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Playing assets

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Release Notes | Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Long Form and Episodic Workflow Guide
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. FAQ | Import and export in Premiere Pro
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Capturing and importing
    1. Capturing
      1. Capturing and digitizing footage
      2. Capturing HD, DV, or HDV video
      3. Batch capturing and recapturing
      4. Setting up your system for HD, DV, or HDV capture
    2. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    3. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    4. Supported file formats
    5. Digitizing analog video
    6. Working with timecode
  8. Editing
    1. Edit video    
    2. Sequences
      1. Create and change sequences
      2. Change sequence settings
      3. Add clips to sequences
      4. Rearrange clips in a sequence
      5. Find, select, and group clips in a sequence
      6. Edit from sequences loaded into the Source Monitor
      7. Simplify sequences
      8. Rendering and previewing sequences
      9. Working with markers
      10. Source patching and track targeting
      11. Scene edit detection
    3. Video
      1. Create and play clips
      2. Trimming clips
      3. Synchronizing audio and video with Merge Clips
      4. Render and replace media
      5. Undo, history, and events
      6. Freeze and hold frames
      7. Working with aspect ratios
    4. Audio
      1. Overview of audio in Premiere Pro
      2. Audio Track Mixer
      3. Adjusting volume levels
      4. Edit, repair, and improve audio using Essential Sound panel
      5. Automatically duck audio
      6. Remix audio
      7. Monitor clip volume and pan using Audio Clip Mixer
      8. Audio balancing and panning
      9. Advanced Audio - Submixes, downmixing, and routing
      10. Audio effects and transitions
      11. Working with audio transitions
      12. Apply effects to audio
      13. Measure audio using the Loudness Radar effect
      14. Recording audio mixes
      15. Editing audio in the timeline
      16. Audio channel mapping in Premiere Pro
      17. Use Adobe Stock audio in Premiere Pro
    5. Advanced editing
      1. Multi-camera editing workflow
      2. Set up and use Head Mounted Display for immersive video in Premiere Pro
      3. Editing VR
    6. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  9. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Effect presets
      4. Automatically reframe video for different social media channels
      5. Color correction effects
      6. Change duration and speed of clips
      7. Adjustment Layers
      8. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  10. Titles, Graphics, and Captions    
    1. Overview of the Essential Graphics panel
    2. Titles
      1. Create a title
    3. Graphics
      1. Create a shape
      2. Draw with the Pen tool
      3. Align and distribute objects
      4. Change the appearance of text and shapes
      5. Apply gradients
      6. Add Responsive Design features to your graphics
      7. Install and use Motion Graphics templates
      8. Replace images or videos in Motion Graphics templates
      9. Use data-driven Motion Graphics templates
    4. Captions
      1. Speech to Text
      2. Download language packs for transcription
      3. Working with captions
      4. Check spelling and Find and Replace
      5. Export text
      6. Speech to Text in Premiere Pro | FAQ
    5. Best Practices: Faster graphics workflows
    6. Retiring the Legacy Titler in Premiere Pro | FAQ
    7. Upgrade Legacy titles to Source Graphics
  11. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  12. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  13. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Auto Color
    3. Get creative with color using Lumetri looks
    4. Adjust color using RGB and Hue Saturation Curves
    5. Correct and match colors between shots
    6. Using HSL Secondary controls in the Lumetri Color panel
    7. Create vignettes
    8. Looks and LUTs
    9. Lumetri scopes
    10. Display Color Management
    11. HDR for broadcasters
    12. Enable DirectX HDR support
  14. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  15. Collaboration: Frame.io, Productions, and Team Projects
    1. Collaboration in Premiere Pro
    2. Frame.io
      1. Install and activate Frame.io
      2. Use Frame.io with Premiere Pro and After Effects
      3. Integrate Adobe Workfront and Frame.io
      4. Frequently asked questions
    3. Productions
      1. Using Productions
      2. How clips work across projects in a Production
      3. Best Practices: Working with Productions
    4. Team Projects
      1. Get started with Team Projects
      2. Create a Team Project
      3. Add and manage media in Team Projects
      4. Invite and manage collaborators in a team project
      5. Share and manage changes with collaborators
      6. View auto-saves and versions of Team Projects
      7. Archive, restore, or delete Team Projects
  16. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  17. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  18. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset preferences
    3. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    4. Check if your system is compatible with Premiere Pro
    5. Premiere Pro for Apple silicon
    6. Eliminate flicker
    7. Interlacing and field order
    8. Smart rendering
    9. Control surface support
    10. Best Practices: Working with native formats
    11. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Green and pink video in Premiere Pro or Premiere Rush
      5. How do I manage the Media Cache in Premiere Pro?
      6. Fix errors when rendering or exporting
      7. Troubleshoot issues related to playback and performance in Premiere Pro
  19. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline medInstia

Learn how to use the various controls in the Source Monitor and the Program Monitor in Premiere Pro.

Play video

The Source Monitor and Program Monitor contain several controls that resemble the playback controls on a video deck. To play or cue a clip, use the Source Monitor controls. To play or view the active sequence, use the Program Monitor controls.

By default, the most useful buttons are displayed along the bottom of the Source and Program Monitors. However, the playback controls are customizable with the use of the Button Editor. To open the button editor, click the  icon at the lower right corner of the panel. The Button Editor launches. Drag the button of your choice into the button bar.

Button Editor
Button Editor

You can only add two rows of buttons. To remove a button, drag it away from the button bar. To hide the buttons bar, click the wrench icon  and select Show Transport Controls from the pop-up list.

To see its keyboard shortcut, hover over a button with the mouse. Most playback controls have keyboard equivalents. When you want to use keyboard shortcuts to control playback, make sure that the monitor you want is active. Click the monitor you want to activate it. A blue border appears around the monitor to show that it has been selected.

Keyboard shortcuts

Many commands have keyboard shortcut equivalents, so you can complete tasks with minimal use of the mouse. You can also create or edit keyboard shortcuts. For more information, see Keyboard shortcuts in Premiere Pro.

Result Icon Windows macOS
Play Space, L Space, L
Stop Space, K Space, K
Play in reverse   J J
Play Video In to Out Na Na
Loop Playback Na Na
Play Around  Shift + K Shift + K
Mark In  I I
Mark Out  O O
Clear In Ctrl + Shift + I Opt + I
Clear Out Ctrl + Shift + O Opt + O
Result Icon Windows macOS
Step forward one frame    Right, K + L  Right, K + L
Step forward five frames Shift +  Shift + Right  Shift + Right
Step back one frame  Left, K + J  Left, K + J
Step back five frames Shift +  Shift + Left  Shift + Left
Go to next marker Shift + M Shift + M
Go to previous marker Ctrl + Shift + M Cmd + Shift + M
Go To In  Shift + I Shift + I
Go To Out Shift + O Shift + O
Go To Next Edit Point Down  Down
Go To Previous Edit Point Up  Up
Note:

When using keyboard shortcuts to move in a time ruler, make sure the panel that you want is active. (Japanese-language keyboards only) To use these keyboard shortcuts on a Japanese-language keyboard, make sure that your keyboard is in direct input mode, rather than Japanese input mode. 

Continuous Playback

Playback continues unless the user specifically issues a Stop command. This feature supports real-time adjustment of editing actions. For example, you could adjust video effects while you are playing back in a loop.

To play back in a loop, do the following:

  1. Drag the playhead to the frame you want and set the In and Out point.

    To set the In point, Click Mark In, or press I. To set the Out point, click Mark Out, or press O.

  2. Once the In and Out points have been set, click the Loop icon.

    If the icon is not present in the button bar, drag-and-drop from the Button Editor. For more information, see Customizing the monitor panel button bar.

Here are some of the actions that do not stop continuous playback:

  • Keyframing of effects

  • Interface items

  • Timeline items

  • Metadata entry

  • Audio parameters

  • Titling

  • Zooming in and out of the timeline

  • Switching away from the application

Play with preroll and postroll

The Play Around icon  plays a fixed number of seconds before and after the position of the playhead. The default settings are 3-seconds preroll and 2-seconds postroll.

To change the duration of preroll and post roll, go to Edit > Preferences > Playback.

To preview a clip or sequence with preroll and postroll pauses, do one the following:

 

Shift + K – Plays a few seconds before the position of the playhead and a few seconds after the position of the playhead. 

 

Shift + space - Plays a few seconds before and after an In and Out selection.

Use the J, K, and L keys to shuttle video

Using the J, K, and L keys, you can move through frames in a sequence quickly and shuttle through icons.

Modifier Key

The K key is a modifier and stop playback key.

Play in reverse

  • To move the playhead in reverse at a normal speed, press J.
  • To move it backwards faster, press JJ
  • To move backward slowly, press J and K.
  • To move back one frame at a time, press K and tap the J key.
  • To play in reverse slightly faster, press Shift + J.

Play forward

  • To move the playhead forward, press L.
  • To move it forward faster, press LL.
  • To move forward slowly, press L and K.
  • To move forward one frame at a time, press K and tap the L key.
  • To play forward slightly faster, press Shift + L.
Note:

If you are playing back too quickly, press the opposite keyboard shortcut to slow playback. For example, if you were playing back too quickly forward, press Shift + J to slow playback down by one increment.

You can press Shift + L and Shift + J up to five times to fine-tune the speed of playback.

Match a frame with its source

The Source Monitor plays back individual clips. In the Source Monitor, you prepare clips that you want to add to a sequence. You can set In and Out point, insert markers and specify the source tracks of a clip.

The Program Monitor plays back the sequence of clips that you are assembling. It is your view of the active sequence in a Timeline panel. You can set sequence markers and specify sequence In and Out points. Sequence In points and Out points define where frames are added or removed from the sequence. For more information, see Using the Source Monitor and Program Monitor.

While editing in a Timeline panel, you can find the source frame for any sequence clip and display it in the Source Monitor.

To match a frame with its source, do the following:

  1. Find the clip in the timeline. Place the playhead over the desired frame in a clip.

  2. Do one of the following:
    • Choose Sequence > Match Frame.
    • Press the F key.
    • For a clip in a nested sequence, type the keyboard shortcut for Reveal Nested Sequence, Ctrl + Shift + T (Windows), or Shift + T (macOS) by default.
Note:

If the source clip for the frame in the sequence clip is already open in the Source Monitor or listed in the Source menu, the Source Monitor displays the last frame you viewed in the clip. To match the frame, close the clip in the Source Monitor before typing the Match Frame or Reveal Nested Sequence keyboard shortcut.

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