Open a multitrack session.
Adobe Audition CS6
Multitrack clip grouping
Select multiple clips, and choose Clip > Groups > Group Clips. You can move and edit grouped clips together, and even stretch them proportionately when clip stretching is enabled. Group stretch, gain, color and other settings are available in the Properties panel (Window > Properties).
To temporarily edit all grouped clips independently, select Clip > Groups > Suspend Groups. To quickly reapply groups throughout a session, deselect the Suspend Groups command.
To independently edit one clip in a group, right-click it, and select Remove Focus Clip from Group.
Trim multitrack clips to time selections
The Trim to Time Selection command trims unused portions of clips, helping align them to related video or musical elements in a session.
Multitrack clip spotting
In the Info section of the Properties panel, enter specific clip start and end times for selected clips, placing them precisely.
Preview edits with Skip Selection
In the transport controls at the bottom of the Editor panel, click the Skip Selection buttonto bypass selected audio during playback, letting you accurately preview edits.
Position the playhead prior to the selection to set the default preroll and postroll amount. Audition applies the same setting when you next preview with Skip Selection.
Multiple clipboards in Waveform Editor
Choose Edit > Set Current Clipboard to copy and paste audio from up to five different clipboards. When you need to paste specific material that you use repeatedly, it’s readily available.
Quickly stretch clips to the necessary length, while previewing the results during playback. In the Editor panel, select multiple clips to stretch them proportionately. In the Properties panel, choose from a variety of stretch types optimized for different audio content.
For detailed information, see Multitrack clip stretching in CS6.
To quickly align overdubbed dialogue with original production audio, use automatic speech alignment. Audition matches the timing of each word, even if the original audio is noisy or differs in overall length.
In the Multitrack editor, select two clips containing the same dialog, and of similar length. Then choose Clip > Automatic Speech Alignment.
From the Reference Channel menus, choose channels in which dialogue is most clear. To further improve alignment, trim any leading or trailing silence from the clips.
Mix audio interactively with popular control surfaces using the EUCON, Mackie MCU, or Logic Control protocols (including the Avid Artist series formerly made by Euphonix). Or use third-party, tablet-based controllers that support these protocols. You can even use multiple devices simultaneously.
To connect your controller to Audition, choose Edit > Preferences > Control Surface. Choose the controller protocol from the Device Class menu. Then click Configure to specify MIDI ins and outs (for Mackie and Logic controllers), or Button Assignments (for Mackie and Red Rover controllers).
Audition CS6 supports the full range of automation modes—read, write, latch, and touch—for all track level, pan, and effect parameters. Choose the automation mode from the menu at the bottom of the track controls in the Editor panel, or above the fader in the Mixer.
For details about each automation mode, see Track automation options.
Precisely correct pitch with automatic and manual pitch control, or creatively manipulate audio for innovative sound design.
For the best results, apply pitch correction to individual vocal or instrument tracks.
The Manual Pitch Correction effect lets you visually adjust pitch with the Spectral Pitch Display. The Spectral Pitch Display shows the fundamental pitch as a bright blue line, and overtones in yellow to red hues. Corrected pitch appears as a bright green line.
Choose Effects > Time and Pitch > Manual Pitch Correction. For detailed instructions, see Manual Pitch Correction effect.
You can visually monitor pitch at any time, without using the Manual Pitch Correction effect. Simply click the Spectral Pitch Display iconin the options bar.
The Automatic Pitch Correction effect is available in both the Waveform and Multitrack editors. In the latter, its parameters can be automated over time using keyframes and external control surfaces.
Choose Effects > Time and Pitch > Automatic Pitch Correction. For detailed instructions, see Automatic Pitch Correction effect.
Choose Window > Media Browser to preview files on your local and networked drives, with helpful file metadata and specifications. At the bottom of the panel, click the Play button to hear audio, and the Loop Playback button to catch the details. Then drag files directly to the Files or Match Volume panels, multitrack sessions, or CD layouts.
To bookmark a folder you use often, navigate to it in the Media Browser, and then click the Add Shortcut icon in the upper-right corner of the panel.
In the Files panel, quickly find files by entering data in the search box such as name, channels, or media type. At the bottom of the panel, click the Playand Loop Playback buttons.
To save space in the Media Browser and Files panels, click the panel menu button in the upper-right corner, and deselect Show Preview Transport. A smaller Play button appears at the top, and Auto-Play and Loop Preview commands remain available in the panel menu.
The Markers panel adds a similar search box and these features:
In the upper-right corner of the panel, click the Show Markers Of All Files icon to view markers across all open files and sessions. Insert selected marker ranges into multitrack sessions, CD layouts, or playlists using icons at the top of the panel.
Click the Insert Into Multitrack icon to either add marker ranges to an existing multitrack session or create an entirely new session.
New marker types include:
Choose File > Export > Session As Template to create multitrack templates that speed up recurring projects requiring similar settings, tasks, and source files. To apply a template to a new session, choose File > New > Multitrack Session, and then choose a Template option.
To archive whole sessions or move them to other systems along with markers, metadata, and source files, choose File > Export > Session. In the Export Session dialog box, customize exported source files by selecting Save Copies Of Associated Files, and clicking Options. To change file format, select Convert Files. To export full or trimmed source files, choose Media Options.
Choose File > Export > Mixdown, and review the Mixdown Options section. Click Change to output tracks as separate files, or simultaneously output mono, stereo, and 5.1 masters.
Import and play HD video in a wide variety of frame rates, including 23.976 and 59.94 drop-frame and 59.94 non-drop-frame. The ruler and other timecode displays match automatically.
Supported import formats now include FLV, Shockwave, and RED R3D, plus Monkey’s Audio and a range of audio formats provided by the libsndfile standard.
Export formats also include Monkey's Audio and libsndfile formats, plus FLAC, OGG, and MPEG-1 Audio Layer II (MP2).
Note: To enable some formats, you must select Enable DLMS Format Support in the Media & Disk Cache preferences.
Choose File > New > CD Layout to assemble files you want to burn to Redbook-standard audio CDs. Or add tracks directly from the Files and Markers panels: right-click, and choose Insert Into CD Layout. (To make this option available for marker ranges, choose CD Track in the Type column.)
Press Shift + M during playback to quickly mark CD track start and end points. Then select adjoining points in the Markers panel, and click the Merge Selected Markers icon to create time ranges for each track.
You can assemble multiple CD layout files simultaneously and select between them in the Files panel. In the Properties panel, specify disc properties like Media Catalog Number (MCN), Title, and Artist.
When you finish laying out a CD, choose File > Export > Burn Audio to CD. (In the Burn Audio dialog box, choose Write Mode > Test to ensure that data transfer will be quick enough to avoid errors.)
To quickly burn a single file, including track markers, choose File > Export > Burn Audio to CD in the Waveform Editor. (Any track markers must be time ranges rather than points.)
Audition CS6 reintroduces several key effects. From the Effects menu, choose the following:
Routing enhancements let you assign effect inputs and outputs to specific channels, a particularly flexible technique for 5.1 surround mixes. (For example, you can apply mono or stereo effects to 5.1 sources.) In the upper-right corner of effects windows, click the Channel Map Editor icon .
Side-chaining for compatible plug-ins and the built-in Dynamics Processing effect lets you adjust amplitude based on an external signal. The most popular technique automatically drops music or background level whenever an announcer speaks:
Open a multitrack session.
On the background track you want to compress, apply the Amplitude And Compression > Dynamics Processing effect.
In the Effects Rack, double-click the effect to edit settings.
In the upper-right corner of the Dynamics Processing window, click the Set Side-Chain Input icon . Then select the channel configuration for source audio: Mono, Stereo, or 5.1.
Navigate to the voice-over track. In the Sends section of the Editor panel, choose Side-Chain > Dynamics Processing [destination track name].
Support for VST3 effects opens up a new world of third-party effects. And separate scanning of third-party effects keeps Audition running even if a plug-in becomes unstable.
Audition CS6 fully integrates with radio automation systems.
Cart systems read only the first eight timers in a file; any later ones are ignored.
Choose Window > Metadata to access these radio-related options:
In the Batch Process panel, apply favorites across multiple files at any time, not only at export. To quickly specify common file-naming conventions when exporting from the Batch Process or Match Volume panels, click Export Settings, and then select Template.
Choose File > Save All Audio as Batch Process to process all open files. For details, see Batch process files.
A configurable metronome provides a variety of beat patterns and sounds. Choose Edit > Metronome > Edit Pattern or Change Sound Type.
To enable the metronome, click the metronome icon in the Properties or Editor panels. Adjust volume and pan in the Metronome track that appears at the top of the Editor panel.
To change tempo and time signature for the current session, adjust settings in the Time Display section of the Properties panel.
For the Metronome track, you can apply effects, assign sends and hardware outputs, and automate the mix just like audio tracks.
Choose Edit > Keyboard Shortcuts, and enter commands in the search box for quick access, or click Copy To Clipboard to print from a text editor.