Analyze phase, frequency, and amplitude with Audition
- Audition User Guide
- Workspace and setup
- Digital audio fundamentals
- Importing, recording, and playing
- Multichannel audio workflow
- Create, open, or import files in Adobe Audition
- Importing with the Files panel
- Extracting audio from CDs
- Supported import formats
- Navigate time and playing audio in Adobe Audition
- Recording audio
- Monitoring recording and playback levels
- Remove silences from your audio recordings
- Editing audio files
- Edit, repair, and improve audio using Essential Sound panel
- Generating text-to-speech
- Matching loudness across multiple audio files
- Displaying audio in the Waveform Editor
- Selecting audio
- How to copy, cut, paste, and delete audio in Audition
- Visually fading and changing amplitude
- Working with markers
- Inverting, reversing, and silencing audio
- How to automate common tasks in Audition
- Analyze phase, frequency, and amplitude with Audition
- Frequency Band Splitter
- Undo, redo, and history
- Converting sample types
- Creating podcasts using Audition
- Applying effects
- Enabling CEP extensions
- Effects controls
- Applying effects in the Waveform Editor
- Applying effects in the Multitrack Editor
- Adding third party plugins
- Notch Filter effect
- Fade and Gain Envelope effects (Waveform Editor only)
- Manual Pitch Correction effect (Waveform Editor only)
- Graphic Phase Shifter effect
- Doppler Shifter effect (Waveform Editor only)
- Effects reference
- Apply amplitude and compression effects to audio
- Delay and echo effects
- Diagnostics effects (Waveform Editor only) for Audition
- Filter and equalizer effects
- Modulation effects
- Reduce noise and restore audio
- Reverb effects
- How to use special effects with Audition
- Stereo imagery effects
- Time and pitch manipulation effects
- Generate tones and noise
- Mixing multitrack sessions
- Video and surround sound
- Keyboard shortcuts
- Saving and exporting
Adobe Audition provides several ways to analyze audio. To compare phase relationships between any two channels, use the Phase Meter panel. To analyze tonal and dynamic range, use the Frequency Analysis and Amplitude Statistics panels.
The Waveform Editor also provides Spectral Frequency Display, which you can use together with the analysis methods above. (See Displaying audio in the Waveform Editor.)
The Phase Meter panel reveals out‑of‑phase channels for stereo and surround waveforms, which you can address with the Effects > Invert command. (See Invert a waveform.) This panel also helps you identify highly in-phase channels that will sound similar if summed to mono. (See Convert a waveform between surround, stereo, and mono.)
To understand audio phase, see How sound waves interact.
Choose Window > Phase Meter.
Right-click the Phase Meter panel, and choose channels from the Channel and Compare To menus.
In Editor panel, select a range if desired, and start playback.
In the Phase Meter, audio to the left is more out of phase, while audio to the right is more in phase. -1.0 reflects total phase cancellation, while 1.0 reflects identical audio content in each channel.
To customize meter appearance, right-click them, and select Show Color Gradient or Show LED Meters.
Analyze frequency range
You can use the Frequency Analysis panel to identify problematic frequency bands, which you can then correct with a filter effect.
Choose Window > Frequency Analysis.
In the Editor panel, click a time point, select a range, or start playback.
In the Frequency Analysis panel, view frequency along the horizontal axis, and amplitude along the vertical axis.Note:
If you selected a range, Adobe Audition analyzes only the center point. To analyze the overall frequency of the range, click Scan Selection.
Frequency Analysis options
Displays the frequency scale either logarithmically (reflecting human hearing) or linearly (providing more detail for upper frequencies).
Copy All Graph Data
Copies a text report of the frequency data to the system clipboard.
Let you take up to eight frequency snapshots as a waveform is playing. The frequency outline (which is rendered in the same color as the button clicked) is frozen on the graph and overlaid on other frequency outlines. To clear a frozen frequency outline, click its corresponding Hold button again.
Changes the graph display. Choose one of the following styles:
Displays amplitude at each frequency with simple lines. By default, the left channel is green; the right is blue.
Also displays lines for amplitude, but fills the area beneath the lines in a solid color, and smooths out amplitude differences in the same area.
Shows the effect of analysis resolution by splitting the display into rectangular segments. The higher the FFT size, the greater the analysis resolution, and the narrower the bars.
Determines which channel of a stereo or surround file appears over others in the graph. To combine displayed channels, choose Average.
Scan or Scan Selection
Scans the entire file or selection, and displays average frequency data in the graph. (By default, the graph displays data from the center point of files and selections.)
Specifies the Fast Fourier Transform size. Higher FFT sizes report frequency data more accurately but they require longer processing times.
Determines the Fast Fourier transform shape. These functions are listed in order from narrowest to widest. Narrower functions include fewer surrounding frequencies but less precisely reflect center frequencies. Wider functions include more surrounding frequencies but more precisely reflect center frequencies. The Hamming and Blackman options provide excellent overall results.
0 dB Reference
Determines the amplitude at which full scale, 0 dBFS audio data is displayed. For example, a value of zero displays 0 dBFS audio at 0 dB. A value of 30 displays 0 dBFS audio at –30 dB. This value simply moves the graph up or down; it does not change the amplitude of audio data.
Tip: Adjust the 0 dB Reference to calibrate this display to another decibel reference, like sound pressure level (SPL).
Value at [x] Hz
Reveals precise amplitude for specific frequencies when you position the mouse over the graph.
For the start point of a selected range, indicates average frequency.
Overall Musical Note
For the start point of a selected range, indicates keyboard position and variance from standard tuning (A440). For example, A2 +7 equals the second‑lowest A on a keyboard tuned 7% higher than normal.
Zoom frequency graphs
In the Frequency Analysis panel, you can zoom graphs to analyze frequency in more detail.
Do any of the following:
To zoom in on a graph, right‑click and drag the magnifying glass icon in the vertical or horizontal ruler.
To navigate a magnified graph, left‑click and drag the hand icon in the vertical or horizontal ruler.
To zoom out on a magnified graph, right‑click in the vertical or horizontal ruler, and choose Zoom Out to return to the previous magnification, or Zoom Out Full to zoom out completely.
In the Waveform Editor, choose Window > Amplitude Statistics.
To calculate statistics from an entire file or selection, click Scan or Scan Selection. (By default, statistics are calculated from the center point of files and selections.)Note:
You can adjust a selection in the Editor panel. Click Scan Selection again to recalculate statistics.
Evaluate amplitude on the following tabs:
The General tab displays numerical statistics that indicate dynamic range, identify clipped samples, and note any DC offset.
The RMS Histogram tab displays a graph that shows the relative prevalence of each amplitude. The horizontal ruler measures amplitude in decibels, and the vertical ruler measures prevalence using the RMS formula. Choose a channel to display from the Show Channel menu.
Tip: Use the Histogram tab to identify prevalent amplitudes, and then compress, limit, or normalize them with an amplitude effect.
Shows the sample with the highest amplitude in decibel form.
Maximum Sample Value
Shows the sample with the highest amplitude.
Minimum Sample Value
Shows the sample with the lowest amplitude.
Possibly Clipped Samples
Shows the number of samples have likely exceeded 0 dBFS. Click the icon to the right of this value to navigate to the first clipped sample in the audio file. (If necessary, click the icon again to view subsequent clipped samples.)
Total, Maximum, Minimum, and Average RMS Amplitude
Show the root-mean-square values of the selection. RMS values are based on the prevalence of specific amplitudes, often reflecting perceived loudness better than absolute or average amplitudes.
Shows any direct current offset applied to the waveform during recording. Positive values are above the center line, and negative values are below it. (See Correct DC offset.)
Measured Bit Depth
Reports the waveform’s bit depth. (32 indicates that the waveform uses the full 32‑bit float range).
Reflects the difference between the Maximum and Minimum RMS Amplitude.
Dynamic Range Used
Shows the dynamic range minus unusually long periods of low RMS amplitude, such as silent passages.
Shows the average amplitude.
Compensates for the human ear’s emphasis on middle frequencies.
Copies all statistics on the General tab to the system clipboard.
RMS Settings options
To adjust how RMS statistics are calculated, set the following options:
0dB = FS Sine Wave
Correspond the dB level to a full‑scale sine wave, where peak amplitude is about 3.01 dB quieter than a full-scale square wave.
0dB = FS Square Wave
Corresponds the dB level to a full‑scale square wave, where peak amplitude is about 3.01 dB louder than a full‑scale sine wave.
Account For DC
Ignores any DC offset in the measurements.
Specifies the number of milliseconds in each RMS window. A selected range contains a series of such windows, which Adobe Audition averages to calculate the Minimum RMS and Maximum RMS values. To achieve the most accurate RMS values, use wide windows for audio with a wide dynamic range, and narrow windows for audio with a narrow dynamic range.