Select the clip you want to stabilize.
You can fix shaky video in Premiere Pro with the Warp Stabilizer effect. It removes jitter caused by camera movement, making it possible to transform shaky, handheld footage into steady, smooth shots.
To stabilize motion using the Warp Stabilizer effect, do the following:
Select the clip you want to stabilize.
Open the Effects panel and choose Video Effects. Scroll down to Distort, and double-click Warp Stabilizer. You can also click and drag the Warp Stabilizer option over to your clip.
After the effect is added, analysis of the clip begins immediately in the background. As analysis begins, the first of two banners displays in the Project panel indicating that analysis is occurring. When analysis is complete, the second banner displays a message that stabilization is occurring.
You are free to work with the footage or elsewhere in the project while these steps are occurring.
The Warp Stabilizer effect in Premiere Pro requires that the clip dimensions match the sequence settings. If the clip does not match the sequence settings, you can nest the clip, and then apply the Warp Stabilizer effect to the nest.
Analyze: There is no need to press this button when you first apply Warp Stabilizer; it is pressed for you automatically. The Analyze button remains dimmed until some change takes place. For example, if you adjust a layer’s In or Out points, or there is an upstream change to the layer source. Click the button to reanalyze the footage.
Cancel: Cancels an analysis in progress. During analysis, status information appears next to the Cancel button.
Analysis does not take into account any effects that are applied directly to the same clip.
Stabilization settings allow for adjusting the stabilization process.
Result: Controls the intended result for the footage (Smooth or No Motion).
Smoothness: Chooses how much the camera’s original motion is stabilized. Lower values are closer to the camera’s original motion while higher values are smoother. Values above 100 require more cropping of the image. Enabled when the Result is set to Smooth Motion.
Method: Specifies the most complex operation the Warp Stabilizer performs on the footage to stabilize it:
Preserve scale: When this checkbox is selected, the scale of the clip does not change.
Chooses how much the camera’s original motion is stabilized. Lower values are closer to the camera’s original motion while higher values are smoother. Values above 100 require more cropping of the image. Enabled when the Result is set to Smooth Motion.
In some cases, Subspace Warp can introduce unwanted warping, and Perspective can introduce unwanted keystoning. You can prevent anomalies by choosing a simpler method.
Borders settings adjust how borders (the moving edges) are treated for footage that is stabilized.
Framing: Controls how the edges appear in a stabilizing result. Framing can be set to one of the following:
It is possible for artifacts to appear when there is movement at the edge of the frame not related to camera movement.
Auto-scale: Displays the current auto-scale amount, and allows you to set limits on the amount of auto-scaling. Enable Auto-scale by setting framing to Stabilize, Crop, Auto-scale.
Additional Scale: Scales up the clip with the same result as scaling using the Scale property under Transform, but avoids an extra resampling of the image.
Detailed Analysis: When set to on, makes the next Analysis phase do extra work to find elements to track. The resulting data (stored in the project as part of the effect) is much larger and slower with this option enabled.
Fast Analysis: It improves the time Premiere Pro takes to analyze shaky footage while leaving the actual stabilization process unchanged. This option is selected by default. You can deselect the checkbox if you want.
Rolling Shutter Ripple: The stabilizer automatically removes the rippling associated with stabilized rolling shutter footage. Automatic Reduction is the default. Use Enhanced Reduction if the footage contains larger ripples. To use either method, set the Method to Subspace Warp or Perspective.
Crop Less <-> Smooth More: When cropping, controls the trade-off between smoothness and scaling of the cropping rectangle as it moves over the stabilized image. Lower values are smooth; however, more of the image is viewed. At 100%, the result is the same as the Stabilize Only option with manual cropping.
Synthesis Input Range (seconds): Used by Stabilize, Synthesize Edges framing, controls how far backward and forward in time the synthesis process goes to fill in any missing pixels.
Synthesis Edge Feather: Selects the amount of feather for the synthesized pieces. It is enabled only when using the Stabilize, Synthesize Edges framing. Use the feather control to smooth over edges where the synthesized pixels join up with the original frame.
Synthesis Edge Cropping: Trims off the edges of each frame before it is used to combine with other frames when using the Stabilize, Synthesize Edges framing option. Use the cropping controls to crop off bad edges that are common in analog video capture, or low quality optics. By default, all edges are set to zero pixels.
Hide Warning Banner: Use when you don’t want to reanalyze footage even though there is a warning banner indicating that it must be reanalyzed.
Synthesis Edge Cropping
Trims off the edges of each frame before it is used to combine with other frames when using the Stabilize, Synthesize Edges framing option. Use the cropping controls to crop off bad edges that are common in analog video capture, or low quality optics. By default, all edges are set to zero pixels.
Apply the Warp Stabilizer.
While Warp Stabilizer is analyzing your footage, you can adjust settings or work on a different part of your project.
Choose Stabilization > Result > No Motion if you want to completely remove all camera motion. Choose Stabilization > Result > Smooth Motion if you want to include some of the original camera movement in the shot.
If the result is good, you’re done with stabilization. If not, do one or more of the following:
If the result is too cropped, reduce either Smoothness or Crop Less Smooth More. Crop Less Smooth More is much more responsive, as it doesn’t require a restabilize phase.
If you want to get a feel for how much work the stabilizer is actually doing, set the Framing to Stabilize Only.
When Framing is set to one of the cropping options and the cropping gets extreme, a red banner appears saying, “To avoid extreme cropping set Framing to Stabilize Only or adjust other parameters." In this situation, you can set Framing to either Stabilize Only or Stabilize, Synthesize Edges. Other options include reducing the value of Crop Less Smooth More, or reducing Smoothness. Or, if you are satisfied with the results, enable the Hide Warning Banner option.