Working with After Effects and other applications

In this article:

Working with Adobe Bridge and After Effects

You can use Adobe Bridge to:

• Run animation presets
• Run cross-product workflow automation script
• View and manage files and folders
• Organize your files by assigning keywords, labels, and ratings
• Search for files and folders
• View, edit, and add metadata

Open Adobe Bridge from After Effects

Reveal a file in Adobe Bridge

Browse animation presets using Adobe Bridge

Adobe Bridge is part of the Creative Cloud suite of applications and can be downloaded and installed through Creative Cloud. For more information, refer to the help documentation and the Adobe Bridge product page.

Working with Adobe Photoshop and After Effects

If you use Photoshop to create still images, you can use After Effects to bring those still images together and make them move and change. In After Effects, you can animate an entire Photoshop image or any of its layers. You can even animate individual properties of Photoshop images, such as the properties of a layer style. If you use After Effects to create movies, you can use Photoshop to refine the individual frames of those movies.

Comparative advantages for specific tasks

The strengths of After Effects are in its animation and automation features. This means that After Effects excels at tasks that can be automated from one frame to another. For example, you can use the motion tracking features of After Effects to track the motion of a microphone boom and then automatically apply that same motion to a stroke made with the Clone Stamp tool. In this manner, you can remove the microphone from every frame of a shot without having to paint the microphone out by hand on each frame.

In contrast, Photoshop has excellent tools for painting and drawing.

Deciding which application to use for painting depends on the task. Paint strokes in Photoshop directly affect the pixels of the layer. Paint strokes in After Effects are elements of an effect, each of which can be turned on or off, or modified at any time. If you want to have complete control of each paint stroke after you’ve applied it, or if you want to animate the paint strokes themselves, use the After Effects paint tools. If the purpose of applying a paint stroke is to permanently modify a still image, use the Photoshop paint tools. If you are applying several paint strokes by hand to get rid of dust, consider using the Photoshop paint tools.

The animation and video features in Photoshop include simple keyframe-based animation. After Effects uses a similar interface, though the breadth and flexibility of its animation features are far greater.

After Effects can also automatically create 3D layers to mimic the planes created by the Photoshop Vanishing Point feature.

Exchanging still images

After Effects can import and export still images in many formats, but you will usually want to use the native Photoshop PSD format when transferring individual frames or still image sequences between After Effects and Photoshop.

When importing or exporting a PSD file, After Effects can preserve individual layers, masks, layer styles, and most other attributes. When you import a PSD file into After Effects, you can choose whether to import it as a flattened image or as a composition with its layers separate and intact.

It is often a good idea to prepare a still image in Photoshop before importing it into After Effects. Examples of such preparation include correcting color, scaling, and cropping. It is often better for you to do something once to the source image in Photoshop than to have After Effects perform the same operation many times per second as it renders each frame for previews or final output.

By creating your new PSD document in the Photoshop New File dialog box with a Film & Video preset, you can start with a document set up correctly for a specific video output type. If you are already working in After Effects, you can create a new PSD document that matches your composition and project settings by selecting File > New > Adobe Photoshop File.

Exchanging movies

You can also exchange video files, such as QuickTime movies, between Photoshop and After Effects. When you open a movie in Photoshop, a video layer is created that refers to the source footage file. Video layers allow you to paint nondestructively on the movie’s frames, much as After Effects works with layers with movies as their sources. When you save a PSD file with a video layer, you save the edits that you made to the video layer, not edits to the source footage itself.

You can also render a movie directly from Photoshop. For example, you can create a QuickTime movie from Photoshop that can then be imported into After Effects.

Color

After Effects works internally with colors in an RGB (red, green, blue) color space. Though After Effects can convert CMYK images to RGB, you should do video and animation work in Photoshop in RGB.

If relevant for your final output, it is better to ensure that the colors in your image are broadcast-safe in Photoshop before you import the image into After Effects. A good way to do this is to assign the appropriate destination color space—for example, SDTV (Rec. 601)—to the document in Photoshop. After Effects performs color management according to color profiles embedded in documents, including imported PSD files.

Working with Adobe Animate and After Effects

If you use Adobe Animate (formerly called Flash Professional) to create video or animation, you can use After Effects to edit and refine the video. For example, from Adobe Animate, you can export animations and applications as QuickTime movies, .mp4, and other standard video formats. You can then use After Effects to edit and refine the video.

If you use After Effects to edit and composite video, you can then use Animate to publish that video.

Animate and After Effects use separate terms for some concepts that they share in common. The following table lists the differences between the terms used in the two applications:

Exporting QuickTime video from Animate

If you create animations or applications with Animate, you can export them as QuickTime movies using the File > Export > Export Movie command in Animate. 

• For Animate animation, you can optimize the video output for animation. 
• For an Animate application, Animate renders video of the application as it runs, allowing the user to manipulate it. This lets you capture the branches or states of your application that you want to include in the video file.
  

Importing and publishing video in Animate

When you import a movie file into Animate, you can use various techniques, such as scripting or Animate components, to control the visual interface that surrounds your video. For example, you might include playback controls or other graphics. You can also add graphic layers on top of the movie for composite results.

Composite graphics, animation, and video

Animate and After Effects each include many capabilities that allow you to perform complex compositing of video and graphics. Which application you choose to use will depend on your personal preferences and the type of final output you want to create.

Importing SWF files into After Effects

Animate has a unique set of vector art tools that make it useful for a variety of drawing tasks not possible in After Effects or Illustrator. You can import SWF files into After Effects to composite them with other video or render them as video with additional creative effects. Interactive content and scripted animation are not retained. Animation defined by keyframes is retained.

Each SWF file imported into After Effects is flattened into a single continuously rasterized layer, with its alpha channel preserved. Continuous rasterization means that graphics stay sharp as they are scaled up. This import method allows you to use the root layer or object of your SWF files as a smoothly rendered element in After Effects, allowing the best capabilities of each tool to work together.

Importing FLA files into After Effects

You can import Animate FLA files into After Effects as a composition of layered .swf files. You can composite them with a video or render them as a video with additional creative effects.

To use the functionality, ensure Adobe Animate is installed on the same computer.

When you import an Animate document into After Effects, the individual layers are exported by Animate as .swf files, and those files are added to the composition. During import, choose a location for the imported files in the Import Preferences dialog.

If the Import Audio option is enabled, Animate exports audio layers as .wav files.

Working with Adobe XD and After Effects

You can export layers and artboards from Adobe XD to your After Effects project. This functionality enhances assets transfer between XD and After Effects, with native mapping of layers, artboards, vectors, text and artwork. As an Adobe XD designer, you can send to After Effects groups of layers and define advanced micro-interactions or artboards to create complex and refined transitions and interactions. If After Effects is not installed on your machine, the After Effects option from XD menu is greyed out.

To export your design assets from XD to After Effects:

List of supported XD features

After Effects supports the following XD features:

Working with Adobe Premiere and After Effects

Adobe Premiere is designed to capture, import, and edit movies. After Effects is designed to create motion graphics, apply visual effects, composite visual elements, perform color correction, and perform other post-production tasks for movies.

You can easily exchange projects, compositions, sequences, tracks, and layers between After Effects and Adobe Premiere:

• Create text template compositions in After Effects, where you can edit the source text in Premiere.

• Import an Adobe Premiere project into After Effects. 

• Export an After Effects project as an Adobe Premiere project. 

• Copy and paste layers and tracks between After Effects and Adobe Premiere.

• Render and replace After Effects compositions in Premiere to speed up compositions that take a long time to render.

If you have Adobe Premiere, you can do the following:

• Use Adobe Dynamic Link to work with After Effects compositions in Adobe Premiere. A dynamically linked composition appears as a clip in Adobe Premiere.
• Use Adobe Dynamic Link to work with Adobe Premiere sequences in After Effects. A dynamically linked sequence appears as a footage item in After Effects.
• Start After Effects from within Premiere and create a new composition with settings that match the settings of your Premiere project.
• Select a set of clips in Adobe Premiere and convert them to a composition in After Effects.

Working with Adobe Media Encoder and After Effects

You can use Adobe Media Encoder to export video from After Effects. Use Adobe Media Encoder to encode formats like H.264, MPEG-2, and WMV. Other formats are available in Adobe Media Encoder but not in After Effects. For example, the DNxHD format is available in Adobe Media Encoder but not in After Effects.

You can also add After Effects project files to a Watch folder in Adobe Media Encoder, and the composition is automatically added to the encoding queue Adobe Media Encoder. 

Working with Adobe Audition and After Effects

While working in After Effects, you can use the more comprehensive audio-editing capabilities of Adobe Audition to fine-tune your audio. You can use the Edit in Adobe Audition command to start Adobe Audition from within After Effects.

If you edit an audio-only file (for example, a WAV file) in Adobe Audition, you change the original file. If you edit a layer that contains both audio and video (for example, an AVI file), you edit a copy of the source audio file.

More like this

• Adobe Bridge
• Template projects and example projects
• Animation presets overview and resources
• Preparing and importing Photoshop files
• Web links, chapter links, cuepoints, and markers
• Importing from Adobe After Effects