Hover over the In or Out Grip
tool at the center of the area between your set In and Out points until the cursor turns into a hand.- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
- Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Editing
- Edit video
- Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
- Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
- Titles, Graphics, and Captions
- Overview of the Essential Graphics panel
- Graphics and Titles
- Graphics
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Install and use Motion Graphics templates
- Replace images or videos in Motion Graphics templates
- Use data-driven Motion Graphics templates
- Captions
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
- Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
- Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Learn how to set In and Out points in the Source Monitor. Use it to preview and select individual clips or segments from your media files before adding them to your timeline.
When you import a video or audio file, you can use the Source Monitor to preview it and select the portions you want to use in your sequence. You can also use it to add markers, set clip In and Out points, and adjust various settings such as the playback speed, volume, and video and audio effects.
Open a clip in the Source Monitor
To open a clip in the Source Monitor, double-click the clip in the Project panel or Timeline panel.
Open and view recent clips from the Source Monitor
You can import more than one clip in the Source Monitor. However, you can view only one clip at a time. Select the three stacked lines next to the sequence name to view recently imported clips and choose a clip from the drop-down list.
Set In and Out points in the Source Monitor
To mark an In point: Drag the playhead to the frame you want. Then select the Mark In button, or press the I key.
To mark an Out point: Drag the playhead to the frame you want. Then select the Mark Out button , or press the O key.
After you mark In and Out points, you can always adjust them before you edit the clip into the sequence by dragging them to new positions in the time ruler. You can also drag the playhead to a new frame and use the Mark In or Mark Out buttons to set new In or Out points.
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Hold and drag the In or Out Grip to a different position on the Source Monitor time ruler.
This technique works with sequence In and Out points using the Program Monitor or a Timeline panel.
Adjusting edit points in the Source Monitor
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Set the In and Out points in the Source Monitor.
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Edit the clip into the Timeline.
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Double-click the clip to load it into the Source Monitor.
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Hold and drag the In or Out Grip to a different position on the Source Monitor time ruler.
Viewing in and out frames works only with clips you’ve opened in the Source Monitor from a sequence.
Cue In point and Out point
You use the Source Monitor to cue a frame for a clip and the Program Monitor to cue the current frame for a sequence.
Do one of the following:
- Select the Go To In Point button to cue the current time to an In point.
- Select the Go To Out Point button to remind the current time to an Out point.
Cue to the previous or next edit
Hold the Down Arrow key for the Go To Next Edit Point command and the Up Arrow key for the Go To Previous Edit Point command. This command works across all tracks, selected or not.
To go to the next edit in any of the targeted tracks in the Timeline, select the Go To Next Edit Point button. To go to the previous edit in any of the targeted tracks, select the Go To Previous Edit Point button.
The Go To Next Edit Point and Go To Previous Edit Point buttons are unavailable by default. You can find these buttons in the Button Editor. It’s present in the lower right corner of the Source Monitor.
Remove In or Out point of a source clip
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Double-click a clip in the Project panel to open it in the Source Monitor.
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Choose from the following three options:
- Marker > Clear In.
- Marker > Clear Out.
- Marker > Clear In and Out.
Timeline clip instances are not the same as source clips. It isn't possible to remove In or Out points from timeline clips that have been loaded into the Source Monitor.