You can export all the active audio tracks from an entire sequence in Premiere Pro to an Open Media Format (OMF) file. DigiDesign Pro Tools imports OMF files, when the DigiTranslator feature is licensed. With DigiTranslator in Pro Tools, you can sweeten soundtracks from Premiere Pro.
The OMF files exported by Premiere Pro are not officially supported for platforms other than ProTools. Premiere Pro does not import OMF files.
With this setting, Premiere Pro exports an OMF file containing the project metadata and all the audio for the selected sequence. Encapsulated OMF files typically are large.
Copy Complete Audio Files
With this setting, Premiere Pro exports audio for the entirety of each clip used in the sequence, no matter how many times the clip is used nor how many parts of the clip are used.
- In the Handle Frames field, specify the length of the handles, in video frames. This amount of time is added to the start and end of the exported files when you choose Consolidate Media. The default setting is one second, in frames, at the sequence frame rate. If the length of the handles you specify exceeds the length of the clip instance, Premiere Pro exports the whole clip instance.
Premiere Pro applies only the effects listed, on export to OMF. Also, since OMF values are clip-based, Premiere Pro does not export most track-based values to OMF.
Sample accurate exports
Premiere Pro places all transitions and keyframe points on audio sample boundaries. Video frame boundaries do not constrain these locations.
48k and 96k sample rates
Premiere Pro converts sound clips to the same consistent sample rate, as required by Pro Tools. You can select the sample rate at the time of export.
Encapsulate and Separate Audio options
With the Encapsulate option, you can export a single, large, OMF file containing both audio and OMF metadata. With the Separate Audio option, you can export a smaller OMF file and a set of related, individual, external audio files. The Separate Audio option is useful for larger projects, as an OMF file cannot exceed two gigabytes.
OMF and Pro Tools work with mono tracks only. Premiere Pro exports each channel from a stereo, 5.1-channel or 16-channel track into its own mono track with its source track ID appended to its track name. Premiere Pro exports Left and Right stereo channels with _L and _R in their respective track names.
After you import an OMF file into Pro Tools, the clip names from the Premiere Pro sequence appear in the Pro Tools timeline.
Clip volume and clip keyframe volume
By default, Premiere Pro exports clip volume levels and clip keyframe volume levels to the Clip Gain effect in the OMF file. You can set DigiTranslator to accept or ignore keyframe volume settings.
Premiere Pro exports audio transitions between two adjoining clips, both centered or not centered, as you specify.
Audio Mixer pan settings
One pan setting is exported per clip without keyframes. Premiere Pro extracts the pan setting from the track and applies it to the clip export data.
By default, Premiere Pro hard pans the Left channel to the left and the Right channel to the right on export to OMF.
Premiere Pro applies clip balance to the Clip Gain effect for the clip. Premiere Pro does not apply Audio Mixer balance, as that is track-based, not clip-based.
Channel Gain effects for 5.1-channel and 16-channel tracks
Premiere Pro applies the first channel-gain value per clip channel. Premiere Pro does not apply clip channel-gain keyframes.
Fill Left, Fill Right, and Swap Channel effects
Premiere Pro applies the first value for Fill Left, Fill Right, and Swap Channel effects to each clip. Premiere Pro does not apply Fill Left, Fill Right, or Swap Channel keyframes.
Toggle Track Output
Premiere Pro exports only those audio tracks with the Toggle Track Output setting turned on. If a track is turned off it does not appear in the exported OMF file. Premiere Pro does not apply the Audio Mixer Mute Track, or Solo Track button settings.
Premiere Pro exports audio for each nested sequence the same way it does for each simple clip.
Deselect Pan Odd Tracks Left/Even Tracks Right.
For automatic gain control, select Convert Clip Based Gain To Automation.
Leave Sample Rate Conversion deselected, unless you need sample rate conversion.