- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
- Capturing and importing
- Importing
- Importing from Avid or Final Cut
- File formats
- Digitizing analog video
- Working with timecode
- Editing
- Edit video
- Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
- Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
- Titles, Graphics, and Captions
- Overview of the Essential Graphics panel
- Titles
- Graphics
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Install and use Motion Graphics templates
- Replace images or videos in Motion Graphics templates
- Use data-driven Motion Graphics templates
- Captions
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Animation and Keyframing
- Compositing
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
- Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
- Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Set preferences
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Wondering if you can edit video shot in analog format? Learn all about digitizing analog video in Premiere Pro.
In order to edit video shot in an analog format, you must first digitize it. You can digitize it by routing the video signal through either a digital camcorder that can digitize on the fly or a digitizing device installed in your computer. Alternatively, you can dub the analog footage to a digital format, and then capture the video from a digital device through a capture card as any other digital source. Depending on your equipment, you may be able to digitize analog video from any of several signal types, including component video, composite video, and S-Video. Some third-party digitizers provide device control. They connect to your source device through RS-232 or RS-422 ports, enabling you to control the device through Premiere Pro’s Capture panel and to perform batch capturing. Refer to the instructions included with your camcorder and digitizer/capture card.
About capture card settings
Some of the capture settings you see in Premiere Pro may be from the plug-in software that came with your digitizer/capture card. Because of the differences among brands of cards, specific options and supported formats can vary. This complex relationship between video capture cards and Premiere Pro can make it difficult to identify which part of the system is responsible for a particular option or problem. Adobe, as well as most capture card manufacturers, provides troubleshooting documents online that can help you determine whether an option or problem is related to the video capture card and its software or to Premiere Pro. Check the Premiere Pro website and the capture card manufacturer’s website for troubleshooting resources.
Most of the supported capture cards install a settings file (preset) that you can select in the Premiere Pro New Project dialog box, in the Load Preset pane. This preset automatically sets all capture settings for optimal support of your capture card. For best results, use your capture card’s preset, if provided, and don’t change the capture settings in the Custom Settings pane.
Digitize analog video
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Exit from Premiere Pro.
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Connect the analog device’s video and audio outputs to the digital device’s (digitizer, digital camcorder or digital deck) analog inputs.
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If the digital device is an external digitizer, deck, or camcorder, connect its FireWire or SDI port to the computer’s.
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If the third-party digital device is a digitizer with device controls (and has device drivers for Premiere Pro), connect its device control port (RS-232 or RS-422) with the same type port on the analog device.
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Turn on the analog source and the digitizing device.
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If the digitizing device is a camcorder, put it into VTR, VCR, or Play (not Camera) mode.
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Set the input selection control on the digitizing device to the correct analog input.
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Start Premiere Pro.
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When the Welcome screen appears, do one of the following:
To start a new project using a capture card, click New Project, select the capture card’s preset (if available) from the Load Preset pane, and click OK.
To open an existing project using a capture card, select an existing project that was set up with the capture card’s preset.
To start a new project using an external device, such as a camcorder or deck, to digitize, click New Project, select a DV or HDV preset that matches your target television standard and format, and click OK.
To open an existing project using an external device, such as a camcorder or deck, to digitize, select an existing project that was set up with the correct DV or HDV preset.
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(Optional) Specify how Premiere Pro maps the audio channels from the digitizing device to audio tracks. Select Edit > Preferences > Audio (Windows), or Premiere Pro > Preferences > Audio (Mac OS). In the Source Channel Mapping pane, select an audio channel format from the Default Track Format menu.
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Choose File > Capture.
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In the Capture panel, carefully check the settings on the Settings pane. If you need to change them, click Edit. (If you’re using a capture card, the settings are provided by the card manufacturer’s plug-in software, not by Premiere Pro, and vary according to the capture card’s brand and model. See the documentation for the software driver provided by the capture card manufacturer.)
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Do one of the following:
If the digital device offers no device control, cue up your source using the analog device’s own controls. Press Play on the analog device and click the Record button
in the Capture panel.
If the digital device offers device control, capture or log footage using the Capture panel’s controls, as you would with a digital source.
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