Essential Sound is an all-in-one panel that gives you an extensive toolset of mixing techniques and repair options. This feature is useful for your common audio mixing tasks. The panel provides simple controls to unify volume levels, repair sound, improve clarity, and add special effects that help your video projects sound like a professional audio engineer has mixed them. You can save the applied adjustments as presets for reuse, making them handy for more audio refinements.
Premiere Pro allows you to classify your audio clips as Dialogue, Music, SFX, or Ambience. You can also configure and apply presets to a set of clips that belong to the same type or to multiple clips.
Once you assign an audio type, for example Dialogue, for a voice-over clip, the Dialogue tab of the Essential Sound panel presents you several parameter groups. These groups allow you to carry out the common tasks that are associated with dialogue, such as unifying the different recordings to common loudness, reducing background noise, and adding compression and EQ. The audio types in the Essential Sound panel are mutually exclusive, that is, selecting one audio type for a clip reverts the previous changes done on that clip using another audio type.
All the changes that you do using the Essential Sound panel controls are reflected in the more advanced clip settings. For an effect like restoration or clarity, audio effects are inserted into the clip rack. If you are an advanced user, you can start with your primary edits in the Essential Sound panel and then go on with your sophisticated internal effect settings and apply finishing touches.
To launch the Essential Sound panel, choose Window > Essential Sound.
Using Essential Sound Panel in Premiere Pro
If your clip contains dialogue audio data, you can use the options under the Dialogue tab in the Essential Sound panel to repair the sound by reducing noise, rumble, hum, and ‘ess’ sounds.
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Select the check-box for the property that you want to change, and use the slider to adjust the level of the following properties between 0 through 10:
- Reduce Noise: Reduce the level of unwanted noises in the background, such as studio floor sounds and microphone background noise, and clicks. The proper amount of noise reduction depends upon the type of background noise and the acceptable loss in quality for the remaining signal.
- Reduce Rumble: Reduce the rumble noise--very low-frequency noise that ranges below the 80-Hz range, for example, noise produced by a turntable motor or an action camera.
- DeHum: Reduce or eliminate Hum—noise consists of a single frequency, in 50-Hz range (common in Europe, Asia, and Africa) or 60-Hz range (common in North and South America). For example, electrical interference due to power cables laid too close to the audio cables can use such noise. You can select the hum level depending on the clip.
- DeEss: Reduce harsh, high-frequency ess-like sounds. For example, sibilance in vocal recordings that cause s-sounds created by breathing or air movement between the microphone and the singer’s mouth.
- Reduce Reverb: Reduce or remove the reverb from audio recordings. This option allows you to to use original recordings from various sources and make them sound like they're coming from the same environment.
Repairing sound
Improving the clarity of the dialogue track in your sequence has dependency on various factors. This is because of the variations in volume and frequency of the human voice that range between 50Hz and 2KHz and the contents of the other tracks that go with it. Some of the common methods used for improving dialogue audio clarity are compressing or expanding the dynamic range of the recording, adjusting the frequency response of the recording, and processing the enhancing male and female voices.
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Select the check-box for the property that you want to change, and use the slider to adjust the level of the following properties between 0 through 10:
Dynamics: Change the impact of the recording by compressing or expanding the dynamic range of your recording. You can change the level from natural to focused.
EQ: Reduce or boost selected frequencies in your recording. You can choose from a list of EQ presets that you can use on your audio and adjust the amount using the slider. To change the settings of EQ preset, select Effects>Audio Effects>Graphic Equalizer to view the graphic equalizer that you can adjust during playback, and save the changes.
Enhance speech: Select the dialogue as Male or Female to process and enhance it at the appropriate frequency.
Improving clarity
Premiere Pro allows you to create artificial sound effects for your audio. SFX helps you create illusions such as the music originating from a particular position in the stereo field or an ambience of a room or field with appropriate reflections and reverberation.
Auto Ducking allows for automatic computation of keyframes that lower the volume of a background sound against a foreground sound.
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Enabling auto-duckingWhen you enable ducking, Premiere Pro adds an Amplify Effect to the clip. Keyframes that are computed by the Auto Ducking algorithm are added to this effect's gain parameter so that they can easily be changed or removed without interfering with your other sound design.
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Make sure that you assign audio types to the other audio tracks so that Premiere Pro knows what track to use to drive the ducking.
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Set the following auto-ducking options:
- Duck Against: Select the icons for the audio content types you wish to duck against - Dialogue, Music, Sound Effects, Ambience, or un-tagged clips.
- Sensitivity: This parameter adjusts the threshold at which the ducking triggers. Higher or Lower sensitivity settings result in fewer adjustments, but focus on maintaining a lower or louder music track, respectively. Middle-range sensitivity values trigger more adjustments where the music comes in and out quickly between pauses in speech.
- Reduce By: This parameter selects how much to reduce the volume of your music clip. Adjusting this setting to the right reduces the volume more dramatically, towards the left for more subtle volume adjustments.
- Fades: This parameter controls how quickly the volume adjustment occurs when triggered. Faster fades are ideal when mixing fast music with fast speech while slower fades are more appropriate when ducking background music behind voiceover tracks.
Premiere Pro automatically adds keyframes and ducking adjustments to the effect's rubberband. The Timeline clip's audio keyframe display also automatically switches to display the keyframes on the Amplify effect.
Professional users can create presets for the benefit of the users and projects that work on a similar set of audio assets to ensure consistency and to save time.
- If no clips with differing audio types are selected, the audio type selector available with the Essential Sound Panel serves as a quick select tool to select all clips of a given audio type.
- The preset selector serves as a nested menu when no audio type has been selected for a given clip so that you can directly assign audio type and preset with one single click.
- The Essential Sound Panel displays a warning symbol next to a control whenever the underlying effect settings of an audio effect plug-in differ from the Essential Sound Panel setting (the user manually changed the effect settings). The Essential Sound Panel also displays a warning symbol if a multi-selection with differing settings has been selected.
