Reference (Jun. 15, 2015)
Premiere Pro supports a variety of media formats. Learn about the latest digital cameras and broadcast formats that Premiere Pro supports.
Reference (Aug. 31, 2015)
Take a look at the different ways of importing assets into your projects in Premiere Pro, including transferring assets from other file-based media and computers.
Reference (Oct. 6, 2014)
Learn about the efficient workflows Premiere Pro offers to import sequences and clips from other Premiere Pro projects, including importing After Effects compositions.
Learn how to import individual still images into Premiere Pro, or import a series of still images as a sequence from other Adobe applications such as Photoshop and Illustrator.
Importing audio is a common task in post-production. Learn how to import digital audio clips in Premiere Pro while keeping quality as high as possible.
Learn the essentials of importing assets from tapeless formats using the Media Browser in Premiere Pro.
Import projects, selected clips, or selected sequences exported from Final Cut Pro as XML files. Learn easy it is to do it in Premiere Pro.
An important step before editing is capturing and digitizing footage. Explore the different ways in which you can capture and digitize footage from your device or card into Premiere Pro.
Learn about batch capturing, a technique that lets you log In and Out points for a number of clips at once.
Reference (Nov. 4, 2014)
Learn about applying timecode to video in Premiere Pro, choosing the display format, and different ways of viewing the timecode.
Reference (Dec. 8, 2014)
Tips, tricks, and best practices to set up your system for HD, DV, or HDV capture.
Learn how to capture audio and video from an HD, DV, or HDV device into Premiere Pro.
Do you have video files that are growing in duration after they are ingested? Premiere Pro supports growing files. Learn more in this Help article.
Wondering if you can edit video shot in analog format? Learn all about digitizing analog video in Premiere Pro.
(Jun. 15, 2015)
Learn how to create low-resolution clips for offline editing, which you can replace with high-resolution clips for online editing.
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