Known and fixed issues in Adobe Premiere

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The Camera Shake effect could cause a memory leak and rendering errors when it fell back to CPU (software) rendering.

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Ducking keyframes that had been deleted could still affect a sequence's audio output.

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Recording a voice-over could crash Premiere when the clip was inserted into the timeline if an AJA device was set as the audio output.

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Background Auto-Save could cause sluggish performance when working in Productions. Auto-Save performance has been improved.

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On Windows, importing a project or sequence that contained embedded closed captions could add duplicate audio tracks, which led to incorrect exports.

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For certain frame durations, the Dip to Black transition did not reach a true black frame at its midpoint.

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The start timecode of 100 fps media could be misread when proxies were generated by a media asset management system, putting the proxy and full-resolution files out of sync on export.

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MKV files recorded with OBS could drop frames during playback.

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Growing files in a MOV container were imported into Premiere as audio only.

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Growing MXF files on shared storage could intermittently go offline when a project was refreshed or reopened.

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Double-clicking in the Program Monitor did not select the clip at the playhead when another clip was already selected on the timeline.

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While Direct Manipulation was active, guides disappeared when the current-time indicator moved off the clip.

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After a text style was applied, the Properties panel could continue to show an incorrect or stale link style for the text layer.

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With Snap enabled in the Program Monitor, users could not snap one asset to another.

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Users were prevented from entering the precise x/y positions of vertical and horizontal guides in the Program Monitor panel.

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Text in an instance of a Source Graphic would not change when edited through the Program Monitor.

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For the Transform effect, the dotted motion path for Position keyframes did not appear in the Program Monitor.

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Creating a caption track through the API could produce a track with no stream index set.

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There was no option to control the display of audio and video fade handles on clips in the timeline. New Timeline Display Settings options and keyboard shortcuts have been added to show or hide them.

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In the Delete Selection with Options dialog, selecting “Delete media file(s) from disk” did not remove the files from disk, even when the option was checked.

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Under some conditions, Premiere 26.3 could fail to launch.

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Re-linking MXF files could take much longer than expected, which could also make projects very slow to open on subsequent launches.

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On Windows, the Save Project As dialog no longer opened in the active project's directory.

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When drawing a mask path with the mask Pen tool, holding Shift did not constrain new vertex placement to 45-degree angles.

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Save As New View Preset in the Project panel did not generate a valid preset file, so custom Project panel view presets did not save or load correctly.

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Choosing Reveal in Project for a clip inside a Production could cause Premiere to stop responding.

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After a render completed, areas defined by an opacity mask could briefly appear black in the Program Monitor.

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Third-party plug-ins that performed frame-by-frame video analysis could report errors for every frame they requested during event processing.

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When imported media had been modified after its Media Intelligence sidecar cache file (.prmi) was created, Premiere ignored the sidecar and did not reuse the cached analysis.

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The default Effects workspace opened with an incorrect layout that resembled the Color workspace instead of the intended Effects arrangement.

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When editing captions written in a right-to-left language such as Arabic in the Text panel, users could hit an error that momentarily blanked out the caption text.

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Users were prevented from entering the precise x/y positions of vertical and horizontal guides in the Program Monitor panel.

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Adding a large number of projects to a Production could take a long time.

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Premiere may take much longer than expected to import long (1+ hour) compressed media, including MPEG-2, HEVC, and MPEG-4 AVC.

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Premiere could crash during the import of 6.2K HEVC 4:2:2 10-bit files on NVIDIA Blackwell GPUs.

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Program Monitor could remain unresponsive and freeze during AVCHD (MTS) playback in Premiere.

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Using the Object Mask Tool to select multiple objects could trigger an Object Mask write failure error.

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Original audio clips in a sequence were not deselected after nesting them in a new sequence.

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Export Frame would fail to include enabled captions in the timeline.

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Audio distortion could occur when exporting from sequences created from the Social Media project template.

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Exporting to a smaller frame size could result in video quality loss in some situations.

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The Change Clip Speed (Fit to Fill) option was unavailable during an edit when the source clip had a transcript attached.

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Double-clicking a sequence marker in the Search panel could cause the playhead to move to the wrong place.

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A crash could occur when unlinking Track Items with a Video Transition selected.

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Media imported using Import mode incorrectly recorded UNC paths instead of mapped drive letters. This caused performance issues when reopening the project and media offline issues in other applications when using AAF, EDL, and XML. 

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With language set to German, the Presets (Vorgaben) folder in the Effects panel did not appear.

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Users using Premiere Productions could have seen duplicate ID errors when no duplicate ID actually existed.

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Dragging the slider in Comparison View of the Lumetri panel failed to update the reference frame display.

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Applying Scene Edit Detection to some media files could cause playback to become unresponsive.

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Smart Rendering of ProRes 422 files recorded on an iPhone 16 Pro using the Blackmagic Camera app could result in upside-down video due to embedded rotation metadata.

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When importing footage recorded using the H.264-SDI codec on HyperDeck HD Plus, the aspect ratio could incorrectly be set at 1.0075.

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Spanned media recorded with the Canon XF705 may fail to import correctly. 

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Some M2V files could fail to import correctly. Premiere showed an importing file- unsupported compression type.

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The aspect ratio of some H.264 files was not displayed correctly when using the Japanese language in Premiere.

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Hardware HEVC exports on Apple silicon devices used an open GOP encoding structure, which could cause poor seek and scrub performance.

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The Direct Manipulation menu in the Program Monitor could improperly show when Show Transport Controls was disabled. The Direct Manipulation icon (Transform or Crop) is cut off and left over at the bottom-left of the panel, and is still selectable.

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Keyframe would revert to linear interpolation once a value was changed.

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Type setting for a 608/708 caption segment could revert after deselecting and re-selecting the segment.

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Changing volume levels in the Essential Sound panel while previewing audio with Timeline Sync enabled changed audio levels in the sequence as well.

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The Open Folder button in the marker export dialog did not open the correct directory for some file types.

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Option + Left or Right arrow did not move the cursor by word when renaming items in the Project panel or bins.

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Autosave files could get saved to the wrong destination when two or more projects were open from different parent folder locations.

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When the Link Media or Media Browser dialog was moved to a display with a different resolution, blank space could appear when the dialog was reopened.

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With a sequence containing and processing intensive third party plug-ins, the application could hang or crash when quitting the application.

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Source Monitor did not show the updated clip name after renaming a clip. Source Monitor showed the old clip name in the tab and panel menu.

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Using a shortcut to toggle the Direct Manipulation option in the Program Monitor could cause the application to crash.

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Marker exports to comma-separated CSV format did not use commas as separators. The file is exported as tab-delimited instead.

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Spell check could fail to underline misspelled words. No mispelled words had a red underline. 

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Generating a transcript on some newer macOS computers could produce incorrect results, with spoken dialogue omitted or replaced with incorrect words.

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Exports to ProRes 4444 with alpha could fail with a GPU acceleration error when certain effects were applied over text or graphic layers.

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Morph Cut could crash while adjusting media In or Out points during analysis.

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Maximizing the Text panel with a long transcription could cause the highlighted words to lose focus and scroll to a random section.

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Splitting a caption could result in a duplicate caption, instead of the caption being correctly split.

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Project Index files (.prin) were not automatically saved when doing a Save As on the project.

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Nikon N-RAW (.NEV) clips recorded with 32-bit float audio enabled imported as video-only, with the audio stream missing.

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When exporting a sequence through Adobe Media Encoder, a Missing Mask Data warning could appear, and object mask data may not be included in the exported media.

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The Premiere installation could ignore the Default install language setting in Creative Cloud desktop, resulting in English-language-only access.

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The Text panel and other UXP panels (Export, Import, Progress, etc.) may appear empty or stuck on a loading screen in Premiere.

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On Windows, the clip outline, snap function, or playhead was not visible when dragging clips in the timeline if GPU-accelerated UI rendering was disabled.

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Some users could get Windows permissions errors when saving a project.

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Setting the Default Media Scaling in the Media Preferences to Fit to Frame did not scale the media.

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Despite Transmit still being enabled, playback does not automatically appear on the chosen external monitor when the project opens. Disabling and enabling Transmit from the Project Monitor does not make a difference.

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The selected frame is exported, but captions are not included in it despite being visible in the Program Monitor and Sequence.

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In some cases, sending media from Firefly on the web to Premiere on the desktop may fail, even if both the Creative Cloud desktop app and the latest version of Premiere are installed correctly. When the issue occurs, the page that initiates the handoff will download an installer program instead of opening the Creative Cloud desktop app to import the asset in Premiere.

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The incorrect dialog box prompted to enable new masking features.

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In some cases, Premiere is detecting duplicate IDs within a Production even when duplicate IDs are not actually present.

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A security API update in the Identity Management Systems of Adobe is preventing Behance uploads from Premiere versions 25.5 and earlier.

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Render & Replace can fail when applied to clips with video effects. The operation may result in missing assets and frame replacement errors, and Premiere can hit an internal assertion failure related to ProRes decompression.

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CEP panel crashes when attempting to sign in to X (formerly Twitter) directly from Export mode.

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Media takes longer to import in 25.3 than it did in 25.2.3, regardless of file location.

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When multiple projects are open, and the "Same as Project" autosave destination is used for each, all open projects use the autosave destination of the most recently opened project, instead of each saving it's autosaves to its own respective "Same as Project" path. This results in autosaves being saved to the wrong project directory, making them difficult for the user to find when autosave recovery is required.

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Timecode isn't maintained when extending a clip. Extended clips will always be zero-based. The original clip isn't affected.

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The Add Marker command on some custom keyboard presets acts as a double click, erroneously opening the Edit Marker dialog.

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Importing large files can congest networks due to scanning for content credentials.

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Tangent color correction control surfaces can experience issues when selecting Lumetri Effects. 

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Videos imported from Sora and then generatively extended in Premiere don’t display content credentials correctly.

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Adding multiple audio-video search results from the Search panel to a sequence will result in all but the first clip having audio unlinked from the video.

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RED R3D media recorded with a LUT selected in the camera will not display with the LUT applied when imported into Premiere. This affects existing and new projects. Attempting to select the LUT in the camera from Effects Controls > Source > RED Source Settings > Creative 3D LUT will cause Premiere to crash.

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Color pickers in the Lumetri Color panel don't function correctly when the Color setup in the Sequence group of the Lumetri Color panel's Settings tab is changed to any of the Wide Gamut presets.

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When the video track height is set to the minimum, edit points are very difficult to see. This issue may be more noticeable when a Label Color Preset other than Default is selected.

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Windows customers may see an Import Files dialog box that never completes in the following conditions:

The Learn, Libraries, Frame.io panels, or any panel listed in Windows > Extensions, are turned on.

An AAF, Final Cut Pro XML, or EDL file is being imported.

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This is a background process crashing, and it can safely be ignored. Select the Log In tab and continue to sign in to Vimeo as usual. This crash will prevent you from creating a new Vimeo account from within Premiere. If you wish to make an account, use your browser to create a new account on the Vimeo website.

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