Kullanıcı Kılavuzu İptal

Managing metadata in Premiere Pro

  1. Adobe Premiere Pro User Guide
  2. Beta releases
    1. Beta Program Overview
    2. Premiere Pro Beta Home
    3. Beta features
      1. Generative extend overview 
      2. Generative extend FAQs
      3. Color management system
  3. Getting started
    1. Get started with Adobe Premiere Pro
    2. What's new in Premiere Pro
    3. Best practices for updating Premiere Pro
    4. Keyboard shortcuts in Premiere Pro
    5. Accessibility in Premiere Pro
    6. Frequently asked questions
    7. Release notes
  4. Hardware and operating system requirements
    1. Hardware recommendations
    2. System requirements
    3. GPU and GPU Driver requirements
    4. GPU Accelerated Rendering & Hardware Encoding/Decoding
  5. Creating projects
    1. Start a new project
    2. Open projects
    3. Move and delete projects
    4. Work with multiple open projects
    5. Work with Project Shortcuts
    6. Backward compatibility of Premiere Pro projects
    7. Open and edit Premiere Rush projects in Premiere Pro
    8. Best Practices: Create your own project templates
  6. Workspaces and workflows
    1. Workspaces
    2. Import and export FAQs
    3. Working with Panels
    4. Windows touch and gesture controls
    5. Use Premiere Pro in a dual-monitor setup
  7. Frame.io
    1. Install and activate Frame.io
    2. Use Frame.io with Premiere Pro and After Effects
    3. Integrate Adobe Workfront and Frame.io
    4. Share for review with Frame.io
    5. Invite collaborators to co-edit a project
    6. Frequently asked questions
  8. Import media
    1. Importing
      1. Transfer files
      2. Importing still images
      3. Importing digital audio
    2. Importing from Avid or Final Cut
      1. Importing AAF project files from Avid Media Composer
      2. Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
    3. File formats
      1. Supported file formats
      2. Support for Blackmagic RAW
    4. Working with timecode
  9. Editing
    1. Edit video
    2. Sequences
      1. Create and change sequences
      2. Set In and Out points in the Source Monitor
      3. Add clips to sequences
      4. Rearrange and move clips
      5. Find, select, and group clips in a sequence
      6. Remove clips from a sequence
      7. Change sequence settings
      8. Edit from sequences loaded into the Source Monitor
      9. Simplify sequences
      10. Rendering and previewing sequences
      11. Working with markers
      12. Add markers to clips
      13. Create markers in Effect Controls panel
      14. Set default marker colors
      15. Find, move, and delete markers
      16. Show or hide markers by color
      17. View marker comments
      18. Copy and paste sequence markers
      19. Sharing markers with After Effects
      20. Source patching and track targeting
      21. Scene edit detection
    3. Cut and trim clips
      1. Split or cut clips
      2. Trim clips
      3. Edit in Trim mode
      4. Perform J cuts and L cuts
      5. Create and play clips
      6. Adjust Trimming and Playback preferences
    4. Video
      1. Synchronizing audio and video with Merge Clips
      2. Render and replace media
      3. Undo, history, and events
      4. Freeze and hold frames
      5. Working with aspect ratios
    5. Audio
      1. Overview of audio in Premiere Pro
      2. Edit audio clips in the Source Monitor
      3. Audio Track Mixer
      4. Adjusting volume levels
      5. Edit, repair, and improve audio using Essential Sound panel
      6. Enhance Speech
      7. Enhance Speech FAQs
      8. Audio Category Tagging
      9. Automatically duck audio
      10. Remix audio
      11. Monitor clip volume and pan using Audio Clip Mixer
      12. Audio balancing and panning
      13. Advanced Audio - Submixes, downmixing, and routing
      14. Audio effects and transitions
      15. Working with audio transitions
      16. Apply effects to audio
      17. Measure audio using the Loudness Radar effect
      18. Recording audio mixes
      19. Editing audio in the timeline
      20. Audio channel mapping in Premiere Pro
      21. Use Adobe Stock audio in Premiere Pro
    6. Text-Based Editing
      1. Text-Based Editing
      2. Text-Based Editing FAQs
    7. Advanced editing
      1. Multi-camera editing workflow
      2. Editing VR
    8. Best Practices
      1. Best Practices: Mix audio faster
      2. Best Practices: Editing efficiently
      3. Editing workflows for feature films
  10. Video Effects and Transitions
    1. Overview of video effects and transitions
    2. Effects
      1. Types of effects in Premiere Pro
      2. Apply and remove effects
      3. Use FX badges
      4. Effect presets
      5. Metadata effect in Premiere Pro
      6. Automatically reframe video for different social media channels
      7. Color correction effects
      8. Effects Manager
      9. Change duration and speed of clips
      10. Adjustment Layers
      11. Stabilize footage
    3. Transitions
      1. Applying transitions in Premiere Pro
      2. Modifying and customizing transitions
      3. Morph Cut
  11. Titles, Graphics, and Captions
    1. Properties panel
      1. About Properties panel
      2. Edit text
      3. Edit shapes
      4. Edit audio
      5. Edit video
      6. Mask with shape
      7. Create, apply, and redefine text styles
    2. Essential Graphics panel (24.x and earlier) 
      1. Overview of the Essential Graphics panel
      2. Create a title
      3. Linked and Track Styles
      4. Working with style browser
      5. Create a shape
      6. Draw with the Pen tool
      7. Align and distribute objects
      8. Change the appearance of text and shapes
      9. Apply gradients
      10. Add Responsive Design features to your graphics
      11. Speech to Text
      12. Download language packs for transcription
      13. Working with captions
      14. Check spelling and Find and Replace
      15. Export text
      16. Speech to Text FAQs
    3. Motion Graphics Templates
      1. Install and use Motion Graphics templates
      2. Replace images or videos in Motion Graphics templates
      3. Use data-driven Motion Graphics templates
    4. Best Practices: Faster graphics workflows
    5. Retiring the Legacy Titler FAQs
    6. Upgrade Legacy titles to Source Graphics
  12. Fonts and emojis
    1. Color fonts
    2. Emojis
  13. Animation and Keyframing
    1. Adding, navigating, and setting keyframes
    2. Animating effects
    3. Use Motion effect to edit and animate clips
    4. Optimize keyframe automation
    5. Moving and copying keyframes
    6. Viewing and adjusting effects and keyframes
  14. Compositing
    1. Compositing, alpha channels, and adjusting clip opacity
    2. Masking and tracking
    3. Blending modes
  15. Color Correction and Grading
    1. Overview: Color workflows in Premiere Pro
    2. Color Settings
    3. Auto Color
    4. Get creative with color using Lumetri looks
    5. Adjust color using RGB and Hue Saturation Curves
    6. Correct and match colors between shots
    7. Using HSL Secondary controls in the Lumetri Color panel
    8. Create vignettes
    9. Looks and LUTs
    10. Lumetri scopes
    11. Display Color Management
    12. Timeline tone mapping
    13. HDR for broadcasters
    14. Enable DirectX HDR support
  16. Exporting media
    1. Export video
    2. Export Preset Manager
    3. Workflow and overview for exporting
    4. Quick export
    5. Exporting for the Web and mobile devices
    6. Export a still image
    7. Exporting projects for other applications
    8. Exporting OMF files for Pro Tools
    9. Export to Panasonic P2 format
    10. Export settings
      1. Export settings reference
      2. Basic Video Settings
      3. Encoding Settings
    11. Best Practices: Export faster
  17. Collaborative editing
    1. Collaboration in Premiere Pro
    2. Get started with collaborative video editing
    3. Create Team Projects
    4. Add and manage media in Team Projects
    5. Invite and manage collaborators
    6. Share and manage changes with collaborators
    7. View auto saves and versions of Team Projects
    8. Manage Team Projects
    9. Linked Team Projects
    10. Frequently asked questions
  18. Long form and Episodic workflows
    1. Long Form and Episodic Workflow Guide
    2. Using Productions
    3. How clips work across projects in a Production
    4. Best Practices: Working with Productions
  19. Working with other Adobe applications
    1. After Effects and Photoshop
    2. Dynamic Link
    3. Audition
    4. Prelude
  20. Organizing and Managing Assets
    1. Working in the Project panel
    2. Organize assets in the Project panel
    3. Playing assets
    4. Search assets
    5. Creative Cloud Libraries
    6. Sync Settings in Premiere Pro
    7. Consolidate, transcode, and archive projects
    8. Managing metadata
    9. Best Practices
      1. Best Practices: Learning from broadcast production
      2. Best Practices: Working with native formats
  21. Improving Performance and Troubleshooting
    1. Set preferences
    2. Reset and restore preferences
    3. Recovery Mode
    4. Working with Proxies
      1. Proxy overview
      2. Ingest and Proxy Workflow
    5. Check if your system is compatible with Premiere Pro
    6. Premiere Pro for Apple silicon
    7. Eliminate flicker
    8. Interlacing and field order
    9. Smart rendering
    10. Control surface support
    11. Best Practices: Working with native formats
    12. Knowledge Base
      1. Known issues
      2. Fixed issues
      3. Fix Premiere Pro crash issues
      4. Unable to migrate settings after updating Premiere Pro
      5. Green and pink video in Premiere Pro or Premiere Rush
      6. How do I manage the Media Cache in Premiere Pro?
      7. Fix errors when rendering or exporting
      8. Troubleshoot issues related to playback and performance in Premiere Pro
  22. Extensions and plugins
    1. Installing plugins and extensions in Premiere Pro
    2. Latest plugins from third-party developers
  23. Video and audio streaming
    1. Secure Reliable Transport (SRT)
  24. Monitoring Assets and Offline Media
    1. Monitoring assets
      1. Using the Source Monitor and Program Monitor
      2. Using the Reference Monitor
    2. Offline media
      1. Working with offline clips
      2. Creating clips for offline editing
      3. Relinking offline media

Learn about how to manage your clip and file metadata effectively in Premiere Pro. Also see how to view, edit, share, and search for metadata using the Metadata panel.

About the Metadata panel and XMP

To streamline your workflow and organize your files, use XMP metadata. Metadata is a set of descriptive information about a file. Video and audio files automatically include basic metadata properties, such as date, duration, and file type. You can add details with properties such as location, director, copyright, and much more.

With the Metadata panel, you can share this information about assets throughout Adobe video and audio applications. Unlike conventional clip properties, which are limited to only one application’s Project or Files panel, metadata properties are embedded in source files, so the data automatically appears in other applications. This sharing of metadata lets you quickly track and manage video assets as they move through your production workflow.

Not:

Properties in the Metadata panel also appear in Adobe Bridge, providing additional details that help you quickly browse assets.

About schemas and properties

A metadata schema is a collection of properties specific to a given workflow. The Dynamic Media schema, for example, includes properties like Scene and Shot Location that are ideal for digital video projects. Exif schemas, by contrast, include properties tailored to digital photography, like Exposure Time and Aperture Value. More general properties, like Date and Title, appear in the Dublin Core schema. To display different properties, see Show or hide metadata.

Not:

For information about a specific schema and property, hover the pointer over it in the Metadata panel. For most items, a tool tip appears with details.

About the XMP standard

Adobe applications store metadata using the Extensible Metadata Platform (XMP). XMP is built on XML, which facilitates the exchange of metadata across a variety of applications and publishing workflows. Metadata in most other formats (such as Exif, GPS, and TIFF) automatically transfers to XMP so you can more easily view and manage it.

In most cases, XMP metadata is stored directly in source files. If a particular file format doesn’t support XMP, however, metadata is stored in a separate sidecar file.

Project assets without corresponding files don’t support XMP. Examples from Adobe Premiere Pro include Bars and Tone, Universal Counting Leader, Color Matte, Titles, Black Video, and Transparent Video.

Not:

To customize the creation and exchange of metadata, use the XMP Software Development Kit. For more information about XMP, see Extensible Metadata Platform.

About the Metadata panel in Premiere Pro

The Metadata panel shows both clip-instance metadata and XMP file metadata for a selected asset. Fields under the Clip heading show clip-instance metadata: information about a clip selected in the Project panel, or in a sequence. Clip instance metadata is stored in the Premiere Pro project file, not in the file to which the clip points. Only Premiere Pro reads clip instance metadata not, other applications. However, in Premiere Pro you can link some clip metadata fields with XMP metadata fields. This option allows applications outside Premiere Pro to access the clip-based metadata by way of the XMP fields.

If you never use subclips and never import multiple instances of master clips, then each clip in your project is unique. You can use XMP File properties exclusively, so all your metadata is recorded into the source file, visible to other applications. Alternatively, you can use the traditional Clip properties, but turn linking on for all of them. Premiere Pro automatically copies the clip data into the matching XMP properties from that point on.

The Metalogging workspace

The Metalogging workspace is for entering metadata after importing, capturing, or digitizing media into Premiere Pro. The Project panel and the Metadata panels are maximized to make entering metadata easier.

To enable the Metalogging workspace, choose Window>Workspace>Metalogging.

About file, clip, and project XMP metadata

For the most part, Adobe video and audio applications deal with XMP metadata very similarly. Some small distinctions exist, however, reflecting the unique workflow stage that each application addresses. When using applications in tandem, an understanding of these slightly different approaches can help you get the most out of metadata.

Adobe Premiere Pro and Adobe After Effects divide the Metadata panel into separate sections for different asset types.

Adobe Premiere Pro

Separates metadata in these sections:

Clip

Displays properties for clip instances you select in the Project panel or Timeline panel. This metadata is stored in project files, so it appears only in Adobe Premiere Pro.

File

Displays properties for source files you select in the Project panel. This metadata is stored directly in the source files, so it appears in other applications, including Adobe Bridge.

After Effects

Separates metadata in these sections:

Project

Displays properties for the overall project. If you select Include Source XMP Metadata in the Output Module Settings dialog box, this information is embedded into files you output from the Render Queue.

Files

Displays properties for source files you select in the Project panel. (If you select a proxy, properties for the actual file appear.)

For After Effects, both Project and File properties are stored directly in files, so you can access this metadata in Adobe Bridge.

Using clip metadata and file metadata

XMP file metadata is information about a source file stored in the source file. Clip metadata is information about a clip, stored in a Premiere Pro project file. In Premiere Pro, any number of clips can point to the same source file. For example, a group of subclips, each with different In points and Out points, point to the same source file. Also, if you import a file twice, but give each imported clip a different name, both clips point to the same source file.

Use the XMP metadata fields to store data that applies to the source file, and all clip instances that point to it. Use the clip metadata fields to store data specific to each unique clip. Link clip metadata fields to XMP metadata fields when you want clip metadata copied to the source file. Do not link a clip metadata field to an XMP metadata field for more than one clip pointing to the same source file, however.

Edit XMP metadata

In Adobe video applications, similarly named properties are linked in the Metadata and Project panels. However, the Metadata panel provides more extensive properties and lets you edit them for multiple files simultaneously.

  1. Select the desired files or clips.

  2. In the Metadata panel, edit text or adjust values as needed.

    If you selected multiple items, the panel displays properties as follows:

    • If a property matches for all items, the matching entry appears.

    • If a property differs, <Multiple Values> appears. To apply matching values, click the text box, and type.

Search XMP metadata

  1. Select the files or clips you want to search.

  2. In the search box at the top of the Metadata panel, enter the text you want to find.

    The list of metadata collapses to reveal only properties that contain your search string.

  3. (Adobe Premiere Pro only) To navigate through the search results, click the Previous and Next buttons   to the right of the search box, or press Tab.

  4. To exit the search mode and return to the full list of metadata, click the close button  to the right of the search box.

Before search, all properties appear
Before search, all properties appear

After search, only properties with search string appear. In Adobe Premiere Pro, Previous and Next buttons navigate through search results.
After search, only properties with search string appear. In Adobe Premiere Pro, Previous and Next buttons navigate through search results.

Show or hide XMP metadata

To optimize the Metadata panel for your workflow, show or hide entire schemas or individual properties, displaying only those that you need.

  1. From the options menu  for the Metadata panel, select Metadata Display.

  2. To show or hide schemas or properties, select or deselect them from the list.

Save, switch, or delete metadata sets

If you use multiple workflows, each requiring different sets of displayed metadata, you can save sets and switch between them.

  1. From the options menu  for the Metadata panel, select Metadata Display.

  2. Do any of the following:

    • To save a customized set of displayed metadata, click Save Settings. Then enter a name, and click OK.

    • To display a previously saved set of metadata, select it from the menu.

    • To delete a previously saved set of metadata, select it from the menu, and click Delete Settings.

Create schemas and properties

If you have a unique, customized workflow that the default metadata options don’t address, create your own schemas and properties.

  1. From the options menu  for the Metadata panel, select Metadata Display.

  2. Click New Schema, and enter a name.

  3. In the list, click Add Property to the right of the schema name.

  4. Enter a property name, and select one of the following for Type:

    Integer

    Displays whole numbers that you drag or click to change.

    Real

    Displays fractional numbers that you drag or click to change.

    Text

    Displays a text box (for properties similar to Location).

    Boolean

    Displays a check box (for On or Off properties).

View clip data in the Metadata panel

You can show or hide clip information in the Metadata panel like any other metadata. Premiere Pro saves clip information in the schema named Premiere Project Metadata.

For more information about showing or hiding metadata schemas, see Show or hide XMP metadata.

  1. Do one of the following, if necessary:
    • If the Metadata panel is not open, select Window > Metadata.

    • If the contents of the Metadata panel are hidden behind another panel, click the Metadata tab to bring the panel forward.

  2. Click the panel menu button in the Metadata panel, and select Metadata Display.
  3. Click the triangle next to Premiere Project Metadata to view all the clip information fields.
  4. Do one of the following:
    • Check the Premiere Project Metadata box to display all clip information,

    • Check only the boxes near the names of the clip information fields you want to display.

  5. Click OK.

Link clip data to XMP metadata

In the Metadata panel, the Clip property value fields are internal. They reside in the Premiere Pro project file, and are readable by Premiere Pro alone. However, some of the property value fields in the Clip section have a link option box next to them. After you select the link option, Premiere Pro automatically enters the information that you enter into the Clip value field into a corresponding XMP field.

When you select the link option, the metadata panel links a clip data field to an XMP metadata field in one of the schema. Selecting this option does not copy existing clip data into XMP fields. Premiere Pro does copy any clip data added after the link is made into the linked XMP fields. In most cases, the XMP field has the same name as the clip data field linked to it. In the following two cases, the XMP fields have names different from the clip data fields linked to them:

Clip data field name

XMP field name

Name

Title (in Dublin Core schema)

Log Note

Log Comment (In Dynamic Media schema)

  1. In the Metadata panel, drag the scroll bar under the Clip heading downward until you see the fields with empty link buttons to the right.
  2. Click the link buttons near any fields you want to link to XMP metadata.

    A chain icon appears in the link button for any linked field.

 Adobe

Daha hızlı ve daha kolay yardım alın

Yeni kullanıcı mısınız?