Gå till Preferences > Media.
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Edit video
-
Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
-
Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Overview of video effects and transitions
- Effects
- Transitions
- Properties panel
-
Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
-
Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Creating projects
- Workspaces and workflows
- Frame.io
-
Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
-
Editing
- Edit video
-
Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
-
Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
-
Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
-
Titles, Graphics, and Captions
- Properties panel
-
Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
-
Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
-
Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
-
Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
-
Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Artikeln ger insikt i Mercury Playback Engine (GPU-accelererad) och maskinvaruavkodning/maskinvarukodning i Adobe Premiere Pro och Adobe Media Encoder.
Mercury Playback Engine-renderare (GPU-accelererad)
Adobe Premiere Pro och Adobe Media Encoder kan dra fördel av tillgängliga GPU:er på systemet för att fördela bearbetningsbelastningen mellan CPU:n och GPU:n för att få bättre prestanda. För närvarande görs det mesta av bearbetningen av CPU:n, och GPU:n hjälper till med att behandla vissa uppgifter och funktioner.
Maskinvaruaccelererad avkodning och kodning
Premiere Pro stöder maskinvaruaccelererad kodning för att påskynda kodningsprestanda (export) och minska tiden som krävs för att exportera H.264- och H.265-format (HEVC). Premiere Pro kan också förbättra uppspelningsprestanda på tidslinjen med stöd för maskinvaruaccelererad avkodning för H.264- och H.265-format.
En GPU med maskinvaruaccelererad kodning och avkodning krävs för att använda dessa funktioner.
Kontrollera informationen för att se om din GPU stöder maskinvaruaccelererad avkodning och kodning.
Apple Silicon (M1 och högre) stöder maskinvaruaccelererad avkodning och kodning av H.264- och H.265-format, inklusive stöd för 10-bitars 4:2:2-avkodning. HEVC HLG 4:2:0 10-bitarskodning kodas fortfarande via programvara.
Här är systemkraven för maskinvaruaccelererad avkodning och kodning.
Stöd för maskinvaruaccelererad kodning
Välj H.264/HEVC i rullistan Format under Export Settings för att aktivera det här alternativet. Under fliken Video går du sedan till Encoding Settings och ställer in Performance till Hardware Encoding.
Kodekplattformar som stöds
Kodning: H.264/AVC (8-bitars), HEVC 4:2:0 (8-bitars och 10-bitars) upp till 4 096 x 4 096. Med 10:e generationens och senare Intel® Core™-processorer går HEVC-kodningsstödet upp till 8 192 x 8 192.
Stöd för maskinvaruaccelererad avkodning
Precis som maskinvaruaccelererad kodning har Adobe Premiere Pro även stöd för maskinvaruaccelererad avkodning för att ge bättre uppspelningsprestanda medan du arbetar med H.264/AVC- och HEVC-media i tidslinjen.
Steg för att aktivera maskinvaruaccelererad avkodning:
-
-
Välj Enable hardware accelerated decoding (requires restart).
-
Starta om Adobe Premiere Pro.
Kodekplattformar som stöds
Funktionen fungerar med MP4-media, specifikt H.264/AVC- och HEVC-kodekar. Premiere Pro, Adobe Media Encoder och After Effects version 22.0 och senare stöder HEVC 4:2:2 10-bitars maskinvaruaccelererad avkodning på Intel-plattformar.
M2TS (MPEG-2 Transport Stream) stöds inte. Om du använder 4K M2TS-media kan det hjälpa att omkoda det till en MP4-kodek med stöd för att få bättre uppspelningsprestanda eftersom det omkodade MP4-mediet kan dra fördel av maskinvaruaccelererad avkodning (prestandavinsten kanske inte blir så påtaglig om det är HD M2TS-media som omkodas).
Bearbetningen för maskinvaruaccelererad avkodning på en integrerad Intel®-GPU på system med 8 GB eller mindre RAM-minne kan begränsas och kan leda till att CPU:n tar över bearbetningen eftersom den integrerade GPU:n använder RAM-minnet som delat GPU-minne. Det rekommenderas att ha 16 GB RAM-minne eller mer för bättre prestanda.
Skillnaden mellan maskinvaruaccelererad avkodning, Mercury Playback Engine (GPU-acceleration) och maskinvaruaccelererad kodning
- Mercury Playback Engine (GPU-accelererad) är en renderare som används för att bearbeta GPU-accelererade effekter och förbättrar uppspelningen.
- Maskinvaruaccelererad kodning används för att påskynda kodningsprestanda vid export av tidslinjen i H.264/AVC- och HEVC-kodekar.
- Maskinvaruaccelererad avkodning är en process som används för att påskynda avkodning av H.264/AVC- och HEVC-media medan tidslinjen spelas upp.