- Panduan Pengguna Photoshop
- Pengantar Photoshop
- Photoshop dan produk serta layanan Adobe lainnya
- Photoshop di perangkat seluler (tidak tersedia di Tiongkok daratan)
- Photoshop di iPad (tidak tersedia di Tiongkok daratan)
- Photoshop di iPad | Pertanyaan umum
- Berkenalan dengan ruang kerja
- Persyaratan sistem | Photoshop di iPad
- Membuat, membuka, dan mengekspor dokumen
- Menambahkan foto
- Bekerja dengan lapisan
- Menggambar dan melukis dengan kuas
- Membuat seleksi dan menambahkan mask
- Memoles komposit Anda
- Bekerja dengan lapisan penyesuaian
- Menyesuaikan tonalitas komposit Anda dengan kurva
- Menerapkan operasi transformasi
- Memangkas dan memutar komposit Anda
- Memutar, menggeser, men-zoom, dan mereset kanvas
- Bekerja dengan lapisan Ketikan
- Bekerja dengan Photoshop dan Lightroom
- Mendapatkan font yang hilang di Photoshop di iPad
- Teks Bahasa Jepang di Photoshop di iPad
- Mengelola pengaturan aplikasi
- Pintasan sentuh dan gestur
- Pintasan keyboard
- Mengedit ukuran gambar Anda
- Livestream saat Anda berkarya di Photoshop di iPad
- Mengoreksi imperfeksi dengan Kuas Reparasi
- Membuat kuas di Capture dan menggunakan di Photoshop di iPad
- Bekerja dengan file Camera Raw
- Berkreasi dan bekerja dengan Objek Cerdas
- Menyesuaikan eksposur dalam gambar Anda dengan Pencerah dan Penggelap
- Perintah penyesuaian otomatis di Photoshop di iPad
- Mencoreng area dalam gambar Anda dengan Photoshop di iPad
- Menambah atau mengurangi saturasi gambar Anda menggunakan alat Spons
- Isian berdasarkan konten untuk iPad
- Photoshop di web (tidak tersedia di Tiongkok daratan)
- Photoshop (beta) (tidak tersedia di Tiongkok daratan)
- AI generatif (tidak tersedia di Tiongkok daratan)
- Pertanyaan umum tentang AI generatif di Photoshop
- Isian Generatif di Photoshop di desktop
- Menghasilkan Gambar dengan prompt teks deskriptif
- Perluasan Generatif di Photoshop di desktop
- Mengganti latar belakang dengan Generasikan latar belakang
- Mendapatkan variasi baru dengan Hasilkan yang Serupa
- Memilih model AI untuk kontrol generatif
- Isian Generatif di Photoshop di iPad
- Perluasan Generatif di Photoshop di iPad
- Fitur AI generatif di Photoshop di web
- Autentisitas konten (tidak tersedia di Tiongkok daratan)
- Dokumen Cloud (tidak tersedia di Tiongkok daratan)
- Dokumen cloud Photoshop | Pertanyaan umum
- Dokumen cloud Photoshop | Pertanyaan alur kerja
- Mengelola dan bekerja dengan dokumen cloud di Photoshop
- Memutakhirkan penyimpanan cloud untuk Photoshop
- Tidak dapat membuat atau menyimpan dokumen cloud
- Mengatasi kesalahan dokumen cloud Photoshop
- Mengumpulkan log sinkronisasi dokumen cloud
- Mengundang orang lain untuk mengedit dokumen cloud Anda
- Membagikan dokumen untuk ditinjau
- Ruang Kerja
- Dasar-dasar ruang kerja
- Preferensi
- Belajar lebih cepat dengan Panel Temukan Photoshop
- Membuat dokumen
- Menempatkan file
- Pintasan keyboard default
- Kustomisasi pintasan keyboard
- Galeri alat
- Preferensi performa
- Bar Tugas Kontekstual
- Menggunakan alat
- Preset
- Kisi-kisi dan garis bantu
- Gestur sentuh
- Menggunakan Bar Sentuh dengan Photoshop
- Kemampuan sentuh dan ruang kerja yang dapat disesuaikan
- Pratinjau teknologi
- Metadata dan catatan
- Menempatkan gambar Photoshop di aplikasi lain
- Penggaris
- Menampilkan atau menyembunyikan Ekstra non-cetak
- Menentukan kolom untuk gambar
- Urungkan dan riwayat
- Panel dan menu
- Menempatkan elemen dengan pengaitan
- Menempatkan dengan alat Penggaris
- Menata, membagikan, dan berkolaborasi dengan Proyek
- Menyempurnakan penggenerasian Adobe Firefly
- Dasar-dasar warna dan gambar
- Cara mengubah ukuran gambar
- Bekerja dengan gambar raster dan vektor
- Ukuran dan resolusi gambar
- Mendapatkan gambar dari kamera dan pemindai
- Membuat, membuka, dan mengimpor gambar
- Melihat gambar
- Kesalahan Penanda JPEG tidak valid | Membuka gambar
- Melihat banyak gambar sekaligus
- Menyesuaikan pemilih warna dan contoh warna
- Gambar high dynamic range
- Mencocokkan warna dalam gambar Anda
- Konversi antar-mode warna
- Mode warna
- Menghapus bagian gambar
- Mode campuran warna
- Memilih warna
- Menyesuaikan tabel warna terindeks
- Informasi gambar
- Filter distorsi tidak tersedia
- Tentang warna
- Penyesuaian warna dan monokrom menggunakan saluran
- Memilih warna di panel warna dan contoh warna
- Sampel
- Mode Warna atau mode Gambar
- Semburat warna
- Menambahkan perubahan mode bersyarat ke tindakan
- Menambahkan contoh warna dari HTML CSS dan SVG
- Kedalaman bit dan preferensi
- Lapisan
- Dasar-dasar lapisan
- Pengeditan non- destruktif
- Membuat dan mengelola lapisan dan grup
- Memilih, mengelompokkan, dan menautkan lapisan
- Menempatkan gambar ke dalam bingkai
- Opasitas lapisan dan campuran warna
- Lapisan mask
- Menerapkan Filter Cerdas
- Komp lapisan
- Memindahkan, menumpuk, dan mengunci lapisan
- Lapisan mask dengan mask vektor
- Mengelola lapisan dan grup
- Efek lapisan dan gaya
- Mengedit mask lapisan
- Mengekstraksi aset
- Menampilkan lapisan dengan mask pemotongan
- Menghasilkan aset gambar dari lapisan
- Bekerja dengan Objek Cerdas
- Mode campuran warna
- Menggabungkan beberapa gambar ke dalam potret grup
- Menggabungkan gambar dengan Campur Warna Lapisan Secara Otomatis
- Menyejajarkan dan mendistribusikan lapisan
- Menyalin CSS dari lapisan
- Memuat seleksi dari batas lapisan atau mask lapisan
- Knockout untuk memunculkan konten dari lapisan lain
- Seleksi
- Mulai menggunakan seleksi
- Membuat seleksi dalam komposit Anda
- Pilih dan Mask ruang kerja
- Memilih dengan alat seleksi
- Memilih dengan alat laso
- Menyesuaikan seleksi piksel
- Memindahkan, menyalin, dan menghapus piksel yang dipilih
- Membuat mask cepat sementara
- Memilih rentang warna dalam gambar
- Mengonversi antara jalur dan batas seleksi
- Dasar-dasar saluran
- Menyimpan seleksi dan mask saluran alfa
- Memilih area gambar dalam fokus
- Menduplikasi, membagi, dan menggabungkan saluran
- Kalkulasi saluran
- Mulai menggunakan seleksi
- Penyesuaian gambar
- Mengganti warna objek
- Warp perspektif
- Mengurangi blur goyangan kamera
- Contoh kuas reparasi
- Mengekspor tabel pencarian warna
- Menyesuaikan ketajaman dan blur gambar
- Memahami penyesuaian warna
- Menerapkan penyesuaian Kecerahan/Kontras
- Menyesuaikan detail bayangan dan sorotan
- Penyesuaian level
- Menyesuaikan rona dan saturasi
- Menyesuaikan vibrance
- Menyesuaikan saturasi warna di area gambar
- Melakukan penyesuaian tonal cepat
- Menerapkan efek warna khusus ke gambar
- Menyempurnakan gambar Anda dengan penyesuaian keseimbangan warna
- Gambar high dynamic range
- Melihat histogram dan nilai piksel
- Mencocokkan warna dalam gambar Anda
- Memangkas dan meluruskan foto
- Mengonversi gambar berwarna menjadi hitam dan putih
- Penyesuaian dan lapisan isian
- Penyesuaian kurva
- Mode campuran warna
- Gambar target untuk ditekan
- Menyesuaikan warna dan rona dengan eyedropper Level dan Kurva
- Menyesuaikan eksposur HDR dan peronaan
- Mencerahkan atau menggelapkan area gambar
- Membuat penyesuaian warna selektif
- Adobe Camera Raw
- Persyaratan sistem Camera Raw
- Yang baru di Camera Raw
- Pengantar Camera Raw
- Membuat panorama
- Lensa yang didukung
- Membuat penyesuaian warna dan rona di Camera Raw
- Efek vinyet, grain, dan kabut di Camera Raw
- Pintasan keyboard default
- Koreksi perspektif otomatis pada Camera Raw
- Filter Radial di Camera Raw
- Pengaturan Camera Raw
- Membuka, memproses, dan menyimpan gambar di Camera Raw
- Memperbaiki gambar dengan alat Penghilangan Spot yang Disempurnakan di Camera Raw
- Memutar, memangkas, dan menesuaikan gambar
- Menyesuaikan rendering warna di Camera Raw
- Memproses versi di Camera Raw
- Membuat penyesuaian lokal di Camera Raw
- Menghilangkan orang-orang yang tidak diinginkan
- Menghilangkan pantulan
- Melihat Status Edit AI dan mengelola pembaruan
- Perbaikan dan restorasi gambar
- Menghilangkan objek dan orang yang tidak diinginkan dengan alat Penghilang
- Menghilangkan objek dari foto Anda dengan Isian Berdasarkan Konten
- Tambalan dan Geser Berdasarkan Konten
- Memoles dan memperbaiki foto
- Koreksi distorsi dan noise gambar
- Langkah-langkah pemecahan masalah dasar untuk memperbaiki sebagian besar masalah
- Penyempurnaan dan transformasi gambar
- Mengganti langit dalam gambar Anda
- Mentransformasikan objek
- Menyesuaikan pemangkasan, rotasi, dan ukuran kanvas
- Cara memangkas dan meluruskan foto
- Membuat dan mengedit gambar panorama
- Membungkus gambar, bentuk, dan jalur
- Titik Lenyap
- Penskalaan berdasarkan konten
- Mentransformasikan gambar, bentuk, dan jalur
- Menggambar dan melukis
- Melukis pola simetris
- Menggambar persegi panjang dan memodifikasi opsi goresan
- Tentang menggambar
- Menggambar dan mengedit bentuk
- Membuat bintang atau bentuk runcing lainnya
- Alat melukis
- Membuat dan memodifikasi kuas
- Mode campuran warna
- Menambahkan warna ke jalur
- Mengedit jalur
- Melukis dengan Kuas Pencampur
- Preset kuas
- Gradasi
- Interpolasi gradasi
- Seleksi, lapisan, serta jalur isian dan goresan
- Menggambar dengan alat Pena
- Membuat pola
- Membuat pola menggunakan Pembuat Pola
- Mengelola jalur
- Mengelola pustaka pola dan preset
- Menggambar atau melukis dengan tablet grafis
- Membuat kuas bertekstur
- Menambahkan elemen dinamis ke kuas
- Gradasi
- Melukis goresan bergaya dengan Kuas Riwayat Seni
- Melukis dengan pola
- Menyinkronkan preset di beberapa perangkat
- Memigrasikan preset, tindakan, dan pengaturan
- Teks
- Filter dan efek
- Menyimpan dan mengekspor
- Manajemen Warna
- Desain aplikasi, web, dan layar
- Video dan animasi
- Pengeditan video di Photoshop
- Mengedit lapisan video dan animasi
- Gambaran umum video dan animasi
- Pratinjau video dan animasi
- Melukis bingkai di lapisan video
- Mengimpor file video dan rangkaian gambar
- Membuat animasi bingkai
- Animasi 3D Creative Cloud (Pratinjau)
- Membuat animasi timeline
- Membuat gambar untuk video
- Mencetak
- Mencetak objek 3D
- Mencetak dari Photoshop
- Mencetak dengan menajemen warna
- Lembar Kontak dan Presentasi PDF
- Mencetak foto dalam tata letak paket gambar
- Mencetak warna spot
- Mencetak gambar ke mesin cetak komersial
- Meningkatkan kualitas cetakan warna dari Photoshop
- Memecahkan masalah pencetakan | Photoshop
- Otomatisasi
- Membuat tindakan
- Membuat grafik berbasis data
- Pembuatan skrip
- Memproses batch file
- Memutar dan mengelola tindakan
- Menambahkan tindakan bersyarat
- Tentang tindakan dan panel Tindakan
- Alat Rekam dalam tindakan
- Menambahkan perubahan mode bersyarat ke tindakan
- Kit alat Photoshop UI untuk plug-in dan skrip
- Pemecahan masalah
- Masalah yang diperbaiki
- Masalah yang diketahui
- Mengoptimalkan performa Photoshop
- Pemecahan masalah dasar
- Memecahkan masalah kerusakan atau macet
- Memecahkan masalah program
- Memecahkan masalah kesalahan gores disk penuh
- Memecahkan masalah driver grafis dan GPU
- Menemukan alat yang hilang
- Photoshop 3D | Pertanyaan umum seputar fitur yang dihentikan
Learn about color management and customizing color settings in Photoshop
Customize color settings
For most color-managed workflows, it is best to use a preset color setting that has been tested by Adobe. Changing specific options is recommended only if you are knowledgeable about color management and very confident about the changes you make.
After you customize options, you can save them as a preset. Saving color settings ensures that you can reuse them and share them with other users or applications.
- To save color settings as a preset, click Save in the Color Settings dialog box. To ensure that the application displays the setting name in the Color Settings dialog box, save the file in the default location. If you save the file to a different location, you must load the file before you can select the setting.
- To load a color settings preset that’s not saved in the standard location, click Load in the Color Settings dialog box, select the file you want to load, and click Open.
In Acrobat, you cannot save customized color settings. To share customized color settings with Acrobat, you must create the file in InDesign, Illustrator, or Photoshop, and then save it in the default Settings folder. It will then be available in the Color Management category of the Preferences dialog box. You can also add settings manually to the default Settings folder.
Color working spaces
A working space is an intermediate color space used to define and edit color in Adobe applications. Each color model has a working space profile associated with it. You can choose working space profiles in the Color Settings dialog box.
A working space profile acts as the source profile for newly created documents that use the associated color model. For example, if Adobe RGB (1998) is the current RGB working space profile, each new RGB document that you create will use colors within the Adobe RGB (1998) gamut. Working spaces also determine the appearance of colors in untagged documents.
If you open a document embedded with a color profile that doesn’t match the working space profile, the application uses a color management policy to determine how to handle the color data. In most cases, the default policy is to preserve the embedded profile.
Working space options
To display working space options in Photoshop, Illustrator and InDesign, choose Edit > Color Settings. In Acrobat, select the Color Management category of the Preferences dialog box.
To view a description of any profile, select the profile and then position the pointer over the profile name. The description appears at the bottom of the dialog box.
RGB Determines the RGB color space of the application. In general, it’s best to choose Adobe RGB or sRGB, rather than the profile for a specific device (such as a monitor profile). sRGB is recommended when you prepare images for the web because it defines the color space of the standard monitor used to view images on the web. sRGB is also a good choice when you work with images from consumer-level digital cameras because most of these cameras use sRGB as their default color space.
Adobe RGB is recommended when you prepare documents for print because Adobe RGB’s gamut includes some printable colors (cyans and blues in particular) that can’t be defined using sRGB. Adobe RGB is also a good choice when working with images from professional-level digital cameras because most of these cameras use Adobe RGB as their default color space.
CMYK Determines the CMYK color space of the application. All CMYK working spaces are device-dependent, meaning that they are based on actual ink and paper combinations. The CMYK working spaces Adobe supplies are based on standard commercial print conditions.
Gray (Photoshop) or Grayscale (Acrobat) Determines the grayscale color space of the application.
Spot (Photoshop) Specifies the dot gain to use when displaying spot color channels and duotones.
In Acrobat, you can use the color space in an embedded output intent instead of a document color space for viewing and printing. For more information on output intents, see Acrobat Help.
Adobe applications ship with a standard set of working space profiles that have been recommended and tested by Adobe for most color management workflows. By default, only these profiles appear in the working space menus. To display additional color profiles that you have installed on your system, select Advanced Mode (Illustrator and InDesign) or More Options (Photoshop). A color profile must be bi‑directional (that is, contain specifications for translating both into and out of color spaces) in order to appear in the working space menus.
In Photoshop, you can create custom working space profiles. However, Adobe recommends that you use a standard working space profile rather than create a custom profile. For more information, see the Photoshop support knowledgebase at www.adobe.com/support/products/photoshop.html.
Missing and mismatched color profiles
For a newly created document, the color workflow usually operates seamlessly: Unless specified otherwise, the document uses the working space profile associated with its color mode for creating and editing colors.
However, some existing documents may not use the working space profile that you have specified, and some existing documents may not be color-managed. It is common to encounter the following exceptions to your color-managed workflow:
- You might open a document or import color data (for example, by copying and pasting or dragging and dropping) from a document that is not tagged with a profile. This is often the case when you open a document created in an application that either does not support color management or has color management turned off.
- You might open a document or import color data from a document that is tagged with a profile different from the current working space. This may be the case when you open a document that was created using different color management settings, or scanned and tagged with a scanner profile.
In either case, the application uses a color management policy to decide how to handle the color data in the document.
If the profile is missing or does not match the working space, the application may display a warning message, depending on options you set in the Color Settings dialog box. Profile warnings are turned off by default, but you can turn them on to ensure the appropriate color management of documents on a case-by-case basis. The warning messages vary between applications, but in general you have the following options:
- (Recommended) Leave the document or imported color data as it is. For example, you can choose to use the embedded profile (if one exists), leave the document without a color profile (if one doesn’t exist), or preserve the numbers in pasted color data.
- Adjust the document or imported color data. For example, when opening a document with a missing color profile, you can choose to assign the current working space profile or a different profile. When opening a document with a mismatched color profile, you can choose to discard the profile or convert the colors to the current working space. When importing color data, you can choose to convert the colors to the current working space in order to preserve their appearance.
Color management policy options
A color management policy determines how the application handles color data when you open a document or import an image. You can choose different policies for RGB and CMYK images, and you can specify when you want warning messages to appear. To display color management policy options, choose Edit > Color Settings.
To view a description of a policy, select the policy and then position the pointer over the policy name. The description appears at the bottom of the dialog box.
RGB, CMYK, And Gray (Gray option is available for Photoshop only.) Specifies a policy to follow when bringing colors into the current working space (either by opening files or importing images into the current document). Choose from the following options:
Preserve Embedded Profiles Always preserves embedded color profiles when opening files. This is the recommended option for most workflows because it provides consistent color management. One exception is if you’re concerned about preserving CMYK numbers, in which case you should select Preserve Numbers (Ignore Linked Profiles) instead.
Convert To Working Space Converts colors to the current working space profile when opening files and importing images. Select this option if you want to force all colors to use a single profile (the current working space profile).
Preserve Numbers (Ignore Linked Profiles) This option is available in InDesign and Illustrator for CMYK. Preserves color numbers when opening files and importing images, but still allows you to use color management to view colors accurately in Adobe applications. Select this option if you want to use a safe CMYK workflow. In InDesign, you can override this policy on a per-object basis by choosing Object > Image Color Settings.
Off Ignores embedded color profiles when opening files and importing images, and does not assign the working space profile to new documents. Select this option if you want to discard any color metadata provided by the original document creator.
Profile Mismatches: Ask When Opening Displays a message whenever you open a document tagged with a profile other than the current working space. You'll be given the option to override the policy’s default behavior. Select this option if you want to ensure the appropriate color management of documents on a case-by-case basis.
Profile Mismatches: (Ask When Pasting) Displays a message whenever color profile mismatches occur as colors are imported into a document through pasting or dragging and dropping. You'll be given the option to override the policy’s default behavior. Select this option if you want to ensure the appropriate color management of pasted colors on a case-by-case basis.
Missing Profiles: (Ask When Opening) Displays a message whenever you open an untagged document. You'll be given the option to override the policy’s default behavior. Select this option if you want to ensure the appropriate color management of documents on a case-by-case basis.
Color conversion options
Color conversion options let you control how the application handles the colors in a document as it moves from one color space to another. Changing these options is recommended only if you are knowledgeable about color management and very confident about the changes you make. To display conversion options, choose Edit > Color Settings, and select Advanced Mode (Illustrator and InDesign) or More Options (Photoshop). In Acrobat, select the Color Management category of the Preferences dialog box.
Engine Specifies the Color Management Module (CMM) used to map the gamut of one color space to the gamut of another. For most users, the default Adobe (ACE) engine fulfills all conversion needs.
To view a description of an engine or intent option, select the option and then position the pointer over the option name. The description appears at the bottom of the dialog box.
Intent (Photoshop, Illustrator, InDesign) Specifies the rendering intent used to translate one color space to another. Differences between rendering intents are apparent only when you print a document or convert it to a different working space.
Use Black Point Compensation Ensures that the shadow detail in the image is preserved by simulating the full dynamic range of the output device. Select this option if you plan to use black point compensation when printing (which is recommended in most situations).
Use Dither (Photoshop) Controls whether to dither colors when converting 8‑bit-per-channel images between color spaces. When the Use Dither option is selected, Photoshop mixes colors in the destination color space to simulate a missing color that existed in the source space. Although dithering helps to reduce the blocky or banded appearance of an image, it may also result in larger file sizes when images are compressed for web use.
Compensate For Scene-Rendered Profiles (Photoshop) Compares video contrast when converting from scene to output profiles. This option reflects default color management in After Effects.
Advanced controls in Photoshop
Choose Edit > Color Settings to view Advanced Controls to manage colors in Photoshop.
Desaturate Monitor Colors By Determines whether to desaturate colors by the specified amount when displayed on the monitor. When selected, this option can aid in visualizing the full range of color spaces with gamuts larger than that of the monitor. However, this causes a mismatch between the monitor display and the output. When the option is deselected, distinct colors in the image may display as a single color.
Blend RGB Colors Using Gamma Controls how RGB colors blend together to produce composite data (for example, when you blend or paint layers using Normal mode). When the option is selected, RGB colors are blended in the color space corresponding to the specified gamma. A gamma of 1.00 is considered “colorimetrically correct” and should result in the fewest edge artifacts. When the option is deselected, RGB colors are blended directly in the document’s color space.
Blend Text Colors Using Gamma Controls the blending behavior of text layers. When enabled, text layers are blended using the specific gamma.
When you select Blend RGB Colors Using Gamma, layered documents will look different when displayed in other applications than they do in Photoshop.