This document lists the customer reported issues that were fixed in each release.
- Some YouTube accounts were blocked from sign in with error “browser or app may not be secure”.
- Avid DNX YUV exports showed color range shift when imported to Resolve/Media Composer.
- Hardware encoding is not available on macOS when encode height is greater than 2196 pixels.
- Twitter 1080p preset now produces higher quality outputs with match source for frame rate and higher bitrate.
- Cannot log in to Vimeo.
- Adobe Media Encoder may crash during batch import or export on a system with NVIDIA GPU without NVENC.
- When selecting the Output Name hot text in the Export Settings dialog, Adobe Media Encoder hangs.
- Unable to import some H.264 clips created with older versions of macOS Mojave screen recording.
- Importing H.264 clips created with Open Broadcaster Software (OBS) screen recording takes a long time.
- Adobe Media Encoder crashes when a sequence is exported with ProRes media and an embedded LUT from ARRI cameras.
- Improved performance for MXF OP1a Smart Rendering with Premiere Pro sequence.
- Improved UI for some languages.
- Open Captions fail to burn in when Premiere Pro sequences contain an After Effects composition.
- When you encode interlaced H.264/HEVC, reimport and scrub color bars, the resulting clip has wrong colors.
- Adobe Media Encoder hangs when transcode options are enabled while reingesting a camera structured source.
- While encoding a sequence with certain still image or graphics layer combinations using Software renderer and native import, encoding fails.
- The timecode overlay on a media clip in 30 fps or 60 fps, duplicates during the first two frames.
- When a red file with embedded LUT is directly imported in Adobe Media Encoder, the LUT is not applied by default.
- When you drag-import from the Media Browser, each file is duplicated.
- An error message is displayed while dragging a folder that contains footage from the Media panel to the Queue panel.
- Premiere Pro sequences with multiple closed caption tracks can sometimes get the wrong caption stream burned in when imported to Adobe Media Encoder.
- When native import is turned off, Premiere Pro sequences with closed captions set to burn in do not appear in the exported file.
- When you try to export HEVC/H.265 video layers from After Effects, the HEVC clip appears offline.
- When you try to export H.264 either using VBR 1-pass or CBR, AAC audio is truncated at the end.
- When you try to export MOV XDCAM HD422 sources, the application throws an error message.
- Adobe Media Encoder crashes on renaming ingest filenames with input characters >>, /, ? in the Preset
browser .
- Occasional crashes in CC Library (Windows only).
- Compatibility issues with AVI codecs: erroneous warning message on launching Media Encoder; Crash on launch when loading ExporterAVI.prm.
- Issues with importing Blackmagic Video Assist & Hyper Deck ProRes files.
- Issue with exporting certain Sony files as JPEG 2000 MXF OP1 file.
- Some QT reference files can no longer be imported.
- Some MOV files in DVCPRO and DVCPRO50 codecs are imported as audio-only.
- Poor performance issue occurs in exporting with ProRes 422 HQ code.
- 6144x6144 sequence exports as 5968x4352 using HEVC Match source presets.
- Exporting to HEVC 5760x5760 produces HEVC file at 5760x4352.
- With DL import, caption in the project cannot be burned in. If caption is set to None, the whole video image becomes blank.
- Premiere Pro sequences with closed captions show offline media in Adobe Media Encoder when native rendering is turned off (Mac only).
- Any H.264 adaptive bit rate preset always uses the minimum bit rate b(0.19Mbps) if Premiere Pro / After Effects project is queued using Dynamic Link.