InCopy supports four methods developed for typesetting, including Adobe Japanese Single-line Composer, Adobe Japanese Paragraph Composer, Adobe Paragraph Composer, and Adobe Single-line Composer. Each Composer evaluates possible breaks in CJK and Roman text, and chooses those that best support the hyphenation and justification options specified for a given paragraph.
Considers a network of breakpoints for an entire paragraph, and thus can optimize earlier lines in the paragraph in order to eliminate especially unattractive breaks later on.
The Paragraph Composer approaches composition by identifying possible breakpoints, evaluating them, and assigning a weighted penalty to them based on such principles as evenness of letterspacing, word spacing, and hyphenation, or Roman words set to a language that supports hyphenation dictionaries.
Opomba:
You can use the Hyphenation dialog box to determine the relationship between better spacing and fewer hyphens.
Adobe Japanese Paragraph Composer, like the Paragraph Composer, evaluates breaks (where to wrap to the next line) in units of paragraphs. If characters are added to or deleted from a paragraph specified for this Composer, mojikumi may be modified on the line before the edit point because the Composer re‑evaluates mojikumi in the whole paragraph in order to optimize it.
The Paragraph Composer approaches composition by identifying possible breakpoints, evaluating them, and assigning a weighted penalty to them based on such principles as evenness of letterspacing, word spacing, and hyphenation.
Paragraph Composer evaluates breaks for the entire paragraph and fits mojikumi on the basis of character spacing, word spacing, and rules for even hyphenation. For CJK text, this is calculated as the difference between the actual value of mojikumi aki inserted for full justification or kinsoku processing and the optimum value set in the Mojikumi Settings dialog box. When the aki necessary for full line justification is more than the maximum aki, or when the aki necessary for kinsoku processing is less than the minimum aki, an H&J violation occurs.
Offers a traditional approach to composing text one line at a time. This option is useful if you want to restrict composition changes from late stage edits, and you don’t care about some lines in the paragraph being very loose while others fit perfectly.
Adobe Japanese Single-line Composer applies mojikumi by evaluating line breaks one line at a time, in the same way as Single-line Composer.
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Select Use New Vertical Scaling to use the InDesign CS2 method of vertical scaling. Roman text is typically rotated on its side, whereas CJK text may be upright. In previous versions of InDesign, when you set glyph scaling in the Character panel, the X Scale and Y Scale attributes cause different results depending on the orientation of the characters being scaled. In CS2 or later versions of InDesign and InCopy, scaling affects all text in the line the same way, regardless of whether it’s rotated or upright. If the text isn’t upright in vertical, the X Scaling and Y Scaling will be exchanged, resulting in the Roman text being scaled in the same direction as the CJK upright text. This option is turned on for new documents and turned off for documents from InDesign CS and earlier.
Select Use CID-Based Mojikumi to determine the correct JIS X 4051 Mojikumi Class using the glyphs (jikei) of the font used instead of Unicode. Selecting this option is especially useful when you’re using OpenType fonts. This feature supports all CID fonts of AdobeJapan1‑0 through AdobeJapan1‑6. Unicode will be used with all other fonts.
Mojikumi specifies text composition for spacing of Japanese and Chinese characters, roman characters, punctuation, special characters, line start, line end and numbers. For Korean text, mojikumi may not be applicable. You can also specify paragraph indents.
For Japanese text, the existing character spacing rules in InDesign follow the Japanese Industrial Standards (JIS) specification, JISx4051‑1995. You can also select from InDesign predefined mojikumi sets. Furthermore, you can create specific mojikumi sets, and change the values for character spacing.
For Chinese text, you can use mojikumi display settings for Traditional Chinese and Simplified Chinese. If these options do not appear in the Mojikumi Set list, you can select them in the Mojikumi Options section of the Preferences dialog box.
InCopy includes 14 types of mojikumi presets for Japanese and 2 for Chinese. You can also modify the presets to be displayed in Preferences, and you can determine whether CID-Based Mojikumi is used.
In InCopy, you can change the mojikumi settings of a paragraph, but you can’t create a custom mojikumi set or change custom mojikumi settings as in InDesign. For details, see InDesign Help.
For more information on using mojikumi in InDesign, see www.adobe.com/go/learn_id_mojikumi_en.
Opomba:
To determine which mojikumi settings appear in the Mojikumi pop‑up menu, select the settings in the Mojikumi Options section of the Preferences dialog box.
Opomba:
The Mojikumi Preset section item names are shown in gray, and items that cannot be selected are mojikumi sets, which are currently applied to paragraphs or default mojikumi sets.
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You can edit the settings for spacing that you use a lot, such as the spacing between a period and following opening parenthesis, in a mojikumi set you create.
For example, when you want to compress the character spacing for parentheses in the text, from Okoshi yakumono in Yakumono, change the Middle Line setting for Open Parentheses, or Close Parentheses in Uke yakumono. The following settings are available: 50% Fixed, 50%(0%‑50%), 50%(25%‑50%), 0% Fixed, 0%(0%‑50%). For opening parentheses, 50% Fixed leaves a half-width 50% aki before the parenthesis. In other words, it doesn’t compress the aki. 50%(0%‑50%) puts a half-width aki before the parenthesis, but depending on mojikumi settings may not make an aki at all. 50%(25%‑50%) makes a half-width aki before the parenthesis, but depending on mojikumi settings may make an aki which is half the size (25%) of a half-width character. 0% Fixed always compresses aki. 0%(0‑50%) compresses aki, but depending on mojikumi settings may allow a half-width aki. Choose 0% Fixed if you always want to compress spacing before and after parentheses.
By clicking the triangular to the left of Open Parenthesis, Close Parenthesis, commas, periods, and middle punctuation in each of Okoshi Yakumono, Uke Yakumono and Chuzuki Yakumono within Yakumono, items such as round parentheses, corner brackets, Japanese commas, commas, Japanese periods, periods, nakaguro and colons are displayed, allowing setting of aki for each character type. If you apply these settings, brackets won’t be compressed but you can adjust aki for round parentheses.
Furthermore, if you display Detailed, you can edit all classes, set the processing order for each class, and indicate differences between a specified mojikumi set and the current settings.
You can specify the desired value, minimum value, maximum value and order of priority to apply character spacing for each option. The minimum and maximum values are applied when you adjust the spacing for text that is fully justified by kinsoku. The more the Minimum and Maximum percentage values differ from the Desired percentage, the more scope you can give to InDesign to increase or decrease spacing when justifying the line.
For more information on using mojikumi in InDesign, see www.adobe.com/go/learn_id_mojikumi_en.
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Specify values for Begin Line, End Line and Middle Line for items in each section of Yakumono, Contiguous Yakumono, Paragraph Mojikumi Indent and Between CJK and Roman. The Middle Line value is used to compress lines for kinsoku (specify a value less than the Begin Line value). The End Line value is used to spread lines for fully justified text (specify a value greater than the Middle Line value).
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For item names in each section that has a triangle indicator, you can specify mojikumi settings in further detail for each character. For example, to display items, click the triangle to the left of Open Parenthesis in Okoshi Yakumono in the Yakumono section. The three items Open Bracket, Open Round Parenthesis, and Other Opening Parenthesis are displayed, allowing you to set mojikumi settings for each character class.
Opomba:
Depending on the character type, you can specify the same values for Begin Line, Middle Line, and End Line if you don't want to change the spacing.
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From the Character Class pop‑up menu at the bottom of the Mojikumi menu, select the character class to edit its character aki settings. A list of settings that can be edited is included in the class. You can individually set Open Parenthesis, Close Parenthesis, commas, periods or middle punctuation items, but you can also specify aki in more detail for individual characters such as Japanese periods or Roman periods.
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Choose Previous Class or Next Class from the Before & After pop‑up menu, and set whether the class aki value is to be entered before or after the entered character. To set the aki for a character following a Japanese period, for example, choose Japanese Period from the Character Class popup menu, and select previous character class from the Before & After pop‑up menu.
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For item names that have a triangle indicator, you can further specify mojikumi settings in detail for each character. For example, click the triangle to the left of Open Parenthesis to display the items. The three items Open Bracket, Open Round Parenthesis, Other Opening Parenthesis are displayed, allowing you to set mojikumi settings for each character.
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Specify the order of compression priority in Priority for each class, to determine the order of compression for each. When you specify 1 for any character class, characters given greater values will be processed afterwards, in increasing order of priority, and when you specify None they are processed last. You can assign the same value (1 to 9) in several aki options.
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In the Mojikumi Settings dialog box, choose a custom mojikumi set from the Mojikumi pop‑up menu, and click Delete Set.
All the text to which the mojikumi set was applied will return to default settings. You cannot delete predefined mojikumi sets. You cannot delete default InDesign mojikumi sets.
Opomba:
When you compose Japanese text with a lot of half-width spaces or Roman parenthesis, problems that need to be resolved relating to text composition increase. It is recommended that you avoid using Roman parenthesis, and use full-width parenthesis for Japanese composition. Only use Roman parenthesis when using relatively long English sentences in Japanese text, or when a more serious problem results if you don't use Roman parenthesis.
Kinsoku specifies line breaks for Asian text. Characters that cannot be placed at the beginning or end of a line are known as kinsoku characters. For Japanese text, you can use hard kinsoku sets and soft kinsoku sets. Soft kinsoku sets omit long vowel symbols and small hiragana characters. You can use these existing sets, or add or delete kinsoku characters to create new sets. Chinese and Korean versions include special kinsoku sets.
You can determine whether text is pushed in or pushed out to prevent kinsoku characters from beginning or ending the line.
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From the Paragraph panel menu or Control panel menu, choose an option from the Kinsoku Break Type menu:
Choose Push In First to prioritize fitting kinsoku characters onto the same line.
Choose Push Out First to prioritize moving kinsoku characters to the next line.
Choose Push Out Only to always move kinsoku characters to the next line.
Choose Prioritize Adjustment Amount to push in text when pushing out that text would result in greater expansion of character space than pushing it in would compress the character space.
You may want to check where kinsoku has been applied, as several elements may affect the text composition. When you set the option to highlight kinsoku text to on, kinsoku items are highlighted in blue-gray. Kinsoku items that have been pushed in to keep on the same line are highlighted in red, and kinsoku items that have been pushed out so as not to be on the previous line are highlighted in blue. You can edit and amend the composition of these highlighted items manually.
When bunri-kinshi is on, the characters specified in the Bunri-kinshi Characters section of the Kinsoku Settings dialog box will not be split across lines, and will not be spaced out during full justification.
Rensuuji protects numbers from breaking. Furthermore, this option processes punctuation spacing in number strings according to JIS specifications.
If a space falls at the end of the line, the space may wrap to the next line, causing an jagged appearance. You can select an option to prevent a line from beginning with a space.
You can also make this option part of a paragraph style. This option is located in the Japanese Composition Settings section when creating or editing a style.
When the Arbitrary Hyphenation option is selected, Roman words can be broken without using Roman hyphenation rules, and no hyphen character (-) appears at the end of the line. If this option is not selected, Roman hyphenation rules are used for word breaks.
The Arbitrary Hyphenation option takes effect only if a CJK language is applied to the text. This option has no effect on text to which Roman languages are applied.
You can also make this option part of a paragraph style. This option is located in the Japanese Composition Settings section when creating or editing a style.
Hanging controls whether or not you hang Japanese punctuation marks such as periods or commas outside the margin, and align to the edge of the text frame. Specify hanging characters in Hanging Punctuation in the Kinsoku Settings dialog box.
The direction of half-width characters such as Roman text or numbers changes in vertical text. By setting Roman Rotation in Vertical Text, you can rotate these characters vertically in the paragraph.
When you set this option to on, half-width characters are rotated individually.
Warichu can be set as inline note for the body text. Warichu usually consists of two lines enclosed within parentheses.
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To align Warichu characters, select an alignment option. For example, in a vertical frame grid, selecting Left/Top aligns the beginning of the warichu characters at the top of the frame. In addition, if Auto is set, justification occurs automatically based on the warichu size or the parent text. The alignment proxy shows how the warichu text appears relative to the parent text.