Select Edit > Preferences > Media (Windows) or Premiere Pro > Preferences > Media (macOS).
- Adobe Premiere Pro User Guide
- Beta releases
- Getting started
- Hardware and operating system requirements
- Creating projects
- Workspaces and workflows
- Frame.io
- Import media
- Importing
- Importing from Avid or Final Cut
- File formats
- Working with timecode
- Editing
- Edit video
- Sequences
- Create and change sequences
- Set In and Out points in the Source Monitor
- Add clips to sequences
- Rearrange and move clips
- Find, select, and group clips in a sequence
- Remove clips from a sequence
- Change sequence settings
- Edit from sequences loaded into the Source Monitor
- Simplify sequences
- Rendering and previewing sequences
- Working with markers
- Add markers to clips
- Create markers in Effect Controls panel
- Set default marker colors
- Find, move, and delete markers
- Show or hide markers by color
- View marker comments
- Copy and paste sequence markers
- Sharing markers with After Effects
- Source patching and track targeting
- Scene edit detection
- Cut and trim clips
- Video
- Audio
- Overview of audio in Premiere Pro
- Edit audio clips in the Source Monitor
- Audio Track Mixer
- Adjusting volume levels
- Edit, repair, and improve audio using Essential Sound panel
- Enhance Speech
- Enhance Speech FAQs
- Audio Category Tagging
- Automatically duck audio
- Remix audio
- Monitor clip volume and pan using Audio Clip Mixer
- Audio balancing and panning
- Advanced Audio - Submixes, downmixing, and routing
- Audio effects and transitions
- Working with audio transitions
- Apply effects to audio
- Measure audio using the Loudness Radar effect
- Recording audio mixes
- Editing audio in the timeline
- Audio channel mapping in Premiere Pro
- Use Adobe Stock audio in Premiere Pro
- Overview of audio in Premiere Pro
- Text-Based Editing
- Advanced editing
- Best Practices
- Video Effects and Transitions
- Overview of video effects and transitions
- Effects
- Transitions
- Titles, Graphics, and Captions
- Overview of the Essential Graphics panel
- Graphics and Titles
- Graphics
- Create a shape
- Draw with the Pen tool
- Align and distribute objects
- Change the appearance of text and shapes
- Apply gradients
- Add Responsive Design features to your graphics
- Install and use Motion Graphics templates
- Replace images or videos in Motion Graphics templates
- Use data-driven Motion Graphics templates
- Captions
- Best Practices: Faster graphics workflows
- Retiring the Legacy Titler FAQs
- Upgrade Legacy titles to Source Graphics
- Fonts and emojis
- Animation and Keyframing
- Compositing
- Color Correction and Grading
- Overview: Color workflows in Premiere Pro
- Color Settings
- Auto Color
- Get creative with color using Lumetri looks
- Adjust color using RGB and Hue Saturation Curves
- Correct and match colors between shots
- Using HSL Secondary controls in the Lumetri Color panel
- Create vignettes
- Looks and LUTs
- Lumetri scopes
- Display Color Management
- Timeline tone mapping
- HDR for broadcasters
- Enable DirectX HDR support
- Exporting media
- Collaborative editing
- Collaboration in Premiere Pro
- Get started with collaborative video editing
- Create Team Projects
- Add and manage media in Team Projects
- Invite and manage collaborators
- Share and manage changes with collaborators
- View auto saves and versions of Team Projects
- Manage Team Projects
- Linked Team Projects
- Frequently asked questions
- Long form and Episodic workflows
- Working with other Adobe applications
- Organizing and Managing Assets
- Improving Performance and Troubleshooting
- Set preferences
- Reset and restore preferences
- Recovery Mode
- Working with Proxies
- Check if your system is compatible with Premiere Pro
- Premiere Pro for Apple silicon
- Eliminate flicker
- Interlacing and field order
- Smart rendering
- Control surface support
- Best Practices: Working with native formats
- Knowledge Base
- Known issues
- Fixed issues
- Fix Premiere Pro crash issues
- Unable to migrate settings after updating Premiere Pro
- Green and pink video in Premiere Pro or Premiere Rush
- How do I manage the Media Cache in Premiere Pro?
- Fix errors when rendering or exporting
- Troubleshoot issues related to playback and performance in Premiere Pro
- Extensions and plugins
- Video and audio streaming
- Monitoring Assets and Offline Media
Timecode is a system for labelling and tracking individual frames or moments in a video sequence.
Timecode is expressed in hours, minutes, seconds, and frames and is used to precisely locate and synchronize different elements within a video project.
Importance of timecode
Timecode is essential for multiple reasons:
- It helps you to log and track specific moments in media content, making it easier to search, catalog, and retrieve specific scenes or clips for future reference.
- Manage multiple video and audio tracks, making it possible to align/synchronize them and edit them precisely.
- Timecode is critical when multiple teams or individuals work on the same project. It provides a common reference point for everyone involved, ensuring they work with the same timebase.
For best results, timecode should run continuously from the beginning to the end of the recording — it shouldn’t restart from zero anywhere in the middle.
Tips to shoot with unbroken timecode
To ensure unbroken timecode:
- Use professional cameras and audio recorders that have built-in timecode generators.
- Monitor the timecode on your cameras and audio recorders. Check that it’s running continuously without any timecode breaks.
- Record at least five seconds of extra video past the end of the action in any shot.
Choose timecode display format
By default, Premiere Pro displays the timecode for any clip originally written to the source medium.
Source timecode is shown for a clip regardless of the timebase of the sequences in which it's used. When the clip's timebase differs from the sequence's timebase, source timecode can make logging footage easier. For example, a clip shot in 24p has a timebase of 30 fps and 30 fps timecode. Premiere Pro shows that clip's original 30 fps timecode, even though it's used in a sequence with a timebase of 23.976. However, you can change this default to show the timecode for every clip starting at 00:00:00:00 instead.
Also, you can determine how Premiere Pro displays the frame count when a Frames or Feet and Frames display is chosen for a panel. You can make the frame count for every clip start at 0 or at 1, or you can have it converted from the source timecode. If a frame in a 30-fps clip has a source timecode of 00:00:10:00 the Timecode Conversion option gives this frame number 300. Premiere Pro converts 10 seconds at the 30-fps frame rate to 300 frames.
-
-
In the Timecode menu, choose one of the following:
Use Media Source
Shows the timecode recorded to the source.
Start At 00:00:00:00
Starts timecode shown for every clip at 00:00:00:00.
-
In the Frame Count menu, choose one of the following:
Start At 0
Numbers every frame sequentially, with the first frame numbered 0.
Start At 1
Numbers every frame sequentially, with the first frame numbered 1.
Timecode Conversion
Generates frame number equivalents of the source timecode numbers.
-
Select OK.
Change timecode display format
You can change the timecode display format in any panel where timecode is shown in hot text.
-
To display timecode in audio units (Audio Samples or Milliseconds), select the panel menu button in the Timeline panel, and then select Show Audio Time Units.
-
You can specify Premiere Pro to display timecode in audio units (Audio Samples or Milliseconds) using Project Settings – File > Project Settings > Audio > Display Format.
-
Ctrl-click (Windows) or Command-click (macOS) a hot text timecode display to toggle through any available timecode formats.
- Drop-Frame
- Non-Drop-Frame
- Feet + Frames 16mm
- Feet + Frames 35mm
- Frames
The timecode display format for the Program Monitor (including the instance in the Trim Monitor) and Timeline panels always match one another. Changing the display format in one of these panels changes it in the other.
Set clip timecode manually
You can change the timecode from that recorded by Premiere Pro.
-
Select the clip in the Project panel.
-
Choose Clip > Modify > Timecode, specify options as needed, and select OK.
If your workflow relies on modifying the source clips using Modify Timecode, do not use proxies in Premiere Pro. Doing so will result in unexpected behavior.
Enter timecode
As you edit video, you enter timecode values many times. Timecode values are unique identifiers for each frame of video and are made up of four parts: hours, minutes, seconds, and frames. For example, you enter timecode values to set In and Out points for clips and to navigate to a Timeline panel. Premiere Pro provides many ways to enter timecodes.
In Premiere Pro, the duration between the In and Out points includes the frames indicated by the timecode. For example, if you enter the same timecode for the In and Out points of a clip, the duration of the clip is one frame. When entering the timecode, you can substitute periods for colons or type numbers without punctuation. Premiere Pro interprets the numbers you type as hours, minutes, seconds, and frames.
- To set a specific timecode, select the timecode, type a new timecode, and then press Enter or Return.
- To adjust the current timecode by dragging, drag the timecode horizontally. For example, to set the timecode earlier, drag to the left.
- To adjust the current timecode by using a relative value, type the plus sign or minus sign and the number of frames to add or subtract. For example, to subtract five frames from the current timecode, select the entire timecode, type – 5, and press Enter or Return.
- Use shorthand substitutes while entering timecode. When entering the timecode, you can use shorthand substitutes affixed with a period. Premiere Pro interprets the numbers you type as hours, minutes, seconds, and frames.
Examples of shorthand substitutes:
- 1. moves the CTI to position 00:00:01:00
- 2. moves the CTI to position 00:02:00:00
- .1 moves the CTI to position 00:00:00:01
- .24 moves the CTI to position 00:00:01:00 for a 23.976 fps sequence
- .1234 moves the CTI to position 00:00:51:10 for a 23.976 fps sequence
View timecode as a burn-in
You can display a clip’s timecode within the video preview by applying the Metadata & Timecode Burn-in effect to that clip. Timecode can also be displayed in the video preview of any part of a sequence by applying the Metadata & Timecode Burn-in effect to a transparent video clip, which can be clipped for the period when you want the timecode visible. The onscreen timecode is commonly referred to as the burn-in timecode. It's used in rough edits and proofs to give frame-accurate reference points to editors and their collaborators.
For more information, see Metadata & Timecode Burn-in effect.
View source timecode in the Program Monitor
You can display the source timecode in the Program Monitor preview for clips in a sequence as you edit:
If you trim a clip, the clip’s source timecode is displayed.
If you perform a slide edit, the new source media's In and Out points for the adjacent clips are displayed.
If you perform a slip edit, the clip’s new source media's In and Out points are displayed.
Select Timecode Overlay During Edit from the Program Monitor menu.
A check mark indicates that the command is selected.
View timecode in the Timecode panel
You can view timecode in the Timecode panel. To view the Timecode panel, choose Window > Timecode.
The Timecode panel offers multiple options to work with.
Sequence Display
Specifies how the timecode should be displayed and its behavior in the Timeline panel and Program Monitor.
- Current Time: The main master timecode.
- Absolute: Timecode that always starts at zero at the beginning and increments one frame at a time.
- Duration: Total duration of your timeline.
- In/Out: Indications for the In and Out range.
- Remaining: Indication of the remaining time from the Current Time Indicator (CTI) to the end of your sequence.
- Top Clip Name: Indicates the top clip name under the CTI.
Source Tracks Display
Source Tracks contain a specific number of video and audio tracks on a timeline. You can select any track to view the source timecodes for the selected track.
Format Display
You can use the Format options to change the default timebase format or to view the timecode in Frames or Feet.
Compact Display
In Compact view, Premiere Pro only changes the label's color, but there is no tag.
Full Size
If the timecode panel is set to Full Size view, Premiere Pro displays a tag when a different format is selected and changes the label color from white to orange.
Other display options
- Add Line and Remove Line: Adds or removes one timecode line
- Compact and Full Size: Switches the UI of the Timecode panel from compact to full-sized
- Save Preset: Saves different timecode layouts and assign shortcut to presets.
- Manage Presets: Assigns different shortcuts to presets or delete presets.
To increase the size of the Timecode panel, drag the lower right corner of the window outward.