Stabilize motion with the Warp Stabilizer effect

Cancels an analysis in progress. During analysis, status information appears next to the Cancel button.

Stabilization settings allow for adjusting the stabilization process.

Controls the intended result for the footage (Smooth or No Motion).

• Smooth motion (default): Retains the original camera movement but makes it smoother. When selected, Smoothness is enabled to control how smooth the camera movement becomes.
• No Motion: Attempts to remove all camera motion from the shot. When selected, the Crop Less Smooth More function is disabled in the Advanced section. This setting is used for footage where at least a portion of the main subject remains within the frame for the entire range being analyzed.
  

Chooses how much the camera’s original motion is stabilized. Lower values are closer to the camera’s original motion while higher values are smoother. Values above 100 require more cropping of the image. Enabled when the Result is set to Smooth Motion.

Specifies the most complex operation the Warp Stabilizer performs on the footage to stabilize it:

• Position: Stabilization is based on position data only and is the most basic way footage can be stabilized.
• Position, Scale And Rotation: Stabilization is based upon position, scale, and rotation data. If there are not enough areas to track, Warp Stabilizer chooses the previous type (Position).
• Perspective: Uses a type of stabilization in which the entire frame is effectively corner-pinned. If there are not enough areas to track, Warp Stabilizer chooses the previous type (Position, Scale, Rotation).
• Subspace Warp (default): Attempts to warp various parts of the frame differently to stabilize the entire frame. If there are not enough areas to track, Warp Stabilizer choose the previous type (Perspective). The method in use on any given frame can change across the course of the clip based on the tracking accuracy.
  

Controls how the edges appear in a stabilizing result. Framing can be set to one of the following:

• Stabilize Only: Displays the entire frame, including the moving edges. Stabilize Only shows how much work is being done to stabilize the image. Using Stabilize Only allows you to crop the footage using other methods. When selected, the Auto-scale section and Crop Less Smooth More property are disabled.
• Stabilize, Crop: Crops the moving edges without scaling. Stabilize, Crop is identical to using Stabilize, Crop, Auto-scale, and setting Maximum Scale to 100%. With this option enabled, the Auto-scale section is disabled, but the Crop Less Smooth More property is enabled.
• Stabilize, Crop, Auto-scale (default): Crops the moving edges and scales up the image to refill the frame. The automatic scaling is controlled by various properties in the Auto-scale section.
• Stabilize, Synthesize Edges: Fills in the blank space created by the moving edges with content from frames earlier and later in time (controlled by Synthesizes Input Range in the Advanced section). With this option, the Auto-scale section and Crop Less Smooth More are disabled.
  

Displays the current auto-scale amount, and allows you to set limits on the amount of auto-scaling. Enable Auto-scale by setting framing to Stabilize, Crop, Auto-scale.

• Maximum Scale: Limits the maximum amount a clip is scaled up for stabilization.
• Action-Safe Margin: When non-zero, specifies a border around the edge of the image that you don’t expect to be visible. Thus, auto-scale does not try to fill it.
  

Scales up the clip with the same result as scaling using the Scale property under Transform, but avoids an extra resampling of the image.

When set to on, makes the next Analysis phase do extra work to find elements to track. The resulting data (stored in the project as part of the effect) is much larger and slower with this option enabled.

The stabilizer automatically removes the rippling associated with stabilized rolling shutter footage. Automatic Reduction is the default. Use Enhanced Reduction if the footage contains larger ripples. To use either method, set the Method to Subspace Warp or Perspective.

When cropping, controls the trade-off between smoothness and scaling of the cropping rectangle as it moves over the stabilized image. Lower values are smooth; however, more of the image is viewed. At 100%, the result is the same as the Stabilize Only option with manual cropping.

Used by Stabilize, Synthesize Edges framing, controls how far backward and forward in time the synthesis process goes to fill in any missing pixels.

Selects the amount of feather for the synthesized pieces. It is enabled only when using the Stabilize, Synthesize Edges framing. Use the feather control to smooth over edges where the synthesized pixels join up with the original frame.

Trims off the edges of each frame before it is used to combine with other frames when using the Stabilize, Synthesize Edges framing option. Use the cropping controls to crop off bad edges that are common in analog video capture, or low quality optics. By default, all edges are set to zero pixels.

Use when you don’t want to reanalyze footage even though there is a warning banner indicating that it must be reanalyzed.