Sample Rate
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Intro to editing
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Insert captions
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Commonly used effects
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Basic audio editing
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Correct color
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Set up Color Management
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Render and export
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Export files
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Render sequences for playback
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Collaborate with others
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Collaborate using Team Projects
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Share for review using Frame.io
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Collaborate using Productions
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Collaborate using Team Projects
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Troubleshooting
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Limitations and known issues
- Known and fixed issues in Adobe Premiere
- iPhone HDR clips are unsupported for Generative Extend
- Unable to send media from Firefly to Premiere
- Projects saved in v25.6.0 cannot be opened in other v25.x versions
- Generative Extend known issues
- UI errors when using obsolete effects in on macOS Dark Mode
- Files conformed each time project opens
- Media issues
- Crash issues
- Preferences and settings issues
- Export issues
- Audio issues
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Playback issues
- Timeline doesn’t show video preview
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- Optimize playback performance for H.264 and H.265 media
- Troubleshoot sequence and file-interpretation settings
- Choppy playback and poor performance issue
- Slow rendering and playback
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Limitations and known issues
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Use Premiere with other apps
- Install plugins and extensions
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Working with other Adobe applications
- Copy clips from Premiere to After Effects
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- Import Photoshop files into Premiere
- Create a Photoshop file in a project
- Edit still images in Premiere using Photoshop
- Share assets between After Effects and Premiere using Dynamic Link
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- Work with Photoshop and Premiere
Audio sample rates in Premiere
Last updated on
Apr 2, 2026
Learn which sample rates Adobe Premiere natively supports and how audio conforming affects your workflow.
Natively supported sample rates
Premiere supports the following audio sample rates without requiring conforming when used in sequences with matching settings:
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Common Use Cases |
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8000 Hz |
Telephony, voice recording |
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11025 Hz |
Low-quality audio, legacy formats |
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22050 Hz |
Compressed web audio, podcasts |
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32000 Hz |
Digital broadcasting, video conferencing |
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44100 Hz |
CD audio, music production |
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48000 Hz |
Professional video, film production |
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96000 Hz |
High-resolution audio, music mastering |
How Premiere processes audio
Premiere processes all audio channels, including audio embedded in video clips, as 32-bit floating-point data at your sequence sample rate. This ensures maximum editing performance and audio quality across your project.
Audio conforming behavior
Premiere conforms certain audio types to match the 32-bit format and sequence sample rate when you first import files into a project. A progress bar appears in the lower-right corner during conforming, and Premiere saves the conformed audio as CFA preview files in the Audio Previews scratch disk location you specified.
You can work with and apply effects to audio files before conforming completes, but you can only preview sections that have already been conformed.
Conforming rules by audio type
Uncompressed audio
- No conforming: Audio recorded at natively supported sample rates used in sequences with matching sample rates
- Delayed conforming: Audio used in sequences with non-matching sample rates (conforming occurs only when you export or create audio preview files)
- Immediate conforming: Audio recorded at non-supported sample rates (upsampled to the nearest supported rate or an even multiple, for example, 11024 Hz becomes 11025 Hz)
Compressed audio
Premiere conforms all compressed audio formats (MP3, WMA, MPEG, compressed MOV files) at the source file's sample rate. If you use conforming audio in a sequence with a different sample rate, playback occurs at the sequence rate without additional conforming.
Note
To avoid conforming delays, use audio editing or transcoding software to convert files to uncompressed formats at natively supported sample rates before importing.
Related files
Premiere creates PEK files for waveform display when importing audio. These files are stored in your Media Cache Files location (specified in Preferences > Media) and are separate from conformed audio files.
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