Match color between shots

Last updated on Apr 1, 2026

Learn about how to use the Lumetri Color panel or Program Monitor to compare and match colors between shots in Adobe Premiere.

Color matching allows you to compare looks of two different shots across an entire sequence to ensure color and light appearances match within a scene or across multiple scenes.

Place the playhead on the current clip to begin matching the shot.

Switch to Comparison View by selecting the Comparison View  button in the Program Monitor or in the Lumetri Color panel. This view allows you to select and display a reference frame and compare colors across shots.

The Comparison View option is selected in the Lumetri Color panel to compare shots and match their color.
Use the Comparison View option in the Lumetri Color panel to compare shots and match their color.

Choose a reference frame by selecting the reference position via a slider bar, timecode, or by jumping between edit points with arrows.

Select the target location by simply positioning the playhead over the desired clip.

Once you have both the reference and target locations set, you can adjust the comparison view to the desired display.

Choose either a side-by-side or a vertical/horizontal split display. In split mode, you can drag the location of the split to view a specific area of the screen.

The comparison view is open in Program Monitor and there are options to use and compare different shots.
Choose a side-by-side or split view, then drag the divider to compare specific areas.

Choose a target clip by positioning the timeline playhead over a clip you want to match to the reference frame. Make sure the clip is selected.

Note

The current frame is matched to the reference frame, so if the content changes over time, choose a part of the clip that is a good indication of the overall color and brightness of the clip.

You can check the Face Detection option if you have faces in the shots and leave this option enabled.

Face Detection is on by default, and if Auto Color detects faces in either the reference or current frame it gives higher weight to the colors in the facial region. 

This feature yields higher quality matches of skin tone especially when there are distracting colors in the background, but you can disable it for situations where you want or need the whole frame to be evaluated equally. 

If you use face detection, there is a slight increase in the amount of time it takes to calculate the match.  If you are working with footage that does not contain any faces, disable face detection to speed up the color matching.

Select Apply Match.

Premiere automatically applies Lumetri settings using the Color Wheels and Saturation control to match the colors in the current frame to the colors in the reference frame.

The Color Wheels (and Saturation slider if necessary) update to reflect the adjustment that the automatic color matching algorithm has applied.

If you are not satisfied with the results, you can use another shot as a reference and match the colors again. Premiere overrides the previous changes and matches the color with the new reference shot.

Note

If there is an existing Lumetri effect on the clip with altered parameters, some of those settings can be reset.