Användarhandbok Avbryt

OpenColorIO and ACES color management

  1. After Effects User Guide
  2. Beta releases
    1. Beta Program Overview
    2. After Effects Beta Home
  3. Getting started
    1. Get started with After Effects
    2. What's new in After Effects 
    3. Release Notes | After Effects
    4. After Effects system requirements
    5. Keyboard shortcuts in After Effects
    6. Supported File formats | After Effects
    7. Hardware recommendations
    8. After Effects for Apple silicon
    9. Planning and setup
  4. Workspaces
    1. General user interface items
    2. Get to know After Effects interface
    3. Workflows
    4. Workspaces, panels, and viewers
  5. Projects and compositions
    1. Projects
    2. Composition basics
    3. Precomposing, nesting, and pre-rendering
    4. View detailed performance information with the Composition Profiler
    5. CINEMA 4D Composition Renderer
  6. Importing footage
    1. Preparing and importing still images
    2. Importing from After Effects and Adobe Premiere Pro
    3. Importing and interpreting video and audio
    4. Preparing and importing 3D image files
    5. Importing and interpreting footage items
    6. Working with footage items
    7. Detect edit points using Scene Edit Detection
    8. XMP metadata
  7. Text and Graphics
    1. Text
      1. Formatting characters and the Character panel
      2. Text effects
      3. Creating and editing text layers
      4. Formatting paragraphs and the Paragraph panel
      5. Extruding text and shape layers
      6. Animating text
      7. Examples and resources for text animation
      8. Live Text Templates
    2. Motion Graphics
      1. Work with Motion Graphics templates in After Effects
      2. Use expressions to create drop-down lists in Motion Graphics templates
      3. Work with Essential Properties to create Motion Graphics templates
      4. Replace images and videos in Motion Graphics templates and Essential Properties
      5. Animate faster and easier using the Properties panel
  8. Drawing, Painting, and Paths
    1. Overview of shape layers, paths, and vector graphics
    2. Paint tools: Brush, Clone Stamp, and Eraser
    3. Taper shape strokes
    4. Shape attributes, paint operations, and path operations for shape layers
    5. Use Offset Paths shape effect to alter shapes
    6. Creating shapes
    7. Create masks
    8. Remove objects from your videos with the Content-Aware Fill panel
    9. Roto Brush and Refine Matte
  9. Layers, Markers, and Camera
    1. Selecting and arranging layers
    2. Blending modes and layer styles
    3. 3D layers
    4. Layer properties
    5. Creating layers
    6. Managing layers
    7. Layer markers and composition markers
    8. Cameras, lights, and points of interest
  10. Animation, Keyframes, Motion Tracking, and Keying
    1. Animation
      1. Animation basics
      2. Animating with Puppet tools
      3. Managing and animating shape paths and masks
      4. Animating Sketch and Capture shapes using After Effects
      5. Assorted animation tools
      6. Work with Data-driven animation
    2. Keyframe
      1. Keyframe interpolation
      2. Setting, selecting, and deleting keyframes
      3. Editing, moving, and copying keyframes
    3. Motion tracking
      1. Tracking and stabilizing motion
      2. Face Tracking
      3. Mask Tracking
      4. Mask Reference
      5. Speed
      6. Time-stretching and time-remapping
      7. Timecode and time display units
    4. Keying
      1. Keying
      2. Keying effects
  11. Transparency and Compositing
    1. Compositing and transparency overview and resources
    2. Alpha channels and masks
    3. Track Mattes and Traveling Mattes
  12. Adjusting color
    1. Color basics
    2. Color management
    3. Color Correction effects
    4. OpenColorIO and ACES color management
  13. Effects and Animation Presets
    1. Effects and animation presets overview
    2. Effect list
    3. Effect Manager
    4. Simulation effects
    5. Stylize effects
    6. Audio effects
    7. Distort effects
    8. Perspective effects
    9. Channel effects
    10. Generate effects
    11. Time effects
    12. Transition effects
    13. The Rolling Shutter Repair effect
    14. Blur and Sharpen effects
    15. 3D Channel effects
    16. Utility effects
    17. Matte effects
    18. Noise and Grain effects
    19. Detail-preserving Upscale effect
    20. Obsolete effects
  14. Expressions and Automation
    1. Expressions
      1. Expression basics
      2. Understanding the expression language
      3. Using expression controls
      4. Syntax differences between the JavaScript and Legacy ExtendScript expression engines
      5. Editing expressions
      6. Expression errors
      7. Using the Expressions editor
      8. Use expressions to edit and access text properties
      9. Expression language reference
      10. Expression examples
    2. Automation
      1. Automation
      2. Scripts
  15. Immersive video, VR, and 3D
    1. Construct VR environments in After Effects
    2. Apply immersive video effects
    3. Compositing tools for VR/360 videos
    4. Advanced 3D Renderer
    5. Import and add 3D models to your composition
    6. Import 3D models from Creative Cloud Libraries
    7. Image-Based Lighting
    8. Extract and animate lights and cameras from 3D models
    9. Tracking 3D camera movement
    10. Cast and accept shadows
    11. Embedded 3D model animations
    12. Shadow Catcher
    13. 3D depth data extraction
    14. Modify materials properties of a 3D layer
    15. Work in 3D Design Space
    16. 3D Transform Gizmos
    17. Do more with 3D animation
    18. Preview changes to 3D designs real time with the Mercury 3D engine
    19. Add responsive design to your graphics 
  16. Views and Previews
    1. Previewing
    2. Video preview with Mercury Transmit
    3. Modifying and using views
  17. Rendering and Exporting
    1. Basics of rendering and exporting
    2. H.264 Encoding in After Effects
    3. Export an After Effects project as an Adobe Premiere Pro project
    4. Converting movies
    5. Multi-frame rendering
    6. Automated rendering and network rendering
    7. Rendering and exporting still images and still-image sequences
    8. Using the GoPro CineForm codec in After Effects
  18. Working with other applications
    1. Dynamic Link and After Effects
    2. Working with After Effects and other applications
      1. Export After Effects project as Premiere Pro project
    3. Sync Settings in After Effects
    4. Creative Cloud Libraries in After Effects
    5. Plug-ins
    6. Cinema 4D and Cineware
  19. Collaboration: Frame.io, and Team Projects
    1. Collaboration in Premiere Pro and After Effects
    2. Frame.io
      1. Install and activate Frame.io
      2. Use Frame.io with Premiere Pro and After Effects
      3. Frequently asked questions
    3. Team Projects
      1. Get Started with Team Projects
      2. Create a Team Project
      3. Collaborate with Team Projects
  20. Memory, storage, performance
    1. Memory and storage
    2. How After Effects handles low memory issues while previewing    
    3. Improve performance
    4. Preferences
    5. GPU and GPU driver requirements for After Effects
  21. Knowledge Base
    1. Known issues
    2. Fixed issues
    3. Frequently asked questions
    4. After Effects and macOS Ventura
    5. How After Effects handles low memory issues while previewing

After Effects integration with OpenColorIO (OCIO) enables you to work natively with the Academy Color Encoding System (ACES) in After Effects.

OpenColorIO (OCIO) is a color management solution used primarily in motion picture production that helps enforce a color management methodology required for high-fidelity color imaging. 

The Academy Color Encoding System (ACES) is a free, open, device-independent color management system that aims to be the filmmaking industry standard for managing color.

After Effects enables the ACES workflow by integrating OCIO as a color management engine.

Specify color management settings

  1. From the Project panel menu, select Project Settings.

  2. On the Project Settings dialog, go to the Color tab.

  3. Under the Color Management section, select the Color Engine as OCIO color managed.

    The Color Engine has the following two options:

    • Adobe color managed: This is the default Adobe color management engine, which uses ICC profiles.
    • OCIO color managed: This mode uses OpenColorIO (OCIO) for color processing and is recommended when you need to work with the ACES workflow.
  4. Use the OCIO Config dropdown and select the OCIO configuration. You can also use the Custom OCIO Config to add a custom configuration.

    Custom OCIO Config to add a custom configuration
    If you want to add a custom configuration, use the Custom OCIO Config option.

  5. Select a Working Color Space to set the composition color space.

    Working Color Space options
    Working Color Space options

  6. Select a Display Color Space to set the default display transform of the viewport for the project.

    Display Color Space options
    Display Color Space options

Specify media color input in the Project Panel

The Media Color Space is automatically assigned to the default set in the OCIO Configuration under Project Settings. To override, right-click the footage > Interpret Footage > MainColor > Override Media Color Space.

Specify your color while creating a composition

The Composition panel displays colors converted from the working color space to the display color space.

To change the display color space, choose a color space from the Display Color Space menu at the bottom of the Composition panel.

Display Color Space menu in the Composition panel
Display Color Space menu in the Composition panel

Obs!

The Display Color Space menu only appears when the project is set to use OCIO color management.

Specify color output in the Render Queue

After adding the composition to the Render Queue, use the Output Module drop-down list > Custom > Color > Output Color Space, or select blue text next to Output Module drop-down list > Color > Output Color Space.

Layer effects for applying OpenColorIO

After Effects includes the following effects that use OpenColorIO to process color. You do not need to enable OpenColorIO color management in the project to use these effects.

OCIO File Transform

The OCIO File Transform effect is used to apply a LUT or CDL.

OCIO File Transform
OCIO File Transform effect

OCIO Color Space Transform

The OCIO Color Space Transform effect is a color space converter effect implemented using the OpenColorIO engine.

OCIO Color Space Transform
OCIO Color Space Transform effect

OCIO Display Transform

The OCIO Display Transform effect is a color space converter effect implemented using the OpenColorIO engine.

OCIO Display Transform effect
OCIO Display Transform effect

The effect includes the following options:

Input Color Space

Select the input color space for the transform.

Display Device

Select from the available display devices. This list is dynamic and populated from the selected OCIO Configuration.

View Transform

Select view transforms available for a selected display. This dynamic list depends on the selected OCIO Configuration file and selected display device.

Inverse Transform

Allows you to invert the transform, for example, for import workflow.

Information

The Information section will provide details such as the OCIO configuration selected. It also includes error information. For example, if you change OCIO Configuration in the Project Settings and if the change made makes the current effect invalid.

Obs!

You can use the OCIO Display Transform effect to convert to working color space or assign a display view color space to the imported media. 

Use the Show all check box in Interpret Footage > Color tab and Output Module Settings > Color tab to list all color spaces from the OCIO configuration file and also the display view transform options.

OCIO Look Transform

The OCIO Look Transform effect under the Color Correction category enables you to apply a Look transform or its inverse to a layer or composition.

OCIO Look Transform effect
OCIO Look Transform effect

The effect includes the following options:

Input Color Space

Select the input color space for the transform.

Look

Select the Look. This drop-down list is populated from the selected OCIO configuration file. 

Output Color Space

Select the output color space for the transform.

Inverse Transform

Invert the transform.

Information

The Information section will provide details such as the OCIO configuration selected. It also includes error information. For example, if you change OCIO Configuration in the Project Settings and if the change made makes the current effect invalid.

OCIO CDL Transform

The OCIO CDL Transform effect allows you to apply CDL transform or its inverse to a layer or composition.

OCIO CDL Transform effect
OCIO CDL Transform effect

The effect includes the following options:

Select

Browse your system and select a supported CDL file. For example, a .ccc file.

CCCID

The list of all the ccc (color correction collection) nodes as a ccc-id list in the drop-down list. You'll be able to select any one of them. By default, the first in the list will be selected. 

Inverse Transform

Invert the transform. 

Information 

The Information section will provide details such as the OCIO configuration selected. It also includes error information. For example, if you change OCIO Configuration in the Project Settings and if the change made makes the current effect invalid.

These effects can be used together to apply a LUT or CDL created to work in a specific color space that is different from the selected working color space:

  • Apply the OCIO Color Space Transform effect to convert from Working Color Space to the color space your CDL/LUT file requires.
  • Apply LUT or CDL using the OCIO File Transform effect.
  • Apply the OCIO Color Space Transform effect again to convert back to Working Color Space.

 Adobe

Få hjälp snabbare och enklare

Ny användare?