1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Features in Beta
      1. New import & export in Premiere Pro (Beta)
      2. FAQ | New import and export in Premiere Pro (Beta)
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Release Notes | Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Creating projects
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Working with Panels
    3. Windows touch and gesture controls
    4. Use Premiere Pro in a dual-monitor setup
  7. Capturing and importing
    1. Capturing
      1. Capturing and digitizing footage
      2. Capturing HD, DV, or HDV video
      3. Batch capturing and recapturing
      4. Setting up your system for HD, DV, or HDV capture
    2. Importing
      1. Transferring and importing files
      2. Importing still images
      3. Importing digital audio
    3. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    4. Supported file formats
    5. Digitizing analog video
    6. Working with timecode
  8. Editing
    1. Sequences
      1. Create and change sequences
      2. Add clips to sequences
      3. Rearrange clips in a sequence
      4. Find, select, and group clips in a sequence
      5. Edit from sequences loaded into the Source Monitor
      6. Simplify sequences
      7. Rendering and previewing sequences
      8. Working with markers
      9. Scene edit detection
    2. Video
      1. Create and play clips
      2. Trimming clips
      3. Synchronizing audio and video with Merge Clips
      4. Render and replace media
      5. Undo, history, and events
      6. Freeze and hold frames
      7. Working with aspect ratios
    3. Audio
      1. Overview of audio in Premiere Pro
      2. Audio Track Mixer
      3. Adjusting volume levels
      4. Editing, repairing and improving audio using Essential Sound panel
      5. Monitor clip volume and pan using Audio Clip Mixer
      6. Audio balancing and panning
      7. Advanced Audio - Submixes, downmixing, and routing
      8. Audio effects and transitions
      9. Working with audio transitions
      10. Apply effects to audio
      11. Measure audio using the Loudness Radar effect
      12. Recording audio mixes
      13. Editing audio in the timeline
      14. Audio channel mapping in Premiere Pro
      15. Use Adobe Stock audio in Premiere Pro
    4. Advanced editing
      1. Multi-camera editing workflow
      2. Editing workflows for feature films
      3. Set up and use Head Mounted Display for immersive video in Premiere Pro
      4. Editing VR
    5. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
  9. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Effect presets
      4. Automatically reframe video for different social media channels
      5. Color correction effects
      6. Change duration and speed of clips
      7. Adjustment Layers
      8. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  10. Graphics, Titles, and Animation
    1. Graphics and titles
      1. Create titles and motion graphics
      2. Applying text gradients in Premiere Pro
      3. Using Motion Graphics templates for titles
      4. Replace images or videos in Motion Graphics templates
      5. Use data-driven Motion Graphics templates
      6. Best Practices: Faster graphics workflows
      7. Add Responsive Design features to your graphics
      8. Working with captions
      9. Speech to Text
      10. Speech to Text in Premiere Pro | FAQ
      11. Upgrade Legacy titles to Source Graphics
    2. Animation and Keyframing
      1. Adding, navigating, and setting keyframes
      2. Animating effects
      3. Use Motion effect to edit and animate clips
      4. Optimize keyframe automation
      5. Moving and copying keyframes
      6. Viewing and adjusting effects and keyframes
  11. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  12. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Get creative with color using Lumetri looks
    3. Adjust color using RBG and Hue Saturation Curves
    4. Correct and match colors between shots
    5. Using HSL Secondary controls in the Lumetri Color panel
    6. Create vignettes
    7. Looks and LUTs
    8. Lumetri scopes
    9. Display Color Management
    10. HDR for broadcasters
    11. Enable DirectX HDR support
  13. Exporting media
    1. Workflow and overview for exporting
    2. Quick export
    3. Exporting for the Web and mobile devices
    4. Export a still image
    5. Exporting projects for other applications
    6. Exporting OMF files for Pro Tools
    7. Export to Panasonic P2 format
    8. Exporting to DVD or Blu-ray Disc
    9. Best Practices: Export faster
  14. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  15. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Using Productions
    8. How clips work across projects in a Production
    9. Consolidate, transcode, and archive projects
    10. Managing metadata
    11. Best Practices
      1. Best Practices: Working with Productions
      2. Best Practices: Learning from broadcast production
      3. Best Practices: Working with native formats
  16. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset preferences
    3. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    4. Check if your system is compatible with Premiere Pro
    5. Premiere Pro for Apple silicon
    6. Eliminate flicker
    7. Interlacing and field order
    8. Smart rendering
    9. Control surface support
    10. Best Practices: Working with native formats
    11. Knowledge Base
      1. Green and pink video in Premiere Pro or Premiere Rush
      2. How do I manage the Media Cache in Premiere Pro?
      3. Fix errors when rendering or exporting
      4. Troubleshoot issues related to playback and performance in Premiere Pro
  17. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media


Adobe Audition lets you use advanced post-production techniques to create and edit audio. If you have installed Adobe Audition, you can apply the Edit In Adobe Audition command to an audio clip or a sequence.

  • Sending a clip to Audition lets you render the clip's audio data to do more advanced audio editing in Audition's Wave Editor.
  • Sending a sequence to Audition transfers the full fidelity of your composition keeping keyframes, effects, Essential Sound settings, markers, and metadata intact. Sending a sequence lets you do further refinement, mixing and advanced composition in Audition's Multitrack Editor.

Working with Adobe Audition

  1. In a Project panel, select a clip or sequence containing audio. You can also select a clip in the Timeline or right click the clip or sequence in the Project panel.

  2. Select Edit > Edit In Adobe Audition and then select Clip or Sequence from the submenu.

  3. Edit your audio in Audition.

Editing Audio Clips in Adobe Audition

When you apply the Edit In Audition command to an audio clip, the clip is rendered and replaced into a new Wave file which is directly opened in Audition. The original audio material is retained if you choose to edit the audio file in Audition but only the copied audio is changed.

If an In/Out range was marked in Premiere Pro, these markers become visible in Audition. When the clip is edited and saved in Audition, the changes made to the clip is directly reflected in the Premiere Pro Timeline panel. Effects or markers applied to the original sequence clip are preserved in the edited clip.

You can edit the audio in Adobe Audition many times. For each subsequent Edit Clip in Adobe Audition, Premiere Pro renders and replaces a new audio clip for further editing in Audition.

The Undo command deletes the extracted audio clip that’s been edited in Adobe Audition.


The Edit In Audition command is not available for Adobe Dynamic Link clips.

Editing Sequences in Adobe Audition

When applying the Edit Sequence in Audition command, Premiere Pro sends the currently selected sequence with rendered audio for further compositing to Audition. The sequence opens in Audition as a Multitrack Session.

To send a Premiere Pro project to Audition, follow these steps:

  1. Select Edit > Edit in Adobe Audition > Sequence.

  2. The Edit in Adobe Audition dialog appears. 

    See Edit in Adobe Audition Options for further information.

  3. Click OK. 

    Premiere Pro creates a Project (depending on your installed versions XML or Premiere Pro Project) containing only the selected sequence and its audio clips. All audio material of the sequence is extracted and copied to the destination path, leading to a self-contained Premiere Pro Project with no dependencies to the source project (except if video: Send Through Dynamic Link was selected).

  4. Audition launches and opens the created project automatically if the Open in Audition check box was checked.

Edit in Adobe Audition Options

The Edit In Adobe Audition dialog lets you configure certain properties for the generated Project that is sent to Audition.

Send sequence to Audition
Send sequence to Audition

Name / Path

Name and Path of the Project generated (defaults to the sequence name which will be send to Audition).


Selection can be either the whole sequence or the In/Out (selection) points of the Sequence.

Audio Handles

Audio Handles refer to the content of the clip beyond the clip boundaries. If the clip in the sequence has a length of 10 -seconds and Audio Handles is set to 1 -second, the rendered Audio File has the duration of 12 -seconds with 1 -second more material at the front and end.


  • Export DV Video: One video file containing the video in the sequence is rendered for Audition.
  • Dynamic Link streaming video: The Dynamic Link video streaming feature lets you stream video without rendering when sending projects from Premiere Pro to Audition. When you send Premiere Pro projects to Audition using the Dynamic Link video streaming video option, you can view video in its native resolution within Audition.
  • None: No video is created/available in Audition.

Transfer information to Audition

Adobe Audition and Adobe Premiere Pro share many audio effects, letting you to transfer information of the audio effects. Audio effects can be instantiated again in Audition without rendering the audio clip.

For information on the list of shared effects between Audition and Premiere Pro, see Shared audio effects between Audition and Premiere Pro.

If you decide to transfer information of an effect which is not available in Audition, it is placed as an offline effect into the effect rack. Third-party Effect Plug-Ins (VST/VST3) information is transferred as well. If you have loaded the Plug-In in Audition, the effect is properly instantiated. Otherwise the effect is offline as well.

Audio Clip Effects

  • Transfer Settings: All Clip effect settings are transferred to Audition.

If the particular effect is not available in Audition, it is added as Offline Effect to the Clip effects rack.

  • Render Clips with Non-Transferable effects: If a clip contains effects which are not shared between Premiere Pro and Audition, all effects applied to the clip are rendered in to the clip are when creating the wave file for Audition.
  • Render All: All clip effects are rendered into the clips when creating the assets for Audition.
  • Remove All: All clip effects are removed before rendering the assets for Audition.

Audio Track Effects

  • Transfer Settings: All track effect settings are transferred to Audition.

If the particular effect is not available in Audition, it is  added as offline effect to the Clip effects rack.

  • Remove All: All track effects are removed before rendering the assets for Audition

Pan and Volume information

If checked, Pan and Volume information is transferred to Audition. If unchecked, Pan and Volume information is rendered into the clip.

Open in Audition

If checked, launches Audition and directly open the generated project.


This option is only enabled if Audition is installed

شعار Adobe

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