Render and replace media

  1. Adobe Premiere Pro User Guide
  2. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Release Notes | Premiere Pro
    4. Premiere Pro system requirements
    5. Keyboard shortcuts in Premiere Pro
    6. Accessibility in Premiere Pro
  3. Creating projects
    1. Creating projects
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  4. Workspaces and workflows
    1. Workspaces
    2. Working with Panels
    3. Windows touch and gesture controls
  5. Capturing and importing
    1. Capturing
      1. Capturing and digitizing footage
      2. Capturing HD, DV, or HDV video
      3. Batch capturing and recapturing
      4. Setting up your system for HD, DV, or HDV capture
    2. Importing
      1. Transferring and importing files
      2. Importing still images
      3. Importing digital audio
    3. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    4. Supported file formats
    5. Digitizing analog video
    6. Working with timecode
  6. Editing
    1. Sequences
      1. Create and change sequences
      2. Add clips to sequences
      3. Rearrange clips in a sequence
      4. Find, select, and group clips in a sequence
      5. Edit from sequences loaded into the Source Monitor
      6. Rendering and previewing sequences
      7. Working with markers
      8. Scene edit detection
    2. Video
      1. Create and play clips
      2. Trimming clips
      3. Synchronizing audio and video with Merge Clips
      4. Render and replace media
      5. Undo, history, and events
      6. Freeze and hold frames
      7. Working with aspect ratios
    3. Audio
      1. Overview of audio in Premiere Pro
      2. Audio Track Mixer
      3. Adjusting volume levels
      4. Editing, repairing, and improving audio using Essential Sound panel
      5. Monitor clip volume and pan using Audio Clip Mixer
      6. Audio balancing and panning
      7. Advanced Audio - Submixes, downmixing, and routing
      8. Audio effects and transitions
      9. Working with audio transitions
      10. Apply effects to audio
      11. Measure audio using the Loudness Radar effect
      12. Recording audio mixes
      13. Editing audio in the timeline
      14. Audio channel mapping in Premiere Pro
      15. Use Adobe Stock audio in Premiere Pro
    4. Advanced editing
      1. Multi-camera editing workflow
      2. Editing workflows for feature films
      3. Set up and use Head Mounted Display for immersive video in Premiere Pro
      4. Editing VR
    5. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
  7. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Effect presets
      4. Automatically reframe video for different social media channels
      5. Color correction effects
      6. Change duration and speed of clips
      7. Adjustment Layers
      8. Stablilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  8. Graphics, Titles, and Animation
    1. Graphics and titles
      1. Create titles and motion graphics
      2. Applying text gradients in Premiere Pro
      3. Using Motion Graphics templates for titles
      4. Replace images or videos in Motion Graphics templates
      5. Use data-driven Motion Graphics templates
      6. Best Practices: Faster graphics workflows
      7. Add Responsive Design features to your graphics
      8. Working with captions
      9. Speech to Text
      10. Speech to Text in Premiere Pro | FAQ
      11. Upgrade Legacy titles to Source Graphics
    2. Animation and Keyframing
      1. Adding, navigating, and setting keyframes
      2. Animating effects
      3. Use Motion effect to edit and animate clips
      4. Optimize keyframe automation
      5. Moving and copying keyframes
      6. Viewing and adjusting effects and keyframes
  9. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  10. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Get creative with color using Lumetri looks
    3. Adjust color using RBG and Hue Saturation Curves
    4. Correct and match colors between shots
    5. Using HSL Secondary controls in the Lumetri Color panel
    6. Create vignettes
    7. Lumetri scopes
    8. Display Color Management
    9. HDR for broadcasters
    10. Enable DirectX HDR support
  11. Exporting media
    1. Workflow and overview for exporting
    2. Quick export
    3. Exporting for the Web and mobile devices
    4. Export a still image
    5. Exporting projects for other applications
    6. Exporting OMF files for Pro Tools
    7. Export to Panasonic P2 format
    8. Exporting to DVD or Blu-ray Disc
    9. Best Practices: Export faster
  12. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  13. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Using Productions
    8. How clips work across projects in a Production
    9. Consolidate, transcode, and archive projects
    10. Managing metadata
    11. Best Practices
      1. Best Practices: Working with Productions
      2. Best Practices: Learning from broadcast production
      3. Best Practices: Working with native formats
  14. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset preferences
    3. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    4. Check if your system is compatible with Premiere Pro
    5. Premiere Pro for Apple silicon
    6. Eliminate flicker
    7. Interlacing and field order
    8. Smart rendering
    9. Control surface support
    10. Best Practices: Working with native formats
    11. Knowledge Base
      1. Green and pink video in Premiere Pro or Premiere Rush
      2. How do I manage the Media Cache in Premiere Pro?
      3. Fix errors when rendering or exporting
      4. Troubleshoot issues related to playback and performance in Premiere Pro
  15. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Premiere Pro attempts to play back all sequences, clips, effects, transitions, titles, and any other unrendered elements in real time without first rendering them.

However, it's sometimes necessary to render media files, especially VFX-heavy sequences, to enable smooth playback. Also, rendering any unrendered media elements of the Timeline reduces the dependence on the available system resources.

The Render and Replace feature in Premiere Pro lets you flatten video clips and After Effects compositions, speeding up the performance of VFX-heavy sequences. At any point, you can revert to the original clip using the Restore Unrendered feature.

Render and replace media in a sequence

  1. Open the sequence containing the media to render in a Timeline panel.

  2. With a Timeline panel active, select Clip > Render And Replace.

  3. In the Render And Replace dialog, you can choose the format and settings based on which the sequence is rendered.

    Choosing the format and settings for rendering the sequence
    Choosing the format and settings for rendering the sequence

    Source

    Match the settings of the rendered media with the sequence settings, individual clip settings, or presets.

    Format

    Select a file format that gives the best quality playback while keeping an optimal rendering time and file size.  

    You can choose from MXF OP1a files, MXF OP1a files in DNXHD format, or QuickTime format.

    Preset

    Uses the frame size, frame rate, field type, and pixel aspect ratio of the chosen preset and renders all clips to these settings.

    When the sources cannot be matched, the clips are not rendered.

    Opmerking:

    The only preset that supports alpha is the GoPro CineForm With Alpha preset. All other presets flatten any alpha channel.

    Destination

    Specify the path to the save the rendered file. You can save the rendered file alongside the original media, or, click Browse to navigate to a location other than the default.

    Include Handles

    Specifies the number of additional frames to retain before the In point and after the Out point of each rendered clip. You can set a value from 0 to 100 frames.

    For example, a value of 30 means that 30 frames are retained before the In point, and 30 frames are retained after the Out point. Handles function as extra frames that allow for additional minor adjustments to the edits in the new project.

    Include Video Effects

    Render any effects applied to the clip. Selecting this option further improves playback performance.

    All non-intrinsic effects on clip can be rendered in the timeline. Intrinsic Motion effects are rendered if Source is set to Sequence.

    The following effects cannot be rendered:

    • Intrinsic Opacity and Time Remapping effects
    • Transition effects between clips
    • Audio effects
    Opmerking:

    Rendered effects cannot be moved or edited in the Effects Control panel.

  4. Click OK.

    The rendered file is created in the selected destination.

Replace rendered clips with original media

After rendering and replacing a clip in your sequence, at any point you can revert to the original unrendered clip or After Effects composition.

  • Select the sequence containing the rendered clips in a Timeline and choose Clip > Restore Unrendered.

If changes are made to the original file while the rendered and replaced clips are being used, reverting to the original clips includes those changes.

Opmerking:

When you render and replace clips, or revert to the original unrendered media, the rendered clips as well as the original media are stored on your hard disk.

FAQ

Can you render effects while rendering and replacing video clips?

Yes, you can enable the Include Video Effects option in the Render & Replace dialog to render all non-intrinsic video effects on a clip.  A list of rendered effects show in the Effects Control panel but their settings are unaccessible.  Use the Restore Unrendered feature to restore all rendered effects to an editable state.  Additional editable effects can be added to clips with rendered effects.  The Include Video Effects checkbox is only available when Match is set to Sequence.

Opmerking:

Intrinsic Motion effects are also rendered when Match is set to Sequence even if Include Video Effects is disabled.  In this case, intrinsic Motion effects will show as disabled in the Effects Control panel.  Use the Restore Unrendered feature to return intrinsic Motion effects to an editable state.

Can you render and replace audio in AV clips?

For AV clips, you can render audio by using a suitable preset. However, if the selected preset doesn't support the clip's audio type, the AV clip cannot be rendered and replaced.

For audio-only clips, or if you select the audio portion of an AV clip, Premiere Pro renders the audio clip into audio files in .wav format. For audio-only clips, you can revert to the original unrendered media.

Can you render still images?

No, but you can render image sequences.  

What are the types of clips that you can render and replace?

You can render and replace most of the clips including After Effects compositions except for the following:

  • Special clips or synthetics
  • Nested sequences
  • Adjustment layers

 

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