solid Color, Gradient, or Pattern. Name the layer, set layer options, and click OK.
Click the New Adjustment Layer button
at the bottom of the Layers panel, and choose a fill layer type - Solid Color, Gradient, or Pattern.
Solid Color
Fills the adjustment layer with the current foreground color. Use the Color Picker to select a different a fill color.
Gradient
Click the gradient to display the Gradient Editor, or click the inverted arrow and choose a gradient from the pop‑up panel. Set additional options if desired.
- Style specifies the shape of the gradient.
- Angle specifies the angle at which the gradient is applied.
- Scale changes the size of the gradient.
- Reverse flips the orientation of the gradient.
- Dither reduces banding by applying dithering to the gradient.
- Align With Layer uses the bounding box of the layer to calculate the gradient fill. You can drag in the image window to move the center of the gradient.
Pattern
Beginning with Photoshop 21.2, you can also set an angle to rotate the fill layer's pattern and easily change its orientation.
In the Pattern Fill dialog, choose a pattern from the pop‑up menu. Set the following options as required:
- Angle specifies the angle at which the pattern is applied. Set the angle selector at a certain degree or manually type in an angle value to rotate your pattern at the desired angle.
- Scale changes the size of the pattern. Enter a value or drag the slider.
- Link With Layer moves the pattern along with the layer as the layer moves. When selected, you can drag in the image to position the pattern while the Pattern Fill dialog box is open.
- Snap To Origin makes the origin of the pattern the same as the origin of the document.
Confine adjustment and fill layers to specific areas
To confine adjustment and fill layers to specific areas, use layer masks. By default, adjustment and fill layers automatically have layer masks, indicated by the mask icon to the right of the layer thumbnail. (To create adjustment layers without masks, deselect Add Mask by Default in the Adjustments panel menu.)
To change the shape of a mask on an existing layer, see Edit a layer mask. To create a new adjustment or fill layer with a mask of specific shape, complete one of the following procedures.
Create an adjustment or fill layer mask using a selection or path
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In the Layers panel, select the layer to which you want to apply the adjustment or fill layer.
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In the image, create a pixel selection, or create and select a closed path.
A selection confines the new adjustment or fill layer with a layer mask. A path confines the new adjustment or fill layer with a vector mask.
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Create an adjustment or fill layer.
Create an adjustment layer mask using a color range
The Color Range feature, which is useful for creating a selection area based on sampled colors in an image, can also be used to create an adjustment layer mask. For more information, see Select a color range.
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In the Layers panel, select the layer to which you want to apply the adjustment layer.
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Choose Layer > New Adjustment Layer, and choose an adjustment type.
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In the Masks section of the Properties panel, click Color Range.
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In the Color Range dialog box, choose Sampled Colors from the Select menu.
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Select Localized Color Clusters to build a mask based on different color ranges in the image.
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Set the display option to Selection, and Selection Preview to None.
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Click a color area in the image.
Note:To sample multiple areas, hold down Shift to activate the plus eyedropper. Hold down Alt (Windows) or Option (Mac OS) to activate the minus eyedropper.
As you click on image areas, you can preview the mask in the Color Range dialog box. White areas are unmasked pixels, black areas masked, and gray areas partially masked.
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Use the Fuzziness slider to increase or decrease the range of colors around your sample colors that are included in the masked area. Use the Range slider to control how far or near a color must be from the sample points to be included in the mask. After adjusting the mask, click OK to close the Color Range dialog box.
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Modify the adjustment as needed in the Properties panel.
The adjustment is only applied to the unmasked (or partially masked) areas of the image. If necessary click Color Range again to make further adjustments to the adjustment layer mask.
Edit or merge adjustment and fill layers
Editing adjustment and fill layers
You can edit an adjustment or fill-layer setting. You can also edit the mask of an adjustment or fill layer to control the effect that the layer has on the image. By default, all areas of an adjustment or fill layer are "unmasked" and are therefore visible. (See About layer and vector masks.)
Change adjustment and fill layer options
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Do one of the following:
Double-click the adjustment or fill-layer thumbnail in the Layers panel.
Choose Layer > Layer Content Options.
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Make the desired changes in the Properties panel.
Note:Inverted adjustment layers do not have editable settings.
Merging adjustment or fill layers
You can merge an adjustment or fill layer several ways: with the layer below it, with the layers in its own grouped layer, with other selected layers, and with all other visible layers. You cannot, however, use an adjustment or fill layer as the target layer for a merge. When you merge an adjustment or fill layer with the layer below it, the adjustments are rasterized and become permanently applied within the merged layer. You can also rasterize a fill layer without merging it. (See Rasterize layers.)
Adjustment and fill layers whose masks contain only white values do not add significantly to the file size, so it is not necessary to merge these adjustment layers to conserve file space.
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