Types of effects in Premiere Pro

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Features in Beta
      1. New import & export in Premiere Pro (Beta)
      2. FAQ | New import and export in Premiere Pro (Beta)
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Release Notes | Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Creating projects
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
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  7. Capturing and importing
    1. Capturing
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      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    4. Supported file formats
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    6. Working with timecode
  8. Editing
    1. Sequences
      1. Create and change sequences
      2. Add clips to sequences
      3. Rearrange clips in a sequence
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      5. Edit from sequences loaded into the Source Monitor
      6. Simplify sequences
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      8. Working with markers
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    2. Video
      1. Create and play clips
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      4. Render and replace media
      5. Undo, history, and events
      6. Freeze and hold frames
      7. Working with aspect ratios
    3. Audio
      1. Overview of audio in Premiere Pro
      2. Audio Track Mixer
      3. Adjusting volume levels
      4. Editing, repairing and improving audio using Essential Sound panel
      5. Monitor clip volume and pan using Audio Clip Mixer
      6. Audio balancing and panning
      7. Advanced Audio - Submixes, downmixing, and routing
      8. Audio effects and transitions
      9. Working with audio transitions
      10. Apply effects to audio
      11. Measure audio using the Loudness Radar effect
      12. Recording audio mixes
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      14. Audio channel mapping in Premiere Pro
      15. Use Adobe Stock audio in Premiere Pro
    4. Advanced editing
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      3. Set up and use Head Mounted Display for immersive video in Premiere Pro
      4. Editing VR
    5. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
  9. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Effect presets
      4. Automatically reframe video for different social media channels
      5. Color correction effects
      6. Change duration and speed of clips
      7. Adjustment Layers
      8. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  10. Graphics, Titles, and Animation
    1. Graphics and titles
      1. Create titles and motion graphics
      2. Applying text gradients in Premiere Pro
      3. Using Motion Graphics templates for titles
      4. Replace images or videos in Motion Graphics templates
      5. Use data-driven Motion Graphics templates
      6. Best Practices: Faster graphics workflows
      7. Add Responsive Design features to your graphics
      8. Working with captions
      9. Speech to Text
      10. Speech to Text in Premiere Pro | FAQ
      11. Upgrade Legacy titles to Source Graphics
    2. Animation and Keyframing
      1. Adding, navigating, and setting keyframes
      2. Animating effects
      3. Use Motion effect to edit and animate clips
      4. Optimize keyframe automation
      5. Moving and copying keyframes
      6. Viewing and adjusting effects and keyframes
  11. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  12. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Get creative with color using Lumetri looks
    3. Adjust color using RBG and Hue Saturation Curves
    4. Correct and match colors between shots
    5. Using HSL Secondary controls in the Lumetri Color panel
    6. Create vignettes
    7. Looks and LUTs
    8. Lumetri scopes
    9. Display Color Management
    10. HDR for broadcasters
    11. Enable DirectX HDR support
  13. Exporting media
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    4. Export a still image
    5. Exporting projects for other applications
    6. Exporting OMF files for Pro Tools
    7. Export to Panasonic P2 format
    8. Exporting to DVD or Blu-ray Disc
    9. Best Practices: Export faster
  14. Working with other Adobe applications
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    2. Dynamic Link
    3. Audition
    4. Prelude
  15. Organizing and Managing Assets
    1. Working in the Project panel
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    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Using Productions
    8. How clips work across projects in a Production
    9. Consolidate, transcode, and archive projects
    10. Managing metadata
    11. Best Practices
      1. Best Practices: Working with Productions
      2. Best Practices: Learning from broadcast production
      3. Best Practices: Working with native formats
  16. Improving Performance and Troubleshooting
    1. Set preferences
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    3. Working with Proxies
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    5. Premiere Pro for Apple silicon
    6. Eliminate flicker
    7. Interlacing and field order
    8. Smart rendering
    9. Control surface support
    10. Best Practices: Working with native formats
    11. Knowledge Base
      1. Green and pink video in Premiere Pro or Premiere Rush
      2. How do I manage the Media Cache in Premiere Pro?
      3. Fix errors when rendering or exporting
      4. Troubleshoot issues related to playback and performance in Premiere Pro
  17. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media


Explore the variety of audio and video effects that Premiere Pro offers. Also learn how to find and organize effects in the Effects panel.

Premiere Pro includes various audio and video effects that you can apply to clips in your video program. An effect can add a special visual or audio characteristic or provide an unusual feature attribute. For example, an effect can alter the exposure or color of footage, manipulate sound, distort images, or add artistic effects. You can also use effects to rotate and animate a clip or adjust its size and position within the frame. You control the intensity of an effect by the values that you set for it. You can also animate the controls for most effects using keyframes in the Effect Controls panel or in a Timeline panel.

You can create and apply presets for all effects. You can animate effects using keyframes and view information about individual keyframes directly in a Timeline panel.

Types of effects

Premiere Pro has many in-built effects. Some are fixed effects (effects that are pre-applied or built-in). Some are standard effects that you apply to a clip. Effects can also be clip-based (applied to a clip), or track-based (applied to a track). You can also use effects created by external manufacturers that you can use as a plug-in in Premiere Pro. 

Effects in Premiere Pro are also grouped into the following categories for better searchability. Three buttons appear under the search field toward the upper left of the Effects panel. These buttons act as filters for three types of effects:

When you toggle one of these buttons on, only effects and transitions of its type are shown in the list of effects below. You can toggle one or more of these buttons to filter the list of effects for any combination of attributes.

Read on for more information on all the different types of effects.

Fixed effects

Every clip you add to a Timeline panel has Fixed effects pre-applied, or built in. Fixed effects control the inherent properties of a clip and appear in the Effect Controls panel whenever the clip is selected. You can adjust all of the Fixed effects in the Effect Controls panel. However, the Program Monitor, Timeline panel, and Audio Mixer also provide controls that are often easier to use. The Fixed effects include the following:


Includes properties that allow you to animate, rotate, and scale your clips, adjust their anti-flicker property, or composite them with other clips. (To adjust the Motion effect in the Program Monitor, see Adjust position, scale, and rotation and Animate motion in the Program Monitor.)


Lets you reduce the opacity of a clip for use in such effects as overlays, fades, and dissolves.

Time Remapping

Lets you slow down, speed up, or reverse playback, or freeze a frame, for any part of a clip. Provides fine control for the acceleration or deceleration of these changes.


Controls the volume for any clip that contains audio. (For information about adjusting the Volume effect, see Adjust volume with keyframes, Adjust volume in Effect Controls, Set track volume in the Audio Mixer, Adjusting gain and volume, Normalize one or more clips, and Normalize the Master track.)

Because Fixed effects are already built in to each clip, you need only adjust their properties to activate them.

Premiere Pro renders Fixed effects after any Standard effects that are applied to the clip. Standard effects are rendered in the order in which they appear, from the top down. You can change the order of Standard effects by dragging them to a new position in the Effect Controls panel, but you can’t reorder Fixed effects.


If you want to change the render order of Fixed effects, use Standard effects instead. Use the Transform effect in place of the Motion effect. Use the Alpha Adjust effect in place of the Opacity effect, and the Volume effect in place of the fixed Volume effect. While these effects are not identical to the Fixed effects, their properties are equivalent.

Standard effects

Standard effects are additional effects that you must first apply to a clip to create a desired result. You can apply any number or combination of Standard effects to any clip in a sequence. Use Standard effects to add special characteristics or to edit your video, such as adjusting tone or trimming pixels. Premiere Pro includes many video and audio effects, which are located in the Effects panel. Standard effects must be applied to a clip and then adjusted in the Effect Controls panel. Certain video effects allow direct manipulation using handles in the Program Monitor. All Standard effect properties can be animated over time using keyframing and changing the shape of the graphs in the Effect Controls panel. The smoothness or speed of the effect animation can be fine-tuned by adjusting the shape of Bezier curves in the Effect Controls panel.


The effects listed in the Effects panel depend on the actual effect files in the language subfolder of the Premiere Pro Plug-ins folder. You can expand the repertoire of effects by adding compatible Adobe plug-in files or plug-in packages available through other third-party developers.

Clip-based and track-based effects

All video effects—both Fixed and Standard effects—are clip-based. They alter individual clips. You can apply a clip-based effect to more than one clip at a time by creating a nested sequence.

Audio effects can be applied to either clips or to tracks. To apply track-based effects, use the Audio Mixer. If you add keyframes to the effect, you can then adjust the effect either in the Audio Mixer or a Timeline panel.

Effect plug-ins

In addition to the dozens of effects included with Premiere Pro, many effects are available in the form of plug-ins. You can purchase plug-ins from Adobe or third-party vendors, or acquire from other compatible applications. For example, many Adobe After Effects plug-ins and VST plug-ins can be used in Premiere Pro. However, Adobe officially supports only plug-ins that are installed with the application.

Any effect is available to Premiere Pro when its plug-in file is present in the common Plug-ins folder:

  • (Windows) Program Files\Adobe\Common\Plug-ins\<version>\MediaCore

  • (Mac OS) /Library/Application Support/Adobe/Common/Plug-ins/<version>/MediaCore

Using the installer for a plug-in is the best way to make sure the plug-in and its related files are installed in the right place.

When you open a project with references to missing effects, Premiere Pro does the following:

  • tells you which effects are missing
  • marks the effects as offline
  • performs any rendering without the effects

For a current list of third-party plug-ins, see the Adobe website.


To edit a project containing add-on plug-ins on more than one computer, install the plug-ins on all the computers.

GPU-Accelerated effects

Here is a list of GPU accelerated effects available in Adobe Premiere Pro. For these effects, playback would be in real time and doesn't require rendering.

Some effects can take advantage of the processing power of the GPU to accelerate rendering. 

See Premiere Pro system requirements for information on supported GPUs (graphics cards).


On Mac OS, CUDA acceleration features require Mac OS X v10.6.3 or later.


Acceleration is available for an accelerated effect only when a supported video card is installed. If a supported video card is not installed, the Accelerated Effects filter button still functions. The Accelerated Effects badge is shown in a disabled state to indicate that acceleration is not available.

Disable or enable GPU acceleration of effects

  1. Choose File > Project Settings > General.

  2. In the Video Rendering And Playback section, select the appropriate renderer: Mercury Playback Engine GPU Acceleration or Mercury Playback Engine Software Only.


    This option is available to select only if your computer supports it.

32-bit Color

Premiere Pro includes some video effects and transitions that support high-bit-depth processing. When applied to high-bit-depth assets, such as v210-format video and 16-bit-per-channel (bpc) Photoshop files, these effects can be rendered with 32bpc pixels. The result is better color resolution and smoother color gradients with these assets than would be possible with the earlier standard 8 bit per channel pixels. A 32-bpc badge appears to the right of the effect name in the Effects panel for each high-bit-depth effect.

To enable high-bit-depth rendering for these effects, select the Maximum Bit Depth video rendering option in the New Sequence dialog box.


32-bpc effects render at 32 bits per channel only when every effect in the render pipeline is a 32-bpc effect. If you place an 8-bpc effect into a sequence that contains a 32-bpc effect, Premiere Pro renders all the effects in the sequence at 8 bits.

YUV effects

Effects in Premiere Pro that have the YUV logo do the processing directly on the YUV values without converting them to RGB first. The pixel values are never converted to RGB, and there is no unwanted color shifting.

These effects make it easy for you to adjust contrast and exposure without shifting color.

Search for effects

Standard effects are listed in the Effects panel and are organized into two main bins, Video Effects and Audio Effects. Within each bin, Premiere Pro lists effects by type in nested bins. For example, the Blur and Sharpen bin contains effects that defocus an image, such as Gaussian Blur and Directional Blur.

Find audio effects in bins named for the type of audio clips they support: mono, stereo, or 5.1.

You can also locate an effect by typing the effect name in the Contains box.

To open the Effects panel, choose Window > Effects, or click the Effects tab.

You can also use the filters in the Effects panel to sort filters based on whether they are Accelerated, 32-bit Color, or YUV effects. When you toggle one of these buttons on, only effects and transitions of its type are shown in the list of effects below. You can toggle one or more of these buttons to filter the list of effects for any combination of attributes.

Group effects

You can group your favorite effects by placing them together in customized bins. 

  1. In the Effects panel, click the New Custom Bin button , or choose New Custom Bin from the Effects panel menu. A new Custom bin appears in the Effects panel. You can rename it.
  2. Drag effects to the Custom bin. A copy of the effect is listed in the Custom bin. You can create more Custom bins, which are numbered.

  3. To rename the custom bin, click the existing name to select the folder, click it again to select the name field, and type the new name.

Removing custom bins

  1. In the Effects panel, select a Custom bin and do one of the following:
    • Click the Delete Custom Items button .

    • Choose Delete Custom Items from the Effects panel menu.

    • Press Delete.

    • Press Backspace.


    You can remove Custom bins only from the Effects panel.

  2. Click OK.

List of Accelerated, 32-bit, and YUV effects in Premiere Pro

Use the following filters to quickly check whether an effect is accelerated, 32-bit, or a YUV effect.

List of accelerated effects in Premiere Pro

Here is a list of the effects and transitions that can be accelerated by CUDA in Adobe Premiere Pro.

  • Lumetri Color
  • Crop
  • Warp Stabilizer
  • Ultra Key
  • Horizontal Flip
  • Brightness & Contrast
  • Transform
  • Drop Shadow
  • Dip To Black
  • Film Dissolve
  • Sharpen
  • Tint
  • Verical Flip
  • Additive Dissolve
  • Track Matte Key
  • Basic 3D
  • Mosaic
  • Fast Blur (already obsolete)
  • Dip To White
  • Lens Distortion
  • Push
  • Invert
  • Slide
  • Wipe
  • Morph Cut
  • RGB Curves (already obsolete)
  • Offset
  • Timecode
  • Edge Feather
  • Color Replace
  • Simple Text
  • Auto Reframe
  • VR Glow
  • Gamma Correction
  • ProcAmp
  • Extract
  • Alpha Glow
  • Mirror
  • VR Digital Glitch
  • Alpha Adjust
  • Fast Color Corrector (already obsolete)
  • Ramp
  • Color Pass
  • VR Blur
  • Find Edges
  • Black & White
  • VR De-Noise
  • Clip Name
  • RGB Color Corrector (already obsolete)
  • VR Chromatic Abberations
  • VR Color Gradients
  • Three-Way Color Corrector (already obsolete)
  • VR Rotate Sphere
  • SDR Conform
  • Levels
  • VR Fractal Noise
  • VR Iris Wipe
  • VR Gradient Wipe
  • VR Light Rays
  • VR Projection
  • VR Mobius Zoom
  • Noise
  • VR Chroma Leaks
  • Video Limiter
  • VR Light Leaks
  • VR Spherical Blur
  • VR Sharpen
  • VR Plane To Sphere
  • Luma Corrector (already obsolete)
  • VR Random Blocks
  • Video Limiter (already obsolete)
  • Gaussian Blur
  • Directional Blur
  • Cross Dissolve
  • Whip
  • Reduce Interlace Flicker
  • Strobe

List of 32-bit Color effects in Premiere Pro

  • Cross Dissolve
  • Dip to Black
  • Dip to White
  • Film Dissolve
  • Band Wipe
  • Barn Doors
  • Checker Wipe
  • CheckerBoard
  • Clock Wipe
  • Gradient Wipe
  • Inset
  • Pinwheel
  • Radial Wipe
  • Random Blocks
  • Random Wipe
  • Spiral Boxes
  • Venetian Blinds
  • Wedge Wipe
  • Zig-Zag Blocks

List of YUV effects in Premiere Pro

  • ProcAmp
  • Gaussian Blur
  • Lumetri Color
  • Video Limiter
  • Black & White
  • Alpha Adjust
  • Luma Key
  • Track Matte Key
  • Fast Color Corrector
  • Luma Corrector
  • Luma Curve
  • RGB Color Corrector
  • RGB Curves
  • Three-Way Color Corrector
  • Video Limiter (Legacy)
  • Crop
  • Edge Feather
  • Horizontal Flip
  • Clip Name
  • Simple Text
  • Timecode
  • Cross Dissolve
  • Dip to Black
  • Dip to White
  • Film Dissolve
  • Iris Box
  • Iris Cross
  • Iris Diamond
  • Iris Round
  • Band Slide
  • Band Wipe
  • Barn Doors
  • Checker Wipe
  • CheckerBoard
  • Clock Wipe
  • Gradient Wipe
  • Inset
  • Pinwheel
  • Radial Wipe
  • Random Blocks
  • Random Wipe
  • Spiral Boxes
  • Venetian Blinds
  • Wedge Wipe
  • Wipe
  • Zig-Zag Blocks

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