The Brush tool creates soft or hard strokes of color. You can use it to simulate airbrush techniques. (If you don’t see it in the toolbox, select either the Impressionist Brush or the Color Replacement tool , and then click the Brush tool icon in the Tool Options bar.)
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Specify Brush tool options in the Tool Options bar as desired, and then drag within the image to paint.
Bemærk:
To draw a straight line, click a starting point in the image. Then hold down Shift and click an ending point.
Airbrush Mode
Enables airbrush capabilities. This option applies gradual tones to an image, simulating traditional airbrush techniques.
Brush
Sets the brush tip. Click the arrow next to the brush sample, choose a brush category from the Brush drop-down, and then select a brush thumbnail.
Opacity
Sets the opacity of the paint you apply. A low opacity setting allows pixels under a paint stroke to show through. Drag the slider, or enter an opacity value.
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Set Pencil tool options in the Tool Options bar, as desired, and then drag within the image to paint.
Bemærk:
To draw a straight line, click a starting point in the image. Then hold down Shift and click an ending point.
Brush tip
Sets the tip. Click the arrow next to the brush sample, choose a brush category from the Brush drop-down, and then select a brush thumbnail.
Opacity
Sets the opacity of the paint you apply. A low opacity setting allows pixels under a paint stroke to show through. Drag the slider, or enter an opacity value.
Auto Erase
If you begin drawing and drag over an area that doesn’t contain the foreground color, the tool paints with the foreground color. That is, if we start with color other than foreground color, it paints the foreground color only. Click and paint on the areas containing the foreground color, pencil paints with the Background color.
The Impressionist Brush tool changes the existing colors and details in your image so your photo looks like it was painted using stylized brush strokes. By experimenting with different style, area size, and tolerance options, you can simulate the textures associated with painting in different artistic styles.
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Original photo (left), and after using the Impressionist Brush tool (right)
Brush
Sets the brush tip. Click the arrow next to the brush sample, choose a brush category from the Brush drop-down, and then select a brush thumbnail.
Opacity
Sets the opacity of the paint you apply. A low opacity setting allows pixels under a paint stroke to show through. Drag the slider or enter an opacity value.
Mode
Specifies how the paint that you apply blends with the existing pixels in the image. See About blending modes for more information.
The Smudge tool simulates the actions of dragging a finger through wet paint. The tool picks up color where the stroke begins and pushes it in the direction you drag. You can smudge existing colors in your image, or smear foreground color on the image.
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Bemærk:
To temporarily use the Finger Painting option as you drag with the smudge tool, press the Alt key (Option key in Mac OS).
Mode
Specifies how the paint that you apply blends with the existing pixels in the image. See About blending modes for more information.
Brush
Sets the brush tip. Click the arrow next to the brush sample, choose a brush category from the Brush drop-down, and then select a brush thumbnail.
The Eraser tool changes pixels in the image as you drag through them. If you’re working in the Background layer or in a layer with locked transparency, erased pixels change to the background color; otherwise, erased pixels become transparent. Transparent pixels are indicated by the transparency grid.
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Brush
Sets the brush tip. Click the arrow next to the brush sample, choose a brush category from the Brush drop-down, and then select a brush thumbnail.
Opacity
Defines the strength of the erasure. An opacity of 100% erases pixels to complete transparency on a layer and to the background color on the Background layer. A lower opacity erases pixels to partial transparency on a layer and paints partially with the background color on the Background layer. (If Block mode is selected in the Tool Options bar, the Opacity option isn’t available.)
The Magic Eraser tool changes all similar pixels when you drag within a photo. If you’re working in a layer with locked transparency, the pixels change to the background color; otherwise, the pixels are erased to transparency. You can choose to erase contiguous pixels only, or all similar pixels on the current layer.
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Set options in the Tool Options bar, as desired, and then click the area of the layer you want to erase.
Tolerance
Defines the range of colors that will be erased. A low tolerance erases pixels within a range of color values very similar to the pixel you click. A high tolerance erases pixels within a broader range.
Opacity
Defines the strength of the erasure. An opacity of 100% erases pixels to complete transparency on a layer and to the background color on a locked layer. A lower opacity erases pixels to partial transparency on a layer and paints partially with the background color on a locked layer.
Sample All Layers
Samples the erased color using combined data from all visible layers. Deselect the option if you want to erase only the pixels on the active layer.
The Background Eraser tool turns color pixels to transparent pixels so that you can easily remove an object from its background. With careful use, you can maintain the edges of the foreground object while eliminating background fringe pixels.
The tool pointer is a circle with a cross hair indicating the tool’s hotspot. As you drag the pointer, pixels within the circle and of a similar color value as the pixel under the hotspot are erased. If the circle overlaps your foreground object, and it doesn’t contain pixels similar to the hotspot pixel, the foreground object won’t be erased.
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Set options in the Tool Options bar as desired, and then drag through the area you want to erase. Keep the tool’s hotspot off of areas that you don’t want to erase.
Tolerance
Defines how similar in color to the hotspot a pixel must be to be affected by the tool. A low tolerance limits erasure to areas that are very similar to the hotspot color. A high tolerance erases a broader range of colors.
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