- What's new
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Get started
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Technical requirements
- GPU and GPU Driver requirements
- Storage recommendations
- Processor, memory, and GPU recommendations
- Hardware-accelerated decoding and encoding
- Enable hardware accelerated decoding support
- Supported codecs and drivers for hardware-accelerated decoding
- Enable Hardware Encoding in Premiere Pro
- Install macOS updates for Apple Metal GPU Acceleration
- Adobe Premiere Pro 24.x technical requirements
- Enable Mercury Playback Engine (GPU accelerated) renderer
- Download and install
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Preferences and settings
- Preferences overview
- General preferences
- Set Appearance preferences
- AI Models preferences
- Audio preferences
- Audio Hardware preferences
- Auto Save preferences
- Collaboration preferences
- Color preferences
- Control Surface preferences
- Labels preferences
- Media preferences
- Media Analysis & Transcription preferences
- Memory preferences
- Playback preferences
- Timeline preferences
- Trim preferences
- Display Premiere Pro interface on a second monitor
- Display video on a second monitor
- Best practices for film and TV productions
- Set up accessibility features
- Keyboard shortcuts
- Set up Directx HDR for Windows
- Use touch and gesture controls
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Workflows, workspaces, and panels
- Overview of workspaces
- Import workspaces
- Change, create, and reset workspaces
- Manage workspaces
- Display panel options and menu
- Navigate the panels
- Dock, group, or undock panels
- Customize panels
- Display any panel full-screen
- Tools panel in Premiere Pro
- Clip details in the Info panel
- Adobe Premiere Pro FAQ
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Customize the Project panel
- Customization options for the Project panel
- Customize the Icon View in Project panel
- Customize metadata in Freeform View in Project panel
- Customize Freeform view in Project panel
- Customize List View in Project panel
- Align and reset clips to grid in Freeform View in Project panel
- Create layouts in Freeform View in Project panel
- Customize the position of the Project panel
- List View columns
- Restore or delete layouts in Freeform View in Project panel
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Source and Program Monitor adjustments
- Overview of Source Monitor and Program Monitor
- Set display quality for Source and Program Monitors
- Adjust magnification for Source and Program Monitors
- Enable High Quality Playback
- Choose a display mode
- Gang Source and Program Monitor
- Set display options for interlaced footage
- Compare edits to clips in the Program Monitor
- Open or clear a clip in the Source Monitor
- Navigate clips in the Source menu in the Source Monitor
- Display controls in the Source and Program Monitors
- Time controls in the Source and Program Monitors
- View safe zones in the monitors
- Change the unit of measurement
- Add or remove guides
- Snap objects to guides
- Nudge clips in Program Monitor
- Save, export, and import custom guides
- Enable Dropped Frame Indicator
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Technical requirements
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Organize media
- Create projects
- Import files
- Organize files
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Apply labeling
- Overview of markers
- Add a marker to a clip
- Copy and paste sequence markers
- Find, move, and delete markers
- Set default marker colors
- Show or hide markers by color
- View and edit marker properties
- Share markers with After Effects
- Overview of timecode
- Enter timecode
- View Sequence Timecode
- Choose timecode display format
- View source timecode in the Program Monitor
- Change timecode display format
- Timecode display options
- Set clip timecode manually
- Label colors in sequence tabs
- Transfer files
- Ingest proxy workflow
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Edit projects
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Intro to editing
- Add or remove clips
- Aspect ratios
- Set the aspect ratio of a sequence
- Pixel aspect ratio
- Frame aspect ratio
- Aspect ratio preservation
- Correct aspect ratio misinterpretations
- Convert a subclip to a Source clip
- Add media to the timeline using Source Patching
- Work with clips on the timeline using Track Targeting
- Create a subclip from the Project panel
- Create a subclip from the Timeline
- Adjust media start and end times of a subclip
- Apply Multi Transitions across audio and video clips
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Edit video using Text-based editing
- Overview of Text-Based editing
- Add clips to the timeline using Text-Based Editing
- Transcribe video
- Edit transcripts using Text-Based Editing
- Detect and delete pauses in transcripts
- Transcribe individual source files
- Edit speaker names in transcription
- Edit sequences using Text-Based Editing
- Remove all instances of one speaker in transcript
- Multichannel audio support in Text-Based Editing
- Trim clips
- Change clip speed
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Change clip sequence
- Create a sequence
- Navigation controls in the timeline
- Navigate sequences in the timeline
- Change sequence settings
- Sequence settings reference
- Sequence presets and settings
- Create a custom sequence preset
- Copy and paste clips
- Different ways to move clips
- Rearrange clips on the timeline
- Add tracks
- Delete tracks
- Rename tracks
- Lift and paste frames
- Edit track appearance
- Sync Lock to prevent changes
- Track Lock to prevent changes
- Modify clip properties
- Set up multi-camera sequences for editing
- Compare edits to source clips
- Correct mistakes
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Edit VR content
- VR editing in Premiere Pro
- VR auto-detection
- Interpret VR footage
- Assign VR properties to sequences
- 360-degree panning
- VR assignments
- Hide VR video view controls
- Immersive video effects and transitions
- Three-axis video rotation
- Assembling Ambisonics Audio
- Monitor Ambisonics audio
- Restage correctly aligned video and audio
- Publish VR videos
- Edit with Generative AI
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Intro to editing
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Add text and images
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Use Motion Graphics templates
- Overview of Motion Graphics templates
- Install Motion Graphics templates
- Add Motion Graphic templates to a sequence
- Organize Motion Graphics templates
- Browse and sort Motion Graphics templates
- Customize Motion Graphics templates
- Use Motion Graphics templates from Adobe Stock
- Use data-driven Motion Graphics templates
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Stylize text
- Create titles
- Create text styles
- Apply styles to a sub-selection of the text
- Style parameters when applying from the style browser
- Replace fonts
- Create Linked and Track Styles
- Apply Linked and Track Styles
- Redefine Linked and Track Styles
- Parameters when applying as a Linked style or Track style
- Use color fonts
- Use emojis
- Insert images and graphics
- Draw objects
- Align and distribute objects
- Insert captions
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Use Motion Graphics templates
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Add video effects
- Types of effects
- Apply video effects
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Effects and transitions library
- List of Video transitions
- List of Video Dissolve transitions
- Adjust effects
- Blur and Sharpen effects
- Channel effects
- Color Correction effects
- Distort effects
- Generate effects
- Image Control effects
- Immersive Video effects
- Keying effects
- Apply and customize Chromakey using the Ultra Key effect
- Ultra Key effect parameters
- Noise and Grain effects
- Perspective effects
- Stylize effects
- Time effects
- Transform effects
- Transition effects
- Utility effects
- Video effects
- Control effects and transitions using keyframes
- Create masks and composites
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Commonly used effects
- Auto Reframe overview
- Add Auto Reframe effect to sequences
- Add Auto Reframe effect to clips
- Apply Motion effect
- Edit vector graphics using Vector Motion effect
- Stabilize shaky footage using Warp Stabilizer
- Warp Stabilizer settings
- Create fade-in video effects
- Add lightning effects
- Create a Jacob’s ladder effect
- Effects and transitions removed from Adobe Premiere Pro
- Apply video transitions
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Add audio effects
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Basic audio editing
- Audio editing concepts
- Extract audio from clips
- Link audio and video clips
- Synchronize audio and video
- Synchronize clips in the Timeline panel
- Merge clips in the Project panel
- Merge clips in the Timeline panel
- Use the timecode from an audio primary clip to create a merged clip
- Edit merged clips
- Edit metadata of merged clips
- Limitations of merged clips
- Advanced audio techniques
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Adjust volume and levels
- Automatically tag audio
- Audio editing with Essential Sound panel
- Improve dialogue clarity
- Repair dialogue
- Create a Reverb effect
- Automatically duck audio
- Create audio presets
- Adjust gain in audio
- Adjust track volume
- Auto-match audio loudness
- Monitor volume levels
- Use Dynamic Audio Waveforms
- Enhance Speech technical requirements
- Apply audio effects
- Apply audio transitions
- Use Adobe Stock audio
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Basic audio editing
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Correct color
- Color correction fundamentals
- Add color effects
- Set up Color Management
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Render and export
- Render sequences for playback
- Export files
- Stream video
- Collaborate with others
- Use Premiere Pro with other apps
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Troubleshooting
- Limitations and known issues
- Media issues
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Crash issues
- Premiere Pro is crashing
- Fix outdated Windows Libraries
- Premiere Pro freezes on the splash screen
- Recover projects after a crash
- No splash screen appears on app launch
- Try Adobe Creative Cloud Diagnostics
- Adobe Premiere Pro hangs on launch on macOS
- Premiere Pro crashes when you open a specific project
- Preferences and settings issues
- Export issues
- Audio issues
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Playback issues
- Timeline doesn’t show video preview
- Not able to optimize playback performance
- Hardware setup not optimal for playback performance
- Audio playback keep getting stuck
- Optimize playback performance for H.264 and H.265 media
- Troubleshoot sequence and file-interpretation settings
- Choppy playback and poor performance issue
- Slow rendering and playback
Aspect ratio preservation
Learn more about how Adobe Premiere Pro attempts to preserve aspect ratios.
When an asset is imported, Adobe Premiere Pro attempts to preserve the frame aspect ratio, pixel aspect ratio, and frame dimensions so that the asset does not appear cropped or distorted. For assets that contain metadata, these calculations are automatic and precise. For example:
- When you capture or import NTSC footage with the ATSC frame size of 704x480, the D1 frame size of 720x486, or the DV frame size of 720x480, the pixel aspect ratio is set to D1/DV NTSC (0.91).
- When you capture or import footage with the HD frame size of 1440x1080, the pixel aspect ratio is set to HD 1080 Anamorphic (1.33).
- When you capture or import PAL footage with the D1 or DV resolution of 720x576, the pixel aspect ratio is set to D1/DV PAL (1.094).
For other frame sizes, Premiere Pro assumes that the asset was designed with square pixels and changes the pixel aspect ratio and frame dimensions to preserve the image aspect ratio. If the imported asset is distorted, you can change the pixel aspect ratio manually.
Assets in a sequence
When you drag an asset into a sequence, the asset is placed at the center of the program frame by default. Depending on its frame size, the resulting image could be too small or over-cropped for the needs of the project. Premiere Pro can change its scale automatically when you drag an asset into a sequence, or you can change it manually.
It's always important to interpret files correctly. You can read asset frame dimensions and pixel aspect ratio near the preview thumbnail and in the Video Info column of the Project panel. You can also find this data in the asset Properties dialog box, the Interpret Footage dialog box, and the Info panel.
Aspect ratio distortion in sequences
The sequence settings preset you choose when you create a sequence sets the frame and pixel aspect ratios for the sequence. You can’t change aspect ratios after you create the sequence, but you can change the pixel aspect ratio that Premiere Pro assumes for individual assets.
For example, if a square-pixel asset generated by a graphic looks distorted in Premiere Pro, you can correct its pixel aspect ratio to make it look right. By ensuring that all files are interpreted correctly, you can combine footage with different ratios in the same project. Then, you can generate output that doesn’t distort the resulting images.