- Guía del usuario de Photoshop Elements
- Introducción a Photoshop Elements
- Entorno y espacio de trabajo
- Familiarícese con la pantalla de inicio
- Conceptos básicos del espacio de trabajo
- Preferencias
- Herramientas
- Paneles y cestas
- Apertura de archivos
- Reglas, cuadrículas y guías
- Modo rápido mejorado
- Información de archivo
- Ajustes preestablecidos y bibliotecas
- Compatibilidad con toque múltiple
- Discos de memoria virtual, plugins y actualizaciones de la aplicación
- Acciones de deshacer, rehacer y cancelar
- Visualización de imágenes
- Corrección y mejora de fotografías
- Redimensionar imágenes
- Recorte de fotografías
- Procesamiento de archivos de imagen RAW de cámara
- Adición de desenfoque, sustitución de colores y clonación de áreas de imagen
- Ajuste de sombras y luz
- Retoque y corrección de fotografías
- Enfocar fotografías
- Transformación
- Tono inteligente automático
- Recomposición
- Uso de acciones para procesar fotografías
- Composición de Photomerge
- Creación de imágenes panorámicas
- Superposiciones en movimiento
- Elementos en movimiento
- Adición de formas y texto
- Acciones rápidas
- Filtros, efectos y ediciones guiadas
- Modo Guiada
- Filtros
- Modo de edición Guiada: ediciones de Photomerge
- Modo guiado: ediciones básicas
- Filtros de ajuste
- Efectos
- Ediciones divertidas del modo de edición Guiada
- Ediciones especiales del modo de edición Guiada
- Filtros artísticos
- Modo de edición Guiada: modificaciones del color
- Modo guiado: ediciones de blanco y negro
- Filtros de desenfoque
- Filtros de trazos de pincel
- Filtros de distorsión
- Otros filtros
- Filtros de ruido
- Filtros para interpretar
- Filtros para bosquejar
- Filtros para estilizar
- Filtros de textura
- Filtros para pixelizar
- Trabajo con colores
- Trabajo con selecciones
- Trabajo con capas
- Creación de proyectos fotográficos
- Almacenamiento, impresión y uso compartido de fotografías
- Guardado de imágenes
- Impresión de fotografías
- Uso compartido de fotografías en línea
- Optimización de imágenes
- Optimización de imágenes para el formato JPEG
- Tramado en imágenes Web
- Edición guiada - Panel Compartir
- Previsualización de imágenes Web
- Uso de transparencia y mates
- Optimización de imágenes para los formatos GIF o PNG-8
- Optimización de imágenes para el formato PNG-24
- Métodos abreviados de teclado
- Teclas para seleccionar herramientas
- Teclas para seleccionar y mover objetos
- Teclas para el panel Capas
- Teclas para mostrar u ocultar los paneles (modo Experto)
- Teclas para pintura y pinceles
- Teclas para utilizar texto
- Teclas para el filtro Licuar
- Teclas para transformar selecciones
- Teclas para el panel Muestras de color
- Teclas para el cuadro de diálogo Camera Raw
- Teclas para la Galería de filtros
- Teclas para utilizar modos de fusión
- Teclas para ver imágenes (modo avanzado)
About adjustment and fill layers
Adjustment layers let you experiment with color and make tonal adjustments without permanently modifying the pixels in an image. You can think of an adjustment layer as a veil coloring the underlying layers. By default, an adjustment layer affects all layers below it, although you can change this behavior. When you create an adjustment layer, the Layers panel displays a white box representing the adjustment for that layer.
Fill layers let you fill a layer with a solid color, gradient, or pattern. Unlike adjustment layers, fill layers do not affect the layers below them. To paint on a fill layer, you must first convert it (simplify it) into a regular layer.
Adjustment and fill layers have the same opacity and blending mode options as image layers, and you can move and reposition them just as you do image layers. By default, adjustment and fill layers are named for their type (for example, Solid Color fill layer and Invert adjustment layer).
A. Fill layers B. Adjustment layers
Create adjustment layers
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In the Layers panel, select the topmost layer you want to affect.
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To confine the effects of the adjustment layer to a selected area in that layer, make a selection.
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Do one of the following:
To affect all the layers below the adjustment layer, click the Create New Fill or Adjustment Layer button in the Layers panel. Then, choose one of the following adjustment types. (The first three options in the menu are fill layers, not adjustment layers.)
- To affect only one layer or several successive layers below the adjustment layer, choose Layer> New Adjustment Layer> [adjustment type]. In the New Layer dialog box, select Use Previous Layer to Create Clipping Mask, and then click OK.
Levels
Corrects tonal values in the image.
Brightness/Contrast
Lightens or darkens the image.
Hue/Saturation
Adjusts colors in the image.
Gradient Map
Maps pixels to the color in the selected gradient.
Photo Filter
Adjusts the color balance and color temperature of the image.
Invert
Produces a photo negative effect by creating a negative based on the brightness values of the image.
Threshold
Renders the image in monochrome with no gray, so that you can locate the lightest and darkest areas.
Posterize
Gives a flat, poster-like appearance to a photo by reducing the number of brightness values (levels) in the image, thus reducing the number of colors.
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In the dialog box, specify options and click OK.
Selecting Use Previous Layer to Create Clipping Mask in step 3, groups the adjustment layer with the layer immediately below it and the effect is confined to the group.
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To add more layers to the group, press Option and position the pointer over the line dividing the bottom most layer in the group from the layer below it. Click when the pointer changes to two overlapping circles.
Nota:Applying a correction using the Smart Brush tool or the Detail Smart Brush tool automatically creates an adjustment layer.
Create fill layers
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In the Layers panel, select the layer above which the fill layer should be.
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To confine the effects of the fill layer to a selected area, make a selection.
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Do one of the following:
Click the Create New Fill or Adjustment Layer button in the Layers panel, and choose the fill type you want to create. (The first three options listed in the panel are fill layers, the others are adjustment layers.)
Choose Layer > New Fill Layer > [fill type]. In the New Layer dialog box, click OK.
Solid Color
Creates a layer filled with a solid color chosen from the Color Picker.
Gradient
Creates a layer filled with a gradient. You can choose a predefined gradient from the Gradient menu. To edit the gradient in the Gradient Editor, click the color gradient. You can drag within the image window to move the center of the gradient.
You can also specify the shape of the gradient (Style) and the angle at which it is applied (Angle). Select Reverse to flip its orientation, Dither to reduce banding, and Align With Layer to use the layer’s bounding box to calculate the gradient fill.
Pattern
Creates a layer filled with a pattern. Click the pattern, and choose a pattern from the pop‑up panel. You can scale the pattern and choose Snap To Origin to position the origin of the pattern with that of the document window. To specify that the pattern moves with the Fill layer as it is relocated, select Link With Layer. When this option is selected, you can drag within the image to position the pattern while the Pattern Fill dialog box is open. To create a new preset pattern after editing pattern settings, click the New Preset button.
Edit an adjustment or fill layer
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Open the adjustment or fill options dialog box by doing one of the following:
Double-click the adjustment or fill layer’s leftmost thumbnail in the Layers panel.
Select the layer in the panel and choose Layer > Layer Content Options.
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Make your changes, and click OK.
Merging adjustment layers
You can merge an adjustment or fill layer in several ways: with the layer below it, with other selected layers, with the layers in its own group, with the layers it’s linked to, and with all other visible layers. You cannot, however, use an adjustment layer or fill layer as the base or target layer for a merge.
When you merge an adjustment layer or fill layer with the layer below it, the adjustments are simplified and permanently applied to the merged layer. The adjustment no longer affects other layers below the merged adjustment layer. You can also convert (simplify) a fill layer into an image layer without merging it.
Adjustment layers and fill layers with masks (the layer’s rightmost thumbnail in the Layers panel) that contain only white values do not add significantly to the file size, so you don’t need to merge these adjustment layers to conserve file space.
Edit the layer masks
A layer mask prevents sections of a layer, or an entire layer, from being visible. You use the mask to show or hide sections of an image or an effect. When the layer mask (right thumbnail) attached to an adjustment layer is completely white, the adjustment effect is applied to all underlying layers. If you don’t want to apply the effect to certain portions of the underlying layers, paint the corresponding area of the mask with black. When attached to a fill layer, the mask defines the filled‑in area in the fill layer.
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Select the adjustment or fill layer in the Layers panel.
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Select the Brush tool, or any painting or editing tool.
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Use the following methods to view the layer mask:
To view only the mask, Option-click the layer mask’s thumbnail (the rightmost thumbnail). Option-click the thumbnail again to redisplay the other layers.
To view the mask in a red masking color, hold down Option+Shift and click the layer mask’s thumbnail (the rightmost thumbnail). Hold down Option+Shift and click the thumbnail again to turn off the red display.
To constrain editing to part of the mask, select the corresponding pixels.
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Edit the layer mask:
To remove areas of the adjustment effect or fill, paint the layer mask with black.
To add areas to the adjustment effect or fill, paint the layer mask with white.
To partially remove the adjustment effect or fill so that it shows in various levels of transparency, paint the layer mask with gray. (Single-click the foreground color swatch in the toolbox to choose a gray shade from the Swatches panel.) The extent to which the effect or fill is removed depends on the tones of gray you use to paint. Darker shades result in more transparency; lighter shades in more opacity.
Nota:Shift-click the mask thumbnail (the layer’s rightmost thumbnail) in the Layers panel to turn off the mask; click the thumbnail again to turn on the mask.