Naviger til Preferences > Media.
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Edit video
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Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
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Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Overview of video effects and transitions
- Effects
- Transitions
- Properties panel
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Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
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Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Creating projects
- Workspaces and workflows
- Frame.io
-
Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
-
Editing
- Edit video
-
Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
-
Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
-
Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
-
Titles, Graphics, and Captions
- Properties panel
-
Essential Graphics panel (24.x and earlier)
- Overview of the Essential Graphics panel
- Create a title
- Linked and Track Styles
- Working with style browser
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Speech to Text
- Download language packs for transcription
- Working with captions
- Check spelling and Find and Replace
- Export text
- Speech to Text FAQs
- Motion Graphics Templates
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
-
Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
-
Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
-
Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
-
Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Denne artikel indeholder oplysninger om Mercury Playback Engine (GPU-accelereret) og hardwareafkodning/indkodning i Adobe Premiere Pro og Adobe Media Encoder.
Mercury Playback Engine (GPU Accelerated)-renderingfunktion
Adobe Premiere Pro og Adobe Media Encoder kan drage fordel af GPU-processoren i computeren, så både CPU- og GPU-processoren bruges til databehandling, hvorved der opnås en bedre ydeevne. I øjeblikket udføres det meste af databehandlingen af CPU-processoren, mens GPU-processoren bruges til at behandle kun nogle bestemte opgaver og funktioner.
Hardware-accelereret afkodning og indkodning
Premiere Pro understøtter hardwareaccelereret indkodning for at fremskynde indkodningen (eksport) og reducere tidsforbruget ved eksport til H.264- og H.265-formater (HEVC). Premiere Pro kan også forbedre tidslinjens afspilningsydelse med understøttelse af hardwareaccelereret afkodning af H.264- og H.265-formater.
Der kræves en GPU med hardwareaccelererede indkodnings- og afkodningsfunktioner for at bruge disse funktioner.
Kontrollér ud fra oplysningerne, om din GPU understøtter hardwareaccelereret afkodning og indkodning.
Apple silicon (M1 og nyere) understøtter hardwareaccelereret afkodning og indkodning af H.264- og H.265-formater, herunder understøttelse af 10-bit 4:2:2-afkodning. HEVC HLG 4:2:0 10-bit-indkodning sker stadig via software.
Hardwareaccelereret afkodning og indkodning har følgende systemkrav.
Hardwareaccelereret indkodningssupport
Vælg H.264/HEVC på rullelisten Format under Export Settings for at aktivere denne funktion. Skift derefter til fanen Video, find Encoding Settings, og sæt Performance til Hardware Encoding.
Understøttede codec-platforme
Indkodning: H.264/AVC (8-bit), HEVC 4:2:0 (8-bit og 10-bit), op til 4096x4096. Med 10. generation af Intel® Core™-processorer og nyere understøttes HEVC-indkodning med en opløsning på op til 8192x8192.
Hardware-accelereret afkodningssupport
Ligesom hardwareaccelereret indkodning understøtter Adobe Premiere Pro også hardwareaccelereret afkodning for at give en bedre ydeevne under afspilningen af H.264/AVC- og HEVC-medier via tidslinjen.
Sådan aktiveres hardwareaccelereret afkodning:
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Vælg Enable hardware accelerated decoding (requires restart).
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Genstart Adobe Premiere Pro.
Kompatible codec-platforme
Funktionen fungerer med MP4-medier indkodet med H.264/AVC- og HEVC-codec. Premiere Pro, Adobe Media Encoder og After Effects version 22.0 og nyere understøtter HEVC 4:2:2 10-bit hardwareaccelereret afkodning på Intel-platforme.
M2TS (MPEG-2 Transport Stream) understøttes ikke. Du kan forbedre afspilningsydelsen af M2TS-medier i 4K-kvalitet ved at kode dem om til en understøttet MP4-codec, da de omkodede MP4-medier kan drage fordel af hardwareaccelereret afkodning (forskellen i ydeevnen af omkodede M2TS-medier i HD-kvalitet vil dog ikke være lige så mærkbar).
Håndtering af hardwareaccelereret afkodning vha. en indbygget Intel®-GPU i computere med 8 GB RAM eller mindre kan være begrænset og kan resultere i, at CPU'en overtager håndteringen, da den integrerede GPU bruger computerens RAM som delt GPU-hukommelse. Der anbefales 16 GB RAM eller mere for at få en bedre ydeevne.
Forskellen mellem hardwareaccelereret afkodning, Mercury Playback Engine til GPU-acceleration og hardwareaccelereret indkodning
- Den Mercury Playback Engine (GPU Accelerated) anvendes til rendering af GPU-accelererede effekter og forbedring af afspilning.
- Hardwareaccelereret indkodning bruges til at gøre indkodningen hurtigere under eksport af tidslinjen i H.264/AVC- og HEVC-codec.
- Hardwareaccelereret afkodning er en proces, der bruges til at gøre afkodningen af H.264/AVC- og HEVC-medier under afspilning af tidslinjen.