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Basic Video Settings

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Release Notes | Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Long Form and Episodic Workflow Guide
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. FAQ | Import and export in Premiere Pro
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Capturing and importing
    1. Capturing
      1. Capturing and digitizing footage
      2. Capturing HD, DV, or HDV video
      3. Batch capturing and recapturing
      4. Setting up your system for HD, DV, or HDV capture
    2. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    3. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    4. Supported file formats
    5. Digitizing analog video
    6. Working with timecode
  8. Editing
    1. Sequences
      1. Create and change sequences
      2. Add clips to sequences
      3. Rearrange clips in a sequence
      4. Find, select, and group clips in a sequence
      5. Edit from sequences loaded into the Source Monitor
      6. Simplify sequences
      7. Rendering and previewing sequences
      8. Working with markers
      9. Source patching and track targeting
      10. Scene edit detection
    2. Video
      1. Create and play clips
      2. Trimming clips
      3. Synchronizing audio and video with Merge Clips
      4. Render and replace media
      5. Undo, history, and events
      6. Freeze and hold frames
      7. Working with aspect ratios
    3. Audio
      1. Overview of audio in Premiere Pro
      2. Audio Track Mixer
      3. Adjusting volume levels
      4. Edit, repair, and improve audio using Essential Sound panel
      5. Automatically duck audio
      6. Remix audio
      7. Monitor clip volume and pan using Audio Clip Mixer
      8. Audio balancing and panning
      9. Advanced Audio - Submixes, downmixing, and routing
      10. Audio effects and transitions
      11. Working with audio transitions
      12. Apply effects to audio
      13. Measure audio using the Loudness Radar effect
      14. Recording audio mixes
      15. Editing audio in the timeline
      16. Audio channel mapping in Premiere Pro
      17. Use Adobe Stock audio in Premiere Pro
    4. Advanced editing
      1. Multi-camera editing workflow
      2. Set up and use Head Mounted Display for immersive video in Premiere Pro
      3. Editing VR
    5. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  9. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Effect presets
      4. Automatically reframe video for different social media channels
      5. Color correction effects
      6. Change duration and speed of clips
      7. Adjustment Layers
      8. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  10. Titles, Graphics, and Captions    
    1. Overview of the Essential Graphics panel
    2. Titles
      1. Create a title
    3. Graphics
      1. Create a shape
      2. Align and distribute objects
      3. Apply gradients
      4. Add Responsive Design features to your graphics
      5. Install and use Motion Graphics templates
      6. Replace images or videos in Motion Graphics templates
      7. Use data-driven Motion Graphics templates
    4. Captions
      1. Speech to Text
      2. Working with captions
      3. Check spelling and Find and Replace
      4. Export text
      5. Speech to Text in Premiere Pro | FAQ
    5. Best Practices: Faster graphics workflows
    6. Retiring the Legacy Titler in Premiere Pro | FAQ
    7. Upgrade Legacy titles to Source Graphics
  11. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  12. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  13. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Auto Color
    3. Get creative with color using Lumetri looks
    4. Adjust color using RGB and Hue Saturation Curves
    5. Correct and match colors between shots
    6. Using HSL Secondary controls in the Lumetri Color panel
    7. Create vignettes
    8. Looks and LUTs
    9. Lumetri scopes
    10. Display Color Management
    11. HDR for broadcasters
    12. Enable DirectX HDR support
  14. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  15. Collaboration: Frame.io, Productions, and Team Projects
    1. Collaboration in Premiere Pro
    2. Frame.io
      1. Install and activate Frame.io
      2. Use Frame.io with Premiere Pro and After Effects
      3. Frequently asked questions
    3. Productions
      1. Using Productions
      2. How clips work across projects in a Production
      3. Best Practices: Working with Productions
    4. Team Projects
      1. Get started with Team Projects
      2. Create a Team Project
      3. Add and manage media in Team Projects
      4. Collaborate with Team Projects
      5. Share and manage changes with Team Project collaborators
      6. Archive, restore, or delete Team Projects
  16. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  17. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  18. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset preferences
    3. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    4. Check if your system is compatible with Premiere Pro
    5. Premiere Pro for Apple silicon
    6. Eliminate flicker
    7. Interlacing and field order
    8. Smart rendering
    9. Control surface support
    10. Best Practices: Working with native formats
    11. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Green and pink video in Premiere Pro or Premiere Rush
      5. How do I manage the Media Cache in Premiere Pro?
      6. Fix errors when rendering or exporting
      7. Troubleshoot issues related to playback and performance in Premiere Pro
  19. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline medInstia

Video settings vary based on the export Format you have chosen.  Each format has unique requirements that determine what settings are available. For more information, see Supported file formats.

Notă:

Some capture cards and plug-in software provide their own dialog boxes with specific options. If the options you see are different from the options described here, see the documentation for your capture card or plug in.

Find the setting you are looking for

Common video settings

Match Source

The Match Source option lets you automatically match export settings to the source’s settings.

Formats that support Match Source: 

  • Animated GIF
  • BMP
  • Apple ProRes MXF OP1a
  • DPX
  • GIF
  • H.264
  • HEVC (H.265)
  • JPEG
  • JPEG 2000 MXF OP1a
  • MPEG-2
  • OpenEXR
  • PNG
  • QuickTime
  • Targa
  • TIFF
Notă:

If the current format does not support an exact match to the source's settings, a value that best matches the source's setting will be used.

Match Source presets

Match Source presets are useful when you want to pass a few video attributes from the source, and select specific values for the other attributes. You can save the Match Source setting as a new preset and apply them to any source.

By default, Premiere Pro includes a few adaptive Match Source presets for the H.264 format in the Preset menu:

  • Match Source - Adaptive High Bitrate
  • Match Source - Adaptive Medium Bitrate
  • Match Source - Adaptive Low Bitrate

These presets will match most settings to the source and also adjust the bitrate based on the source's frame size.  This allows for higher quality video while maintaining smaller file sizes and export times.

Match Source Rewrap presets

Certain formats like MXF OP1a, QuickTime, and DNxHR/DNxHD MXF OP1a include a Match Source (Rewrap) preset that allows video frames to "pass-through" the export pipeline without re-encoding from the source.  This allows for faster exports and no loss of video quality.

Notă:

Rewrap presets can only be applied to sources that match the codec of the preset.  For example, the MXF rewrap preset can only be applied to sources that are also encoded to the MXF codec.

Frame Size

The Frame Size menu contains a list of common video frame sizes to choose from:

  • 4K
  • UHD
  • Quad HD
  • Full HD
  • HD
  • SD NTSC Wide
  • SD NTSC

Exact pixel dimensions are shown for each setting (width x height)

You can also choose Custom to set your own width and height for the exported file.  Drag the hot-text controls to quickly adjust Width and Height settings, or click in each field to type in your own values.  To constrain aspect ratio while adjusting frame size, make sure the lock icon is enabled.

Notă:

Some formats and codecs only support a limited range of frame sizes.

Frame Rate

Frame Rate dictates how many frames of video are shown per second during playback. In general, higher frame rates produce smoother motion, although choosing a frame rate that is different from the source media’s frame rate may produce unwanted motion artifacts. Keep in mind that some formats and codecs only support a specific set of frame rates.

Field Order

Specifies whether the exported file has progressive frames or frames made up of interlaced fields.

  • Progressive is the preferred setting for digital television, online content, and film.
  • When exporting to interlaced formats such as NTSC or PAL, choose Upper First or Lower First to set the display order of interlaced fields.

For more information, see

When set to Match Source, Premiere Pro automatically sets this value to match the field order of the source. For more information, see Interlaced versus non-interlaced video.

Aspect

The pixel aspect ratio of the video. Pixel aspect ratio (PAR) describes the ratio of width to height of a single video pixel. Digital video formats like HD, 4 K UHD, and 8 K typically have square pixels (PAR 1.0), while analog formats like NTSC and PAL have rectangular pixels. Exporting at PAR different than the source media’s PAR may distort the video image.

For more info on aspect ratios, see these pages:

Render at Maximum Depth

When enabled, Render at Maximum Depth will render effects using the highest bit depth supported by the current format (in most cases, 32-bit float processing).

Retaining more color information from the source video can help reduce banding artifacts in areas with smooth color gradients and retain more detail in areas with bright highlights and dark shadows.

In some scenarios, enabling Render at Maximum Depth may increase encoding times.  Also, systems with GPU acceleration enabled will always render effects at the highest bit depth available regardless of this setting.

Transparency

This option enables you to export GIFs with transparency. You have three transparency options to choose from:

  • None: No transparency.
  • Dithered: This creates a pattern of transparent pixels to simulate the full range of alpha values.
  • Hard Edges: This creates transparency based on a 50% alpha threshold.

Use Maximum Render Quality

This option helps preserve details and avoid aliasing when scaling to a frame size different from your source media—for example, exporting from a high-resolution 4-K sequence to a lower resolution HD or SD format. It can also affect how scaling, rotation, and position transformations are rendered in sequences. Enabling this option can improve quality but keep the following in mind:

  • Export times can increase significantly, especially on systems without a supported GPU.
  • Systems with supported GPU hardware automatically use maximum render quality if Renderer is set to Metal, CUDA, or OpenCL.

Render Alpha Channel Only

This option can be used for sources that contain an alpha channel. When enabled, only the alpha channel gets rendered in the output video and a grayscale preview of the alpha channel is shown. This setting is useful when exporting to formats like MXF that don't support transparency info. You can use the alpha channel-only output to define transparent areas of your video in third-party applications.

Time Interpolation

Time Interpolation comes into play when the frame rate of your exported media is different from your source media. For example, if your source sequence is at 30 fps but you want to export it at 60 fps. Time Interpolation generates or removes frames by the following methods:

  • Frame Sampling – Duplicates or removes frames to achieve the desired frame rate. This option may produce stuttered or jittery playback on some footage.
  • Frame Blending – Adds or removes frames by blending them with adjacent frames, which can result in smoother playback.
  • Optical Flow – Adds or removes frames by interpolating the motion of pixels from surrounding frames. This option produces the smoothest playback usually, although artifacts may be introduced if there is significant difference between frames. Try using one of the other time interpolation settings if this error occurs.
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