Choose Window > Match Loudness to open the Match Loudness panel.
- Audition User Guide
- Introduction
- Workspace and setup
- Digital audio fundamentals
- Importing, recording, and playing
- Multichannel audio workflow
- Create, open, or import files in Adobe Audition
- Importing with the Files panel
- Extracting audio from CDs
- Supported import formats
- Navigate time and playing audio in Adobe Audition
- Recording audio
- Monitoring recording and playback levels
- Remove silences from your audio recordings
- Editing audio files
- Edit, repair, and improve audio using Essential Sound panel
- Session Markers and Clip Marker for Multitrack
- Generating text-to-speech
- Matching loudness across multiple audio files
- Displaying audio in the Waveform Editor
- Selecting audio
- How to copy, cut, paste, and delete audio in Audition
- Visually fading and changing amplitude
- Working with markers
- Inverting, reversing, and silencing audio
- How to automate common tasks in Audition
- Analyze phase, frequency, and amplitude with Audition
- Frequency Band Splitter
- Undo, redo, and history
- Converting sample types
- Creating podcasts using Audition
- Applying effects
- Enabling CEP extensions
- Effects controls
- Applying effects in the Waveform Editor
- Applying effects in the Multitrack Editor
- Adding third party plugins
- Notch Filter effect
- Fade and Gain Envelope effects (Waveform Editor only)
- Manual Pitch Correction effect (Waveform Editor only)
- Graphic Phase Shifter effect
- Doppler Shifter effect (Waveform Editor only)
- Effects reference
- Apply amplitude and compression effects to audio
- Delay and echo effects
- Diagnostics effects (Waveform Editor only) for Audition
- Filter and equalizer effects
- Modulation effects
- Reduce noise and restore audio
- Reverb effects
- How to use special effects with Audition
- Stereo imagery effects
- Time and pitch manipulation effects
- Generate tones and noise
- Mixing multitrack sessions
- Video and surround sound
- Keyboard shortcuts
- Saving and exporting
In Audition, you can measure loudness in audio clips and apply correction to support various loudness standards and true peak limiting.
Match loudness across multiple audio files
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Drag one or more audio files and drop them in the panel.
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Click Scan to analyze the current loudness values for each clip.
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Click Match Loudness Settings to expand the loudness parameter group.
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From the Match To drop-down list, select a loudness standard for your region.
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Adjust the Maximum True Peak Level, loudness and tolerance levels and click Run.
Merk:Maximum True Peak Limiting prevents a signal from crossing a pre-defined limit, which otherwise can potentially damage speakers and other output devices. True Peak Limiting ensures that the signal never exceeds the limit.
List of loudness standards in Audition
- ITU BS1770
- ITU BS1770-2
- ITU BS1770-3 only differs from ITU BS1770-2 by removing filters from the true peak level measurement that have been optional beforehand.
- EBU R128 (Target Loudness: -23 LUFS +/-0.5 LUFS (+/-1 LUFS for live content), True Peak: -1dB). EBU also provides corresponding test signals.
- EBU TECH3341 defines how to measure momentary, short-term and integrated loudness based on ITU BS1770-2
- EBU TECH3342 defines how to measure loudness range (LRA) based on short-term loudness (using a relative gate of -20LU instead of -10LU) and taking the 10th and 95th percentile
- EBU TECH3343 describes the correction part of the loudness workflow (see chapter 4.4 and 6)
- EBU TECH3344 describes loudness metering usage in distribution systems
- EBU R128 s1 defines loudness measurement for short form content such as commercials
- ATSC A/85 (Target Loudness: -24 LUFS +/-2 LUFS, True Peak: -2dB)
- FreeTV OP59
- ARIB TR-B32
- PRSS (National Public Radio)