- Photoshop User Guide
- Introduction to Photoshop
- Photoshop and other Adobe products and services
- Work with Illustrator artwork in Photoshop
- Work with Photoshop files in InDesign
- Substance 3D Materials for Photoshop
- Photoshop and Adobe Stock
- Use the Capture in-app extension in Photoshop
- Creative Cloud Libraries
- Creative Cloud Libraries in Photoshop
- Use the Touch Bar with Photoshop
- Grid and guides
- Creating actions
- Undo and history
- Photoshop on the iPad
- Photoshop on the iPad | Common questions
- Get to know the workspace
- System requirements | Photoshop on the iPad
- Create, open, and export documents
- Add photos
- Work with layers
- Draw and paint with brushes
- Make selections and add masks
- Retouch your composites
- Work with adjustment layers
- Adjust the tonality of your composite with Curves
- Apply transform operations
- Crop and rotate your composites
- Rotate, pan, zoom, and reset the canvas
- Work with Type layers
- Work with Photoshop and Lightroom
- Get missing fonts in Photoshop on the iPad
- Japanese Text in Photoshop on the iPad
- Manage app settings
- Touch shortcuts and gestures
- Keyboard shortcuts
- Edit your image size
- Livestream as you create in Photoshop on the iPad
- Correct imperfections with the Healing Brush
- Create brushes in Capture and use them in Photoshop
- Work with Camera Raw files
- Create and work with Smart Objects
- Adjust exposure in your images with Dodge and Burn
- Photoshop on the web beta
- Common questions | Photoshop on the web beta
- Introduction to the workspace
- System requirements | Photoshop on the web beta
- Keyboard shortcuts | Photoshop on the web beta
- Supported file types | Photoshop on the web beta
- Open and work with cloud documents
- Collaborate with stakeholders
- Apply limited edits to your cloud documents
- Cloud documents
- Photoshop cloud documents | Common questions
- Photoshop cloud documents | Workflow questions
- Manage and work with cloud documents in Photoshop
- Upgrade cloud storage for Photoshop
- Unable to create or save a cloud document
- Solve Photoshop cloud document errors
- Collect cloud document sync logs
- Share access and edit your cloud documents
- Share files and comment in-app
- Workspace
- Workspace basics
- Learn faster with the Photoshop Discover Panel
- Create documents
- Use the Touch Bar with Photoshop
- Tool galleries
- Performance preferences
- Use tools
- Touch gestures
- Touch capabilities and customizable workspaces
- Technology previews
- Metadata and notes
- Default keyboard shortcuts
- Touch capabilities and customizable workspaces
- Place Photoshop images in other applications
- Preferences
- Default keyboard shortcuts
- Rulers
- Show or hide non-printing Extras
- Specify columns for an image
- Undo and history
- Panels and menus
- Place files
- Position elements with snapping
- Position with the Ruler tool
- Presets
- Customize keyboard shortcuts
- Grid and guides
- Web, screen, and app design
- Image and color basics
- How to resize images
- Work with raster and vector images
- Image size and resolution
- Acquire images from cameras and scanners
- Create, open, and import images
- View images
- Invalid JPEG Marker error | Opening images
- Viewing multiple images
- Customize color pickers and swatches
- High dynamic range images
- Match colors in your image
- Convert between color modes
- Color modes
- Erase parts of an image
- Blending modes
- Choose colors
- Customize indexed color tables
- Image information
- Distort filters are unavailable
- About color
- Color and monochrome adjustments using channels
- Choose colors in the Color and Swatches panels
- Sample
- Color mode or Image mode
- Color cast
- Add a conditional mode change to an action
- Add swatches from HTML CSS and SVG
- Bit depth and preferences
- Layers
- Layer basics
- Nondestructive editing
- Create and manage layers and groups
- Select, group, and link layers
- Place images into frames
- Layer opacity and blending
- Mask layers
- Apply Smart Filters
- Layer comps
- Move, stack, and lock layers
- Mask layers with vector masks
- Manage layers and groups
- Layer effects and styles
- Edit layer masks
- Extract assets
- Reveal layers with clipping masks
- Generate image assets from layers
- Work with Smart Objects
- Blending modes
- Combine multiple images into a group portrait
- Combine images with Auto-Blend Layers
- Align and distribute layers
- Copy CSS from layers
- Load selections from a layer or layer mask's boundaries
- Knockout to reveal content from other layers
- Layer
- Flattening
- Composite
- Background
- Selections
- Select and Mask workspace
- Make quick selections
- Get started with selections
- Select with the marquee tools
- Select with the lasso tools
- Select a color range in an image
- Adjust pixel selections
- Convert between paths and selection borders
- Channel basics
- Move, copy, and delete selected pixels
- Create a temporary quick mask
- Save selections and alpha channel masks
- Select the image areas in focus
- Duplicate, split, and merge channels
- Channel calculations
- Selection
- Bounding box
- Image adjustments
- Perspective warp
- Reduce camera shake blurring
- Healing brush examples
- Export color lookup tables
- Adjust image sharpness and blur
- Understand color adjustments
- Apply a Brightness/Contrast adjustment
- Adjust shadow and highlight detail
- Levels adjustment
- Adjust hue and saturation
- Adjust vibrance
- Adjust color saturation in image areas
- Make quick tonal adjustments
- Apply special color effects to images
- Enhance your image with color balance adjustments
- High dynamic range images
- View histograms and pixel values
- Match colors in your image
- How to crop and straighten photos
- Convert a color image to black and white
- Adjustment and fill layers
- Curves adjustment
- Blending modes
- Target images for press
- Adjust color and tone with Levels and Curves eyedroppers
- Adjust HDR exposure and toning
- Filter
- Blur
- Dodge or burn image areas
- Make selective color adjustments
- Replace object colors
- Adobe Camera Raw
- Camera Raw system requirements
- What's new in Camera Raw
- Introduction to Camera Raw
- Create panoramas
- Supported lenses
- Vignette, grain, and dehaze effects in Camera Raw
- Default keyboard shortcuts
- Automatic perspective correction in Camera Raw
- How to make non-destructive edits in Camera Raw
- Radial Filter in Camera Raw
- Manage Camera Raw settings
- Open, process, and save images in Camera Raw
- Repair images with the Enhanced Spot Removal tool in Camera Raw
- Rotate, crop, and adjust images
- Adjust color rendering in Camera Raw
- Feature summary | Adobe Camera Raw | 2018 releases
- New features summary
- Process versions in Camera Raw
- Make local adjustments in Camera Raw
- Image repair and restoration
- Image transformations
- Drawing and painting
- Paint symmetrical patterns
- Draw rectangles and modify stroke options
- About drawing
- Draw and edit shapes
- Painting tools
- Create and modify brushes
- Blending modes
- Add color to paths
- Edit paths
- Paint with the Mixer Brush
- Brush presets
- Gradients
- Gradient interpolation
- Fill and stroke selections, layers, and paths
- Draw with the Pen tools
- Create patterns
- Generate a pattern using the Pattern Maker
- Manage paths
- Manage pattern libraries and presets
- Draw or paint with a graphics tablet
- Create textured brushes
- Add dynamic elements to brushes
- Gradient
- Paint stylized strokes with the Art History Brush
- Paint with a pattern
- Sync presets on multiple devices
- Text
- Add and edit the text
- Unified Text Engine
- Work with OpenType SVG fonts
- Format characters
- Format paragraphs
- How to create type effects
- Edit text
- Line and character spacing
- Arabic and Hebrew type
- Fonts
- Troubleshoot fonts
- Asian type
- Create type
- Text Engine error using Type tool in Photoshop | Windows 8
- Add and edit the text
- Video and animation
- Filters and effects
- Saving and exporting
- Printing
- Automation
- Color Management
- Content authenticity
- 3D and technical imaging
- Photoshop 3D | Common questions around discontinued 3D features
- Creative Cloud 3D Animation (Preview)
- Print 3D objects
- 3D painting
- 3D panel enhancements | Photoshop
- Essential 3D concepts and tools
- 3D rendering and saving
- Create 3D objects and animations
- Image stacks
- 3D workflow
- Measurement
- DICOM files
- Photoshop and MATLAB
- Count objects in an image
- Combine and convert 3D objects
- 3D texture editing
- Adjust HDR exposure and toning
- 3D panel settings
Learn how to create gradients of different types with Photoshop
Topics in this article:
Applying gradients is one of the main workflows that constitutes the fundamentals of digital image manipulation. Gradient provides you the information about the change in the color intensity in your image in a given direction.
The Gradient tool creates a gradual blend between multiple colors. You can choose from preset gradient fills or create your own.
You cannot use the Gradient tool with bitmap or indexed-color images.
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To fill part of the image, select the desired area. Otherwise, the gradient fill is applied to the entire active layer.
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Select the Gradient tool
. (If the tool isn't visible, hold down the Paint Bucket tool.)
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In the options bar, choose a fill from the wide gradient sample:
Select the triangle next to the sample to pick a preset gradient fill.
Select inside the sample to view the Gradient Editor. Select a preset gradient fill, or create a new gradient fill. (See Create a smooth gradient.)
Note:The Neutral Density preset provides a helpful photographic filter for sunsets and other high-contrast scenes.
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Select an option to determine how the starting point (where the mouse is pressed) and ending point (where the mouse is released) affect gradient appearance.
Linear Gradient
Shades from the starting point to the ending point in a straight line.
Radial Gradient
Shades from the starting point to the ending point in a circular pattern.
Angular Gradient
Shades in a counterclockwise sweep around the starting point.
Reflected Gradient
Mirrors the same linear gradient on either side of the starting point.
Diamond Gradient
Shades from the middle to the outer corners of a diamond pattern.
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Do the following in the options bar:
- Specify a blending mode and opacity for the paint. (See Blending modes.)
- To reverse the order of colors in the gradient fill, select Reverse.
- To create a smoother blend with less banding, select Dither.
- To use a transparency mask for the gradient fill, select Transparency. (See Specify the gradient transparency.)
- To select a method for the gradient fill, choose from the method options: Perceptual, Linear, or Classic. (See Gradient interpolation in Photoshop.)
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Position the pointer in the image where you want to set the starting point of the gradient, and drag to define the ending point. To constrain the line angle to a multiple of 45°, hold down Shift as you drag.
Beta feature available in the Photoshop (Beta) app
Beta features are now available for development, testing, and feedback in Photoshop (Beta) desktop app.
To install Photoshop (Beta), visit the Beta apps tab of your Creative Cloud desktop app and select Install next to Photoshop (Beta).
For more help, please visit the Adobe Photoshop beta community.

With Live Gradients, you can create the color stops and edit your gradients from the canvas itself. Also, you can control the color, density, opacity, and blend mode of the gradient, see the mid-point and spread on the canvas, add multiple color stops, and change the color of the color stops to edit the gradient with this feature.
The Gradient Tool can decide which mode (Gradient or Classic gradient) is the correct mode based on the layer selected in your file. When you use the Gradient Tool in Gradient mode, it enables Live Gradients.
When a pixel layer is selected, you can choose the way you want to work, non-destructively (Gradient mode) or destructively (Classic gradient mode). When working on a gradient fill layer, the tool switches to the correct mode based on the layer selected, gradient fill or mask.
To use the new Live Gradients feature, do the following:
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Use the gradient widget to adjust your gradient and see its impact in real-time. Add color stops and opacity stops, and move those to make the color, density, opacity, and blend mode adjustments to the gradients.
Tapping anywhere on the path adds a color stop to it. The color added will be the color active on the fill property.
Apply gradients to layers
To apply a gradient to text layers as a layer effect, do any of the following:
- Select one or more text layers in the Layers panel and then click any gradient in the Gradients panel to apply it.
- Drag a gradient from the Gradients panel onto the text content on the canvas area.
- Drag a gradient from the Gradients panel onto a layer in the Layers panel.
To apply a gradient to a shape layer as shape fill, do any of the following:
- Select one or more text layers in the Layers panel and then click any gradient in the Gradients panel to apply it.
- Drag a gradient from the Gradients panel onto the text content on the canvas area.
- Drag a gradient from the Gradients panel onto a layer in the Layers panel.
To apply a gradient to text layers or shape layer as a fill layer, do any of the following:
- Hold Command (Mac)/ Alt (Win) and drag a gradient from the Gradients panel onto the text content on the canvas area.
- Hold Command (Mac)/ Alt (Win) and drag a gradient from the Gradients panel onto a layer in the Layers panel.
To apply a gradient to pixel layers, do the following:
- Drag a gradient from the Gradients panel onto a pixel layer in the Layers panel.
- Photoshop automatically creates a fill layer on top of the pixel layer.
Organize gradient presets into groups
To organize gradients under a new group:
- In the Gradients panel (Window > Gradients), click the Create New Group icon.
- Specify a group name and click OK.
- Drag a gradient or use the Shift key to select multiple gradients to drag them inside the Group.
To create nested groups:
- Select a group in the Gradients panel.
- Now, drag and drop that group under another group.
Show legacy gradients
From the Gradients panel menu, choose Legacy Gradients.
Return to the default gradient presets
Choose Append Default Gradients from the Gradients panel menu to append the Gradients defaults to the list of Gradients presets.

Change how preset gradients are displayed
Choose a display option from the Gradients panel menu:
Text Only
Displays the gradients as a list.
Small or Large Thumbnail
Displays the gradients as thumbnails.
Small or Large List
Displays the gradients as a list with thumbnails.
Rename a preset gradient
- If the panel is set to display gradients as thumbnails, double-click a gradient, enter a new name, and click OK.
- If the panel is set to display gradients as a list or text only, double-click a gradient, enter a new name inline, and press Enter (Windows) or Return (Mac OS).
To display the Gradient Editor dialog box, click the current gradient sample in the options bar. (When you hover over the gradient sample, a tool tip reading "Click to edit gradient" appears.)
The Gradient Editor dialog box lets you define a new gradient by modifying a copy of an existing gradient. You can also add intermediate colors to a gradient, creating a blend between more than two colors.

A. Panel menu B. Opacity stop C. Color stops D. Adjust values or delete the selected opacity or color stop E. Midpoint
Save a set of preset gradients as a library
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Click Save in the Gradient Editor dialog box, or choose Save Gradients from the Gradient Picker menu in the options bar.
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Choose a location for the gradient library, enter a file name, and click Save.
You can save the library anywhere. However, if you place the library file in the Presets/Gradients folder in the default preset location, the library name will appear at the bottom of the panel menu after you restart Photoshop.
Load a library of preset gradients
Click Load to add a library to the current list. Select the library file you want to use, and click Load.
Choose Replace Gradients from the panel menu to replace the current list with a different library. Select the library file you want to use, and click Load.
Choose a library file from the bottom of the panel menu. Click OK to replace the current list, or click Append to append the current list.
You can also choose Load Gradients, Replace Gradients, or choose a library of gradients from the Gradient Picker menu in the options bar.
-
Select the Gradient tool
.
-
Click inside the gradient sample in the options bar to display the Gradient Editor dialog box.
-
To base the new gradient on an existing gradient, select a gradient in the Presets section of the dialog box.
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Choose Solid from the Gradient Type pop‑up menu.
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To define the starting color of the gradient, click the left color stop
under the gradient bar. The triangle above the stop turns black
, indicating that the starting color is being edited.
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To choose a color, do one of the following:
Double-click the color stop, or click the color swatch in the Stops section of the dialog box. Choose a color, and click OK.
Choose an option from the Color pop‑up menu in the Stops section of the dialog box.
Position the pointer over the gradient bar (the pointer turns into the eyedropper), and click to sample a color, or click anywhere in the image to sample a color from the image.
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To define the ending color, click the right color stop under the gradient bar. Then choose a color.
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To adjust the location of the starting point or ending point, do one of the following:
Drag the corresponding color stop left or right to the location you want.
Click the corresponding color stop, and enter a value for Location in the Stops section of the dialog box. A value of 0% places the point at the far left end of the gradient bar; a value of 100%, at the far right end.
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To adjust the location of the midpoint (where the gradient displays an even mix of the starting and ending colors), drag the diamond
below the gradient bar to the left or right, or click the diamond, and enter a value for Location.
-
To add intermediate colors to a gradient, click below the gradient bar to define another color stop. Specify the color and adjust the location and midpoint for the intermediate point as you would for a starting or ending point.
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To delete the color stop you are editing, click Delete, or drag the stop downwards until it disappears.
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To control the transition between color bands in the gradient, enter a value in the Smoothness text box, or drag the Smoothness pop‑up slider.
The smoothness describes how we pick the color in a given band as we go from color stop to midpoint to color-stop across the whole gradient. With a simple gradient with 2 stops and a default midpoint, theoretically, smoothness has no effect. The stop values are already in a line. The smoothness 0 value goes in straight lines connecting stops and midpoints, while a 100% value does a spline curve. -
If desired, set transparency values for the gradient.
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Enter a name for the new gradient.
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To save the gradient as a preset, click New after you have finished creating the gradient.Note:
New presets are saved in a Preferences file. If this file is deleted or damaged, or if you reset presets to the default library, the new presets will be lost. To permanently save new presets, save them in a library.
Each gradient fill contains settings that control the opacity of the fill at different locations on the gradient. For example, you can set the starting color to 100% opacity and have the fill gradually blend into an ending color with 50% opacity. The checkerboard pattern indicates the amount of transparency in the gradient preview.
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Create a gradient.
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To adjust the starting opacity, click the left opacity stop above the gradient bar. The triangle below the stop turns black, indicating that the starting transparency is being edited.
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In the Stops section of the dialog box, enter a value in the Opacity text box, or drag the Opacity pop‑up slider.
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To adjust the opacity of the end point, click the right transparency stop above the gradient bar. Then set the opacity in the Stops section.
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To adjust the location of the starting or ending opacity, do one of the following:
Drag the corresponding opacity stop to the left or right.
Select the corresponding opacity stop, and enter a value for Location.
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To adjust the location of the midpoint opacity (the point midway between the starting and ending opacities), do one of the following:
Drag the diamond above the gradient bar to the left or right.
Select the diamond and enter a value for Location.
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To delete the opacity stop you are editing, click Delete.
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To add an intermediate opacity to the mask, click above the gradient bar to define a new opacity stop. You can then adjust and move this opacity as you would for a starting or ending opacity. To remove an intermediate opacity, drag its transparency stop up and off the gradient bar.
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To create a preset gradient, enter a name in the Name text box, and click New. This creates a new gradient preset with the transparency setting you specified.
A noise gradient is a gradient that contains randomly distributed colors within the range of colors that you specify.

A. 10% roughness B. 50% roughness C. 90% roughness
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Select the Gradient tool
.
-
Click in the gradient sample in the options bar to display the Gradient Editor dialog box.
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To base the new gradient on an existing gradient, select a gradient in the Presets section of the dialog box.
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Choose Noise from the Gradient Type pop‑up menu, and set the following options:
Roughness
Controls how gradual the transitions are between color bands in the gradient.
Color Model
Changes the color components you can adjust. For each component, drag the sliders to define the range of acceptable values. For example, if you choose the HSB model, you can restrict the gradient to blue-green hues, high saturation, and medium brightness.
Restrict Colors
Prevents oversaturated colors.
Add Transparency
Adds transparency to random colors.
Randomize
Randomly creates a gradient that conforms to the settings above. Click the button until you find a setting you like.
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To create a preset gradient with the settings you've specified, enter a name in the Name text box, and click New.
Julieanne Kost
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