Adobe Premiere Pro User Guide
- Getting started
- Get started with Adobe Premiere Pro
- What's new in Premiere Pro
- Release Notes | Premiere Pro
- Premiere Pro system requirements
- Keyboard shortcuts in Premiere Pro
- Accessibility in Premiere Pro
- Creating projects
- Creating projects
- Open projects
- Move and delete projects
- Work with multiple open projects
- Work with Project Shortcuts
- Backward compatibility of Premiere Pro projects
- Open and edit Premiere Rush projects in Premiere Pro
- Best Practices: Create your own project templates
- Workspaces and workflows
- Workspaces
- Working with Panels
- Windows touch and gesture controls
- Capturing and importing
- Capturing
- Capturing and digitizing footage
- Capturing HD, DV, or HDV video
- Batch capturing and recapturing
- Setting up your system for HD, DV, or HDV capture
- Importing
- Transferring and importing files
- Importing still images
- Importing digital audio
- Importing from Avid or Final Cut
- Importing AAF project files from Avid Media Composer
- Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
- Supported file formats
- Digitizing analog video
- Working with timecode
- Editing
- Sequences
- Create and change sequences
- Add clips to sequences
- Rearrange clips in a sequence
- Find, select, and group clips in a sequence
- Edit from sequences loaded into the Source Monitor
- Rendering and previewing sequences
- Working with markers
- Scene edit detection
- Video
- Create and play clips
- Trimming clips
- Synchronizing audio and video with Merge Clips
- Render and replace media
- Undo, history, and events
- Freeze and hold frames
- Working with aspect ratios
- Audio
- Overview of audio and the Audio Track Mixer
- Adjusting volume levels
- Editing, repairing, and improving audio using Essential Sound panel
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Advanced editing
- Multi-camera editing workflow
- Editing workflows for feature films
- Set up and use Head Mounted Display for immersive video in Premiere Pro
- Editing VR
- Best Practices
- Best Practices: Mix audio faster
- Best Practices: Editing efficiently
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Types of effects in Premiere Pro
- Apply and remove effects
- Effect presets
- Automatically reframe video for different social media channels
- Color correction effects
- Change duration and speed of clips
- Adjustment Layers
- Stablilize footage
- Transitions
- Applying transitions in Premiere Pro
- Modifying and customizing transitions
- Morph Cut
- Graphics, Titles, and Animation
- Graphics and titles
- Create titles and motion graphics
- Using Motion Graphics templates for titles
- Replace images or videos in Motion Graphics templates
- Use data-driven Motion Graphics templates
- Best Practices: Faster graphics workflows
- Working with captions
- Animation and Keyframing
- Adding, navigating, and setting keyframes
- Animating effects
- Use Motion effect to edit and animate clips
- Optimize keyframe automation
- Moving and copying keyframes
- Viewing and adjusting effects and keyframes
- Compositing
- Compositing, alpha channels, and adjusting clip opacity
- Masking and tracking
- Blending modes
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Get creative with color using Lumetri looks
- Adjust color using RBG and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Lumetri scopes
- Display Color Management
- HDR for broadcasters
- Exporting media
- Workflow and overview for exporting
- Quick export
- Exporting for the Web and mobile devices
- Export a still image
- Exporting projects for other applications
- Exporting OMF files for Pro Tools
- Export to Panasonic P2 format
- Exporting to DVD or Blu-ray Disc
- Best Practices: Export faster
- Working with other Adobe applications
- After Effects and Photoshop
- Dynamic Link
- Audition
- Prelude
- Organizing and Managing Assets
- Working in the Project panel
- Organize assets in the Project panel
- Search assets
- Creative Cloud Libraries
- Using Productions
- How clips work across projects in a Production
- Consolidate, transcode, and archive projects
- Managing metadata
- Best Practices
- Best Practices: Working with Productions
- Best Practices: Learning from broadcast production
- Improving Performance and Troubleshooting
- Set preferences
- Working with Proxies
- Proxy overview
- Ingest and Proxy Workflow
- Check if your system is compatible with Premiere Pro
- Premiere Pro, Apple Silicon, and Big Sur | macOS 11
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Monitoring Assets and Offline Media
- Monitoring assets
- Using the Source Monitor and Program Monitor
- Using the Reference Monitor
- Offline media
- Working with offline clips
- Creating clips for offline editing
- Relinking offline media
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