Issue
- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
- Capturing and importing
- Capturing
- Importing
- Importing from Avid or Final Cut
- File formats
- Digitizing analog video
- Working with timecode
- Capturing
- Editing
- Edit video
- Sequences
- Create and change sequences
- Change sequence settings
- Add clips to sequences
- Rearrange clips in a sequence
- Find, select, and group clips in a sequence
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Source patching and track targeting
- Scene edit detection
- Video
- Audio
- Overview of audio in Premiere Pro
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
- Titles, Graphics, and Captions
- Overview of the Essential Graphics panel
- Titles
- Graphics
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Install and use Motion Graphics templates
- Replace images or videos in Motion Graphics templates
- Use data-driven Motion Graphics templates
- Captions
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler in Premiere Pro | FAQ
- Upgrade Legacy titles to Source Graphics
- Animation and Keyframing
- Compositing
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
- Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto-saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
- Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Set preferences
- Extensions and plugins
- Monitoring Assets and Offline Media
Run Premiere Pro faster with native support for Apple M1 devices.
Premiere Pro now runs natively on Apple computers with the Apple silicon M1 chip with average speed gains around 80% compared with similarly configured previous generation Apple systems.
Known differences and limitations
There are some differences in functionality and some features are not available in Premiere Pro on Apple M1.
- Capture workflows (DV, HDV, third-party capture support, and device control)
- Export to Wraptor DCP
- Import and export of the GoPro Cineform codec
- Import of specific XDCAM formats (currently XDCAMEX)
- Export to the P2 Movie format
- Export to tape workflows. To continue using Export to tape (including HDCAM) via an SDI-connected deck, you need Premiere Pro running on Intel-based computers.
If you are running an Apple M1 system and need access to these features or functions, run Premiere Pro in Rosetta2 emulation mode.
Plugins and Integrations
Our SDKs have been published so Adobe video technology partners can update their effects, plug-ins, and panels to work with Premiere Pro on Apple M1. Check with your plug-in maker to see if they have a version ready for Apple silicon.
Rosetta 2 emulation compatibility issues
|
Workaround |
---|---|
Keyboard shortcuts are always greyed out. |
No workaround required. The keyboard shortcuts are greyed out but they still function correctly. |
Are legacy versions compatible?
Previous versions of Premiere Pro are compatible with Big Sur and there are no known issues at this time. We recommend updating to the latest version of Premiere Pro for the best experience.
Talk to us

If you have a question about Premiere Pro and system compatibility, ask away in our Premiere Pro community. We would love to help.
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