Посібник користувача Скасувати

Adjust color using RGB and Hue Saturation Curves

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
      1. Generative extend overview 
      2. Generative extend FAQs
      3. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Share for review with Frame.io
    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    4. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    5. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    6. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
      11. Speech to Text
      12. Download language packs for transcription
      13. Working with captions
      14. Check spelling and Find and Replace
      15. Export text
      16. Speech to Text FAQs
    3. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Premiere Pro's Curves feature allows you to make quick and precise color adjustments to achieve natural-looking results. The two types of curves you can use to edit color are: RGB Curves and Hue Saturation Curves.

Premiere Pro's Curves feature allows you to make quick and precise color adjustments to achieve natural-looking results. The two types of curves you can use to edit color are: RGB Curves and Hue Saturation Curves.

RGB Curves

You can edit curves using two approaches:

  • Using the RGB Curves available in the Lumetri Color panel.
  • Using the RGB Curves effect available in the Effects Control panel.
Edit curves using the Lumetri Color panel and the Effects Control panel
Edit curves using the Lumetri Color panel and the Effects Control panel

Adjust luma and tonal ranges using control points

RGB Curves let you adjust luma and tonal ranges across the clip using curves. The master curve controls the Luma. Initially, the master curve is represented as a straight white diagonal line. Adjusting the master curve adjusts the values of all three RGB channels simultaneously.

Adjust luma and tonal ranges using control points
Adjust luma and tonal ranges using control points

Here are some of the ways you can manipulate control points:

Highlights and shadows

To add highlights, drag a control point to the upper-right area of the line. To add shadows, drag a control point to the lower-left area.

RGB colors

Selectively adjust tonal values for RGB channels. To adjust different tonal areas, add control points directly to the curve.

Contrast

To lighten or darken the tonal area, drag a control point up or down. To increase or decrease the contrast, drag a control point left or right.

Keyboard shortcuts

To delete a control point, press Ctrl (Windows) or Cmd (macOS) and click the control point.

Usage examples

Warm look
Add warm tones to a video clip

You can add warm tones to a video clip using the RGB Curves. In this example, the white, and red lines are used to increase the warm tones in the clip. The blue and green lines are used to decrease the presence of blues and greens in the clip. A reddish tint is added to the clip making it appear warmer.

S curve
Natural looking contrast using S curves

You can edit the contrast of an image using the RGB Curves. In this example, a S curve is used to enhance the contrast, making the guy look less pale. The blue color of the sky also appears brighter.

Hue Saturation Curves

Premiere Pro offers the following color hue saturation curves that you can use to make different types of curve-based color adjustments to your clip.

  • Hue versus Saturation - Select a hue range and adjust its saturation level.
  • Hue versus Hue - Select a hue range and change it to another hue.
  • Hue versus Luma - Select a hue range and adjust the luma.
  • Luma versus Saturation - Select a luma range and adjust its saturation.
  • Saturation versus Saturation - Select a saturation range and increase or decrease its saturation.

Grade color using control points

Grade color using control points
Grade color using control points

You can adjust colors using control points. While moving a control point, a vertical band appears to help you judge your final result.

Here are some of the ways you can manipulate control points:

Move control points

To raise or lower the output value of the selected range, drag the center control point up or down

Keyboard shortcuts

Press the Shift key to lock a control point on the X so it can only move up and down.

Add color points

Add individual control points by clicking directly on the curve. You can add as many control points as you like.

Eyedropper tool

Add three control points to the curve by using the Eyedropper tool to select a color on the Program Monitor.

Sample colors

With one of the color curves tabs open, click the Eyedropper tool to sample a color in the Program Monitor. Three control points are automatically placed on the curve.

  • The center point corresponds to the color you selected. 
  • For the Hue curves, the value for the selected pixel is the Hue.
  • For the Luma and Sat curves, the selected pixel corresponds to the Luma and Sat values.

By default, the Eyedropper samples a 5 x 5 pixel area and averages the selected color. Press the Cmd (macOS) or Ctrl (Windows) keys while using the Eyedropper to sample a larger 10 x 10 pixel area.

How Premiere Pro handles Hue Saturation curve adjustments

Premiere Pro processes effects that are applied before the current Lumetri effect before sampling the color.

  • If the effect applied earlier affects the color, the changed color is sampled.
  • Effects applied after the current Lumetri effect are not considered when sampling the color. 
  • The Lumetri panel process from top down. Basic, Creative, and RGB Curves are processed before feeding into the Hue Saturations Curves.
  • Lumetri sections that come after curves (Color Wheels, HSL Secondaries, Vignette) are not considered when sampling the color.
  • The Hue Saturation Curves process in parallel. All the curves sample the color value at the time it feeds into the Hue Saturation Curves section.

An example to illustrate this behavior:

Use the Hue versus Hue curve to change a green color into blue. Now, use the Hue versus Luma curve to sample the resulting blue color. Premiere Pro adds the control points to the green section of the curve - the original color - not blue.

If you want to ignore the Hue versus Hue change while editing the Hue versus Luma curve, deselect the check box above the Hue versus Hue curve.

Examples

Hue versus saturation
Hue versus saturation

This curve lets you selectively edit the saturation of any hue within an image. In this example, this curve has been used to increase the saturation levels of the image making the girl look less pale. The saturation of the blue sky and the light has also been increased to make the image as a whole look warmer.

Hue versus hue
Hue versus hue

This curve allows you to change a hue to another hue. In the above example, this color curve has been used to change the hue of the girl's dress.

You can also use this curve to quickly make minor but dramatic adjustments to color. For example, you can select yellowing leaves on foliage and change them to green to make the foliage look more healthy.

Hue versus luma
Hue versus luma

This curve lets you increase or decrease the lightness of specific colors. In the above example, the pale blue sky and its reflection in the water below has been darkened to add more drama to the image.

Примітка.

Adobe recommends using this curve with high-quality footage, as this can reveal pixelation or artifacts (if the original image quality is not good).

Luma versus saturation
Luma versus saturation

This curve lets you adjust the saturation of an image based on image tonality rather than hue. In this example, this curve is used to slightly increase the blue tones within the luma.

Saturation versus saturation
Saturation versus saturation

This curve lets you selectively manipulate image saturation. In the above example, this curve is used for desaturating only the oversaturated blue wall without affecting the similar less-saturated picture of the dolphin in a similar blue color.

Another great use of this curve is for ensuring broadcast legal saturation levels by desaturating everything above 75% saturation.

Keyboard shortcuts for Curves

Feature/Workflow

macOS

Windows

Remove a single control point

Cmd + Click

Ctrl + Click

Remove all control points

Double-click

Double-click

 Adobe

Отримуйте допомогу швидше й простіше

Новий користувач?