Use Adobe Bridge to run animation presets; run cross-product workflow automation scripts; view and manage files and folders; organize your files by assigning keywords, labels, and ratings to them; search for files and folders; and view, edit, and add metadata.
Working with Adobe Bridge and After Effects
- To open Adobe Bridge from After Effects, choose File > Browse In Bridge.
- To reveal a file in Adobe Bridge, select a file in the Project panel and choose File > Reveal In Bridge.
- To use Adobe Bridge to browse for animation presets, choose Animation > Browse Presets.
Working with Photoshop and After Effects
If you use Photoshop to create still images, you can use After Effects to bring those still images together and make them move and change. In After Effects, you can animate an entire Photoshop image or any of its layers. You can even animate individual properties of Photoshop images, such as the properties of a layer style. If you use After Effects to create movies, you can use Photoshop to refine the individual frames of those movies.
The strengths of After Effects are in its animation and automation features. This means that After Effects excels at tasks that can be automated from one frame to another. For example, you can use the motion tracking features of After Effects to track the motion of a microphone boom, and then automatically apply that same motion to a stroke made with the Clone Stamp tool. In this manner, you can remove the microphone from every frame of a shot, without having to paint the microphone out by hand on each frame.
In contrast, Photoshop has excellent tools for painting and drawing.
Deciding which application to use for painting depends on the task. Paint strokes in Photoshop directly affect the pixels of the layer. Paint strokes in After Effects are elements of an effect, each of which can be turned on or off or modified at any time. If you want to have complete control of each paint stroke after you’ve applied it, or if you want to animate the paint strokes themselves, use the After Effects paint tools. If the purpose of applying a paint stroke is to permanently modify a still image, use the Photoshop paint tools. If you are applying several paint strokes by hand to get rid of dust, consider using the Photoshop paint tools.
The animation and video features in Photoshop include simple keyframe-based animation. After Effects uses a similar interface, though the breadth and flexibility of its animation features are far greater.
After Effects can also automatically create 3D layers to mimic the planes created by the Photoshop Vanishing Point feature.
After Effects can import and export still images in many formats, but you will usually want to use the native Photoshop PSD format when transferring individual frames or still image sequences between After Effects and Photoshop.
When importing or exporting a PSD file, After Effects can preserve individual layers, masks, layer styles, and most other attributes. When you import a PSD file into After Effects, you can choose whether to import it as a flattened image or as a composition with its layers separate and intact.
It is often a good idea to prepare a still image in Photoshop before importing it into After Effects. Examples of such preparation include correcting color, scaling, and cropping. It is often better for you to do something once to the source image in Photoshop than to have After Effects perform the same operation many times per second as it renders each frame for previews or final output.
By creating your new PSD document from the Photoshop New File dialog box with a Film & Video preset, you can start with a document that is set up correctly for a specific video output type. If you are already working in After Effects, you can create a new PSD document that matches your composition and project settings by choosing File > New > Adobe Photoshop File.
You can also exchange video files, such as QuickTime movies, between Photoshop and After Effects. When you open a movie in Photoshop, a video layer is created that refers to the source footage file. Video layers allow you to paint nondestructively on the movie’s frames, much as After Effects works with layers with movies as their sources. When you save a PSD file with a video layer, you save the edits that you made to the video layer, not edits to the source footage itself.
You can also render a movie directly from Photoshop. For example, you can create a QuickTime movie from Photoshop that can then be imported into After Effects.
After Effects works internally with colors in an RGB (red, green, blue) color space. Though After Effects can convert CMYK images to RGB, you should do video and animation work in Photoshop in RGB.
If relevant for your final output, it is better to ensure that the colors in your image are broadcast-safe in Photoshop before you import the image into After Effects. A good way to do this is to assign the appropriate destination color space—for example, SDTV (Rec. 601)—to the document in Photoshop. After Effects performs color management according to color profiles embedded in documents, including imported PSD files.
Working with Animate CC and After Effects
If you use Adobe Animate (formerly called Flash Professional) to create video or animation, you can use After Effects to edit and refine the video. For example, from Adobe Animate, you can export animations and applications as QuickTime movies, .mp4, and other standard video formats. You can then use After Effects to edit and refine the video.
If you use After Effects to edit and composite video, you can then use Animate to publish that video.
Animate and After Effects use separate terms for some concepts that they share in common. The following table lists the differences between the terms used in the two applications:
|Composition frame (Composition panel)||Stage|
|Project panel||Library panel|
|Project files||FLA files|
|Render and export a movie||Publish SWF file|
The following articles provide additional information about using Animate and After Effects together:
Richard Harrington and Marcus Geduld provide an excerpt, "Flash Essentials for After Effects Users", of their book After Effects for Flash | Flash for After Effects on the Peachpit website. In this chapter, Richard and Marcus explain Animate in terms that an After Effects user can understand. http://www.peachpit.com/articles/article.aspx?p=1350895
Richard Harrington and Marcus Geduld also provide "After Effects Essentials for Flash Users", another excerpt from their book After Effects for Flash | Flash for After Effects. In this chapter, Richard and Marcus explain After Effects in terms that an Animate user can understand. http://www.peachpit.com/articles/article.aspx?p=1350894
Robert Powers provides a video tutorial on the Slippery Rock NYC website that shows the basics of using After Effects from the perspective of someone who is familiar with Animate.
If you create animations or applications with Animate, you can export them as QuickTime movies using the File > Export > Export Movie command in Animate. For a Animate animation, you can optimize the video output for animation. For an Animate application, Animate renders video of the application as it runs, allowing the user to manipulate it. This lets you capture the branches or states of your application that you want to include in the video file.
When you import a movie file into Animate, you can use various techniques, such as scripting or Animate components, to control the visual interface that surrounds your video. For example, you might include playback controls or other graphics. You can also add graphic layers on top of the movie for composite results.
Animate and After Effects each include many capabilities that allow you to perform complex compositing of video and graphics. Which application you choose to use will depend on your personal preferences and the type of final output you want to create.
Animate is the more web-oriented of the two applications, with its small final file size. Animate also allows for run-time control of animation. After Effects is oriented toward video and film production, provides a wide range of visual effects, and is generally used to create video files as final output.
Both applications can be used to create original graphics and animation. Both use a timeline and offer scripting capabilities for controlling animation programmatically. After Effects includes a larger set of effects.
Both applications allow you to place graphics on separate layers for compositing. These layers can be turned on and off as needed. Both also allow you to apply effects to the contents of individual layers.
In Animate, composites do not affect the video content directly; they affect only the appearance of the video during playback in Flash Player. In contrast, when you composite with imported video in After Effects, the video file you export actually incorporates the composited graphics and effects.
Because all drawing and painting in After Effects is done on layers separate from any imported video, it is always non-destructive. Animate has both destructive and nondestructive drawing modes.
Animate has a unique set of vector art tools that make it useful for a variety of drawing tasks not possible in After Effects or Adobe® Illustrator®. You can import SWF files into After Effects to composite them with other video or render them as video with additional creative effects. Interactive content and scripted animation are not retained. Animation defined by keyframes is retained.
Each SWF file imported into After Effects is flattened into a single continuously rasterized layer, with its alpha channel preserved. Continuous rasterization means that graphics stay sharp as they are scaled up. This import method allows you to use the root layer or object of your SWF files as a smoothly rendered element in After Effects, allowing the best capabilities of each tool to work together.
Working with Adobe Premiere Pro and After Effects
Adobe Premiere Pro is designed to capture, import, and edit movies. After Effects is designed to create motion graphics, apply visual effects, composite visual elements, perform color correction, and perform other post-production tasks for movies.
You can easily exchange projects, compositions, sequences, tracks, and layers between After Effects and Adobe Premiere Pro:
- You can create text template compositions in After Effects where you can edit the source text in Premiere Pro. See Live Text Templates.
You can import an Adobe Premiere Pro project into After Effects. See Import an Adobe Premiere Pro project.
You can export an After Effects project as an Adobe Premiere Pro project. See Export an After Effects project as an Adobe Premiere Pro project.
You can copy and paste layers and tracks between After Effects and Adobe Premiere Pro. See Copy between After Effects and Adobe Premiere Pro .
You can render and replace After Effects compositions in Premiere Pro to speed up compositions that take a long time to render. (See Render and Replace After Effects compositions in Adobe Premiere Pro.)
- Use Adobe Dynamic Link to work with After Effects compositions in Adobe Premiere Pro. A dynamically linked composition appears as a clip in Adobe Premiere Pro.
- Use Adobe Dynamic Link to work with Adobe Premiere Pro sequences in After Effects. A dynamically linked sequence appears as a footage item in After Effects.
- Start After Effects from within Premiere Pro and create a new composition with settings that match the settings of your Premiere Pro project.
- Select a set of clips in Adobe Premiere Pro and convert them to a composition in After Effects.
Working with Adobe Media Encoder and After Effects
You can use Adobe Media Encoder to export video from After Effects. Use Adobe Media Encoder to encode formats like H.264, MPEG-2, and WMV. Other formats, are available in Adobe Media Encoder, but not in After Effects. For example, the DNxHD format is available in Adobe Media Encoder, but not in After Effects.
You can add After Effects project files to a watch folder in Adobe Media encoder, and the composition is automatically added to the encoding queue Adobe Media Encoder. See the Import files with Watch folder section in Adobe Media Encoder for detailed information.
For details about using Adobe Media Encoder with After Effects, see The Adobe Media Encoder.
See this tutorial
Edit in Adobe Audition
While working in After Effects, you can use the more comprehensive audio-editing capabilities of Adobe Audition to fine-tune your audio. You can use the Edit in Adobe Audition command to start Adobe Audition from within After Effects.
If you edit an audio-only file (for example, a WAV file) in Adobe Audition, you change the original file. If you edit a layer that contains both audio and video (for example, an AVI file), you edit a copy of the source audio file.
If you’re editing an audio-only layer, choose File > Save to apply your edits to the original audio file. You can also choose File > Save As to apply your edits to a copy of the audio file. If you choose File > Save As, import the copy of the file into After Effects.
If you’re editing a layer that contains both audio and video, choose File > Save As. After you save the file, import it into After Effects. Then, add it to the composition, and mute the original audio in the audio-video clip by deselecting the Audio switch in the Timeline panel.
Any effects applied to audio in After Effects aren’t included in the copy that is sent to Adobe Audition.
Tutorials and resources about using Adobe Audition to modify audio from After Effects can be found on this post from the After Effects Region of Interest blog.