使用手冊 取消

Multi-camera editing workflow

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
      1. Generative extend overview 
      2. Generative extend FAQs
      3. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Share for review with Frame.io
    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    4. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    5. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    6. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
      11. Speech to Text
      12. Download language packs for transcription
      13. Working with captions
      14. Check spelling and Find and Replace
      15. Export text
      16. Speech to Text FAQs
    3. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Premiere Pro lets you create a multi-camera source sequence using clips from multiple camera sources. You can synchronize clips by manually setting In points, Out points, or clip markers. Or you can use audio-based syncing to accurately align clips in a multi-camera sequence.

Multi-camera editing workflow

Create a project

Click New Project from the Premiere Pro Welcome screen, or select File > New Project.

In the New Project dialog box, enter a name for the project, and click OK to accept the defaults.

Import footage

Select File > Import. In the Import dialog box that appears, navigate to the directory containing your video and audio files. Select the files to import, and click Open.

註解:

To select a range of files all at once, click the first file and Shift-click the last file while selecting all the files in between.

Create a multi-camera source sequence

  1. Import your multi-camera video and audio clips. 

  2. Select the clips and go to Clips > Create Multi-Camera Source Sequence

  3. Name your multi-camera sequence in the Create Multi-Camera Source Sequence dialog box using the Video Clip Name +, Audio Clip Name +, or Custom options.

  4. Choose how you want to synchronize your clips. 

    • In PointsOut Points: Set specific in and out points for each clip to align them manually. This option requires precise timing and is suitable for smaller projects or when audio synchronization is not crucial. For more information, see Mark clips for synchronization.
    • Timecode: If your clips have accurate timecode, select this option to synchronize them based on their timecode values. 
      • Select Create Single Multicam Source Sequence to combine the clips into a single multi-camera sequence. Use this option when the coverage from the individual shots has gaps and you want to create a sequence that preserves the gaps. If you don't choose this option, only overlapping clips are combined, and clips with no overlaps are left unused.  You can assign a group of clips a Camera Angle or Camera Label that can be referenced during multicam creation.   Groups of clips with matching Camera Label or Camera Angle metadata fields are placed on their own track during the metadata creation process.  This same concept applies to external audio or field audio.  
      • Select Ignore Hours if each clip has a timecode that starts at a different hour but otherwise overlaps in the timecode.
      • Select other timecode options:
        • Linear Timecode:  Choose this option to synchronize the clips using the timecode in the clip's audio track.
        • Sound Timecode: Choose this option to synchronize clips using a separate audio recorder.
        • Aux Timecode: Choose this option if you have embedded timecode information that isn't the primary timecode but can provide additional synchronization data.
    • Audio: Use this option to synchronize clips based on a specific audio track. This is helpful when a consistent audio source is present in all clips (like a clapboard or voiceover). 
    • Clip Marker: If you've added markers to specific points in your clips, you can use them for synchronization. This is useful for aligning clips based on specific events.
  5. Choose sequence preset options.

    • Sequence Preset: Choose a preset based on your project's requirements. The sequence preset Automatic is selected by default. When you select the Automatic preset, the video preset is based on the video format of the Camera 1 clip. In most scenarios, the Automatic preset is the appropriate setting. For advanced workflows, like editing a sequence using proxy resolution clips, you can choose a specific sequence preset. You can then use higher-resolution/frame-size clips for the final edit.     
    • Offset Audio by: If a separately recorded audio track is out of sync with the video clip, add a frame offset using the Offset Audio by option. For the audio-only clip, you can enter video frames in the range of -100 to +100 for the sync offset. 
    • Move Source Clips to Processed Clips bin: Select this option to move the generated source clips to a Processed Clips bin. If a Processed Clips bin does not exist, Premiere Pro creates one before moving the clips into it. Clips not meeting the synchronization criteria are left outside the Processed Clips bin. This option makes it easy to identify clips not used in the resulting multicam source sequence.
  6. Choose audio sequence settings.

    • Camera 1: Select Camera 1 when only the audio from Camera 1 is used in the editing sequence. Multicam editing is enabled for only the video portion of the source sequence.
      If you use A/V clips to create this sequence, the audio tracks for all audio associated with video 1 are unmuted. Other audio in the source sequence is muted.
      If you use audio-only clips with video or A/V clips, the audio-only clips are placed in the topmost tracks and are unmuted. Other audio (from linked clips) is muted and placed in lower tracks. Each track's channel assignments and panning are set to transfer each source channel to independent output channels (up to 32). The number of unmuted channels of source audio determines the number of active output channels of the sequence.
      Note: You cannot use the audio follows video option in editing sequences created with this setting, because the audio portion is not multicam-enabled.
    • All Cameras: Select All Cameras to use all audio channels in the source clips. This setting is similar to the Camera 1 setting. Only the video portion of the source sequence is multicam-enabled. Audio-follows-video is not supported for this setting. All audio is unmuted (up to 32 channels). The number of unmuted channels of source audio determines the number of active output channels of the sequence.
    • Switch Audio: Select this option when you want the audio to switch with its linked video. This setting unmutes all audio. It enables multicam editing on both the video and audio of the source sequence when the audio follows the video setting enabled in the Program Monitor. This setting also maps multi-mono source audio into a single adaptive audio track. In addition, the audio-follows-video editing setting switches this single track with the video. If audio-only clips are included in the selection of clips, the audio-only clips are placed in tracks below any linked clips. Empty video tracks are created to match up with every audio-only track.
  7. Choose audio channels presets.

    • Automatic: Reads the audio type of the first clip and uses this mapping.
    • Mono: Maps to as many mono channels as output channels in the source sequence.
    • Stereo: Maps to stereo tracks based on the number of output channels in the source sequence.
    • 5.1: Maps to 5.1 tracks based on the number of output channels in the source sequence.
    • Adaptive: Maps to Adaptive based on the number of output channels in the source sequence.
  8. Choose how to display camera names.

    • Enumerate Cameras: Select this option to automatically number the camera angles in the sequence name. This can be helpful for identification and organization.
    • Use Track Names: Display the camera angles using track names.
    •  Use Clip Names: Display the camera angles using clip names.
  9. Select OK.

Create a multi-camera target sequence

Right-click the source sequence in the bin and choose New Sequence From Clip to create your target sequence. In the target sequence, select the correct mix track type (stereo or multichannel) for your intended output format. Use stereo tracks for an all-stereo workflow and mono tracks for a multichannel workflow.

 Tip: If the existing timeline is empty, drop a multi-camera clip onto the timeline to change the sequence settings to match the multi-camera clip settings. This action retains the previously configured Audio Tracks and Mix Track.

It is not recommended to use the Sequence from Clip command or drag a multi-camera clip to the new sequence button in the Project panel. It creates a sequence with adaptive audio tracks which are typically used in advanced audio routing workflows.

Enable multi-camera editing in the Program Monitor

To enable the multi-camera target sequence for multi-camera editing, click the  icon, and choose Multi-camera from the pop-up menu in the Program Monitor. The Program Monitor is now in Multi-camera mode. 

In the Multi-camera mode, you can view the footage of all cameras simultaneously and switch between cameras to choose footage for the final sequence. 

Enable recording of multi-camera edits

Click the Multi-camera Record toggle button on. If the button is not visible in the button bar, click "+" in the lower-right corner of the Program Monitor to open the Button editor. Drag the Multi-camera Record button to the button bar.

Edit the multi-camera sequence

In the Program Monitor or Timeline panel, press the spacebar or click the Play-Stop toggle button to begin playback. While the sequence is playing, press the number key on the main keyboard to cut to the camera with that number. For more information about using keyboard shortcuts, see Keyboard shortcuts for multi-camera editing.

Adjust and refine edits

After you have recorded your multi-camera edit, you can do the following:

  • Rerecord the final sequence and substitute clips with footage from one of the other cameras.
  • Edit the multi-camera source sequence as you would any other sequence—using the standard editing tools and techniques, adding effects, compositing using multiple tracks, including adjustment layers.
  • Change cameras after they have already been recorded.
  • Cut to a new angle.
註解:

You can use keyboard shortcuts for multi-camera editing. You can use the number keys to switch cameras as the multi-camera sequence plays. The keyboard shortcuts can also be used to change angles after completing a multi-camera edit. For more information, see Multi-camera keyboard shortcuts.

Export the multi-camera sequence

With the sequence active in the Program Monitor or Timeline panel, select File > Export > Media. Specify the export settings and click Export, or click Queue to send the sequence to Adobe Media Encoder for encoding. For more information, see Workflow and overview for exporting.

Mark clips for synchronization

註解:

If clips are synchronized by timecode (jam-synced) at the shooting location, you do not need to mark clips for synchronization.

Before creating a multi-camera source sequence, it is important to mark clips for synchronization. Open each clip and then do one of the following at the sync point:

  • Mark an In Point at a sync point at the beginning of a clip. For example, mark an In point where the clapperboard (slate) is clapped at the head of a clip.
  • Mark an Out point at a sync-point at the end of a clip. For example, mark an Out point where the clapperboard is clapped at the tail of a clip.
  • Make a clip marker at a sync point at any point during a clip. For example, if there is action at any point during a clip that can be used as a sync-point, like an audio cue, cymbal crash, or a camera flash. Rename each marker so that they are identically named for synchronization. Type the same clip marker name for each clip in the Marker dialog box, and then click OK. (See Add markers in the Timeline.)

Timecode can also be used to synchronize clips, and it does so automatically. However, timecode must be identical on all clips for them to synchronize properly. If the timecode is identical on all the clips you plan to synchronize, you do not need to mark clips for synchronization. If you use the hours value in source timecode as a camera designator, select the Ignore Hours option. Premiere Pro then uses only minutes, seconds, and frames to synchronize clips.

To stamp identical timecode on all clips, record the cameras with jam-synced timecode on location, or modify the timecode for each clip in Premiere Pro. (See Set timecode manually for a clip.)

Multi-Camera Follows Nest Setting

With the sequence contextual menu option called Multi-Camera Follows Nest Setting, you can decide if the option to cut in sequences as nests or individual clips should be applied to Multi-Camera sources as they are cut into a sequence or if it should be ignored.

UI shows the Multi-Camera Follows Nest Setting highlighted in the Timeline menu.
You can choose to cut sequences as nest with the Multi-Camera Follows Nest Setting.

Manage Multi-cam thumbnails in the Project panel

You can control which camera angle is in the thumbnail in the Project panel. The default thumbnail for the Multi-cam thumbnail is the first camera angle.  

You can set keyboard shortcuts to set the camera angle in Premiere Pro. Use the "Select Camera #" keyboard shortcuts to switch your Multi-Cam thumbnail in the Project panel.

  • In the keyboard shortcuts window, search for "Select Camera" to find and assign the shortcut to a key. For more information, see Keyboard shortcuts in Premiere Pro.
  • Select Next Camera and Select Previous Camera shortcuts will also affect the Multi-Cam thumbnails in the Project panel.
  • You can use these shortcuts on one or a selection of Multi-Cam clips.
註解:

The Select Camera shortcuts and Select Next Camera and Select Previous Camera shortcuts only affect the Multi-cam thumbnail if the Project panel is active and a Multi-cam clip or clips are selected. 

To set camera angle using keyboard shortcuts:

  1. Set the project panel to Icon View or Freeform View.

  2. Select one or more Multi-cam clips in the project panel.

  3. Use the Select Camera # keyboard shortcuts (Select Camera 1, Select Camera 2, and so on) to choose which camera angle is displayed.

Adjust poster frames

In Icon or Freeform View in the Project panel,  a clip’s thumbnail (also known as poster frame) defaults to the first frame.

To change the poster frame, select one or more clips and use keyboard shortcuts to move the poster frame ten frames forward or backward. 

 

To assign keyboard shortcuts for adjusting poster frames:

  1. Open the Keyboard Shortcuts panel (macOS: Premiere Pro > Keyboard Shortcuts, Windows: Edit > Keyboard Shortcuts).
  2. Search for Move Poster Frame 10 Frames Back or Move Poster Frame 10 Frames Forward.
  3.   Assign your desired keyboard shortcuts and click OK.
Keyboard shortcuts to move poster frame
Keyboard shortcuts to move poster frame

註解:

Things to consider:  

  • If a clip already has a poster frame set, it is moved forward or backward ten frames from where the poster frame was previously set.   
  • When a clip has an IN point marked and you use this command, the poster frame moves ten frames from the clip's start.  
  • If you are too close to the beginning or end of the clip and there are less than ten frames, the poster frame is set at the first or last frame of the clip.  
  • When clips have different durations, some clips may stop moving the poster frame forward while others in the multiple selection continue moving their poster frames.  

To clear a poster frame, use the Clear Poster Frame keyboard shortcut, which works on single and multiple clip selections.

Organize and select camera angles to view in monitor's multi-camera mode

Premiere Pro lets you organize and select the angles to view in the Source Monitor's multi-camera mode.  

From the Source monitor's pop-up menu, select Edit Cameras.

In the Edit Cameras dialog box, all the clips are listed in the original order that they were arranged in the sequence tracks. You can drag-and-drop the clips to change the sequence order. You can also enable or disable the clips by selecting or deselecting them.

You can organize and select cameras in multicam view across multiple pages. You can set the number of camera sources per page and navigate between pages as needed. You cannot drag-and-drop cameras to different pages or within a single page. However, you can use the Edit Cameras dialog box to change the order of cameras in a multicam sequence and the pages reorders accordingly.

edit multi-camera sequence
Edit Cameras dialog box for a multi-camera sequence

In the Program Monitor, you can browse through the multi-cam pages using the controls that are highlighted in the following image.

Program Monitor for a multi-camera sequence
Program Monitor for a multi-camera sequence

Import Multiclip sequences from Final Cut Pro

You can export a Multiclip project from Final Cut Pro, and import the Final Cut Pro project XML files into Premiere Pro. In Premiere Pro, the Multiclips sequences appear as multi-camera sequences with all the Final Cut Pro project settings intact. For more information about importing from Final Cut Pro, see Importing XML project files from Final Cut Pro 7 and Final Cut Pro X.

 Adobe

更快、更輕鬆地獲得協助

新的使用者?