Naviger til Preferences > Media.
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Edit video
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Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
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Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Overview of video effects and transitions
- Effects
- Transitions
- Properties panel
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Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
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Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Creating projects
- Workspaces and workflows
- Frame.io
-
Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
-
Editing
- Edit video
-
Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
-
Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
-
Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
-
Titles, Graphics, and Captions
- Properties panel
-
Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
-
Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
-
Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
-
Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
-
Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Denne artikkelen gir deg en innføring i Mercury Playback Engine (GPU Accelerated) og maskinvaredekoding/-koding i Adobe Premiere Pro og Adobe Media Encoder.
Gjengiveren Mercury Playback Engine (GPU Accelerated)
Adobe Premiere Pro og Adobe Media Encoder kan dra nytte av tilgjengelige grafikkprosessorer i systemet for å fordele behandlingsbelastningen mellom prosessoren og grafikkprosessoren for å få bedre ytelse. For øyeblikket behandles det meste av prosessoren, mens grafikkprosessoren hjelper deg med å behandle bestemte oppgaver og funksjoner.
Maskinvareakselerert dekoding og koding
Premiere Pro støtter maskinvareakselerert koding for å akselerere kodeytelsen (eksport) og redusere tiden det tar å eksportere formatene H.264 og H.265 (HEVC). Premiere Pro kan også forbedre ytelsen til tidslinjeavspilling med støtte for maskinvareakselerert dekoding for formatene H.264 og H.265.
En GPU med maskinvareakselererte kodings- og dekodingsmuligheter kreves for å bruke disse funksjonene.
Sjekk informasjonen for å se om GPU-en din støtter maskinvareakselerert dekoding og koding.
Apple silicon (M1 og nyere) støtter maskinvareakselerert dekoding og koding av formatene H.264 og H.265, inkludert 10-biters 4:2:2-dekodingsstøtte. HEVC HLG 4:2:0 10-biters koding vil fortsatt kode via programvare.
Her er systemkravene for maskinvareakselerert dekoding og koding.
Maskinvareakselerert koding støtter
Hvis du vil aktivere dette alternativet, velger du H.264/HEVC fra rullegardinmenyen Format under Export Settings. På Video-fanen går du deretter til Encoding Settings og setter the Performance til Hardware Encoding.
Støttede kodekplattformer
Kode: H.264/AVC (8-biters), HEVC 4:2:0 (8-biters og 10-biters) opptil 4096x4096. Med en 10.- generasjons Intel® Core™-prosessor eller høyere går HEVC-kodestøtten opp til 8192x8192.
Støtte for maskinvareakselerert dekoding
I likhet med maskinvareakselerert koding støtter Adobe Premiere Pro også maskinvareakselerert dekoding for å gi bedre avspillingsytelse når du jobber med H.264/AVC-, HEVC-medier på tidslinjen.
Slik aktiverer du maskinvareakselerert dekoding:
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Velg Enable hardware accelerated decoding (requires restart).
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Start Adobe Premiere Pro på nytt.
Støttede kodekplattformer
Funksjonen fungerer med MP4-medier, spesielt H.264/AVC- og HEVC-kodeker. Premiere Pro, Adobe Media Encoder og After Effects versjon 22.0 og nyere støtter HEVC 4:2:2 10-biters maskinvareakselerert dekoding på Intel-plattformer.
M2TS (MPEG-2 transportstrøm) støttes ikke. Hvis du bruker 4K M2TS-medier, og du koder dem til en støttet MP4-kode, kan det gi deg bedre avspillingsytelse, ettersom de kodede MP4-mediene kan dra nytte av maskinvareakselerert dekoding (økt ytelse er ikke nødvendigvis merkbart hvis du koder HD M2TS-medier).
Behandling av maskinvareakselerert dekoding på integrerte Intel®-grafikkprosessorer på systemer med 8 GB RAM eller mindre kan være begrenset. Det kan føre til at prosessoren overtar behandlingen ettersom den integrerte grafikkprosessoren (GPU) bruker RAM som delt GPU-minne. Vi anbefaler at du har 16 GB RAM eller mer for bedre ytelse.
Forskjellen mellom maskinvareakselerert dekoding, Mercury Playback Engine (GPU-akselerasjon) og maskinvareakselerert koding
- Mercury Playback Engine (GPU Accelerated) er en gjengiver som brukes til å behandle GPU-akselererte effekter, og forbedrer avspilling.
- Maskinvareakselerert koding brukes for å akselerere kodingsytelsen når du eksporterer tidslinjen i H.264/AVC- og HEVC-kodeker.
- Maskinvareakselerert dekoding er en prosess som brukes til å akselerere dekoding av H.264/AVC- og HEVC-medier når du spiller av tidslinjen.