- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
- Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Editing
- Edit video
- Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
- Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
- Titles, Graphics, and Captions
- Properties panel
- Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
- Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
- Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Set preferences
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Premiere Pro makes it easy to edit footage captured in Panasonic P2 format. Learn how you can export back into P2 format once you're done editing.
When you have finished editing a Panasonic P2 sequence you can export the sequence to a hard disk or back to a P2 card. You can also export individual clips to the P2 format.
The maximum file size for a clip stored in the P2 format is 4 GB. When Premiere Pro exports clips or sequences larger than 4 GB to P2 format, it exports them as groups of 4 GB spanned clips. For more information about clip spanning, see About spanned clips.
The workflow from P2 card to edit and back to P2 card is simple. Import the P2 clips into a project containing a 5.1-channel sequence. Map the source channels to their specified tracks. Place the clips into the sequence, or export them to P2. For more information, see Mapping source and output audio channels.
Exporting to P2 from stereo sequences, which are the default type used in the various P2 presets, produces files with two mono tracks. Premiere Pro preserves the sequence stereo panning. Exporting to P2 from sequences with 5.1-channel master tracks, Premiere Pro exports the sequence into files with two monaural channels, one for left and one for right stereo.
When you export clips or sequences to P2 media, Premiere Pro translates clip and XMP metadata into P2-standard fields. P2 viewers, cameras, servers, and decks can read these.
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Select the sequence or clip in a Timeline panel or Project panel.
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(Optional) If exporting from the Timeline, set a timeline marker, numbered “0” on the frame you want used as the P2 icon for the exported.
If you do not set this marker, the P2 icon appears on the first frame of the sequence by default.
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Choose File > Export > Media.
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From the Format drop-down list, select P2 Movie.
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(Optional) Click in the File Name field, and type a new filename.
This name is used as the value for the UserClipName element in the exported clip’s metadata XML file. The UserClipName value appears in the Name column of the Project panel when the clip is imported back into Premiere Pro. If you do not specify a name, the filename appears in the Name column. The name of the file is automatically generated in conformance with the Panasonic P2 MXF format.
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Click the Location link and browse to the location where you want to save the file. You can navigate to the root of the mounted P2 card or to your destination folder of choice, and click Save.
If a P2 compliant file structure is present at the destination, Premiere Pro adds the exported clips to the existing folders. If the P2 compliant file structure is not present, Premiere Pro creates one at the destination.
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Define the section of the clip or sequence you want to export. In Export mode, drag the triangular current-time indicator to the desired in point, and click the Set In Point button. Drag the triangular current-time indicator to the desired out point, and click the Set Out Point button.
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Do one of the following:
Click Send to Media Encoder. Adobe Media Encoder opens with the encoding job added to its queue.
Click Export. Premiere Pro renders the asset immediately.
Premiere Pro adds the sequence or clip to the CONTENTS folder of the disk or P2 card. Premiere Pro adds the video MXF file to the VIDEO folder and the audio MXF file to the AUDIO folder. Premiere Pro adds the icon file to the ICON folder and the metadata XML file to the CLIP folder.