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Using the Reference Monitor

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
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      2. Generative extend FAQs
      3. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
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    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
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    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
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    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
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    1. Install and activate Frame.io
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    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
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      3. Importing digital audio
    2. Importing from Avid or Final Cut
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    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
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      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
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    3. Cut and trim clips
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      5. Working with aspect ratios
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      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
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      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
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      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
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      3. Use FX badges
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      5. Metadata effect in Premiere Pro
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      8. Effects Manager
      9. Change duration and speed of clips
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      11. Stabilize footage
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      1. Applying transitions in Premiere Pro
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      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
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      2. Create a title
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    1. Compositing, alpha channels, and adjusting clip opacity
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  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
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    3. Auto Color
    4. Get creative with color using Lumetri looks
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    7. Using HSL Secondary controls in the Lumetri Color panel
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    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
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    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
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    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
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    3. Recovery Mode
    4. Working with Proxies
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      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
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      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media
Removal of Reference Monitor

In an ongoing effort to modernize our codebase and maintain the highest possible quality in the app, the Reference Monitor is removed from Premiere Pro 25.0.

For precise frame-by-frame referencing, consider using the Source Monitor and Match Frame combination (shortcut key F), or revert to an earlier version of Premiere Pro if you need the Reference Monitor.

The Reference Monitor acts like a secondary Program Monitor. You can use a Reference Monitor to compare different frames of a sequence side by side or view the same frame using different viewing modes.

You can cue the frame of a sequence displayed in the Reference Monitor independently from the Program Monitor. This way, you can cue each view to a different frame for comparison—to use the color matching filter, for example.

Alternatively, you can gang the Reference Monitor and Program Monitor together to show the same sequence frame and move in tandem. This is especially useful for color-correcting tasks. By setting the viewing mode to a waveform monitor or vectorscope of Reference Monitor, you can adjust the color corrector or any other video filter more effectively.

Using a Reference Monitor to aid in setting video levels

You can specify the quality setting, magnification, and viewing mode of the Reference Monitor in the Program Monitor. Its time ruler and viewing area bar also work in the same way. But because it's for your reference and not for editing, the Reference Monitor contains controls for cueing to frames and not for playback or editing. You can use the Program Monitor's playback controls to group the Reference Monitor and Program Monitor. You can open only one Reference Monitor.

Open a Reference Monitor

In the Window menu, choose Reference Monitor. The Reference Monitor opens in a separate panel. You can drag the tab of the Reference Monitor into a drop zone next to the Source Monitor.

Gang Reference and Program Monitor

The Gang functionality is a handy feature since it lets you view how a source clip compares to your sequence, and it's ideal for tasks like matching the look of one piece of footage with another. The Gang to Program Monitor button can be powerful for workflows like color correction, Multi-cam editing, or when comparing edits. 

The Gang Source and Program button gangs the Source Monitor and the Program Monitor together. Select the button to toggle the gang functionality on and off. When enabled, the play heads are locked together and move in tandem. When it's off, the monitors function independently from one another.

You can gang the Reference Monitor and the Program Monitor so that both constantly monitor the same frame.

  • In the Reference Monitor, select the Gang To Program Monitor button.

  • In the Reference Monitor’s panel menu, choose Gang To Program Monitor.

  • In the Program Monitor’s panel menu, select Gang To Reference Monitor.

Moving the playhead in either the Reference Monitor, the Program Monitor, or the Timeline moves the playhead in the other two to the same frame.

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