- What's new
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Get started
- Technical requirements and installation
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Learn the basics
- Adobe Photoshop on desktop FAQ
- Home screen overview
- Workspace overview
- Access the Discover panel
- Save custom workspaces
- Switch workspaces
- Delete workspaces
- Restore workspaces
- Boost workflows with the Contextual Task Bar
- Rearrange document windows
- Hide or show all panels
- Dock or undock panels
- Move panels
- Add and remove panels
- Stack floating panels
- Expand or collapse panel icons
- Change text size in panels and tooltips
- Use simple math in number fields
- High-density monitor support and per-monitor scaling
- Arrange and group panels
- Request access to test experimental features
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Set up toolbars and panels
- Customize toolbar
- Tooltips overview
- Create tool presets
- Use spring-loaded shortcuts
- Use Undo and Redo commands
- History panel settings
- Set History Log preferences
- View history logs
- Use snapshots in the History panel
- Paint with image states from the History panel
- Manage image states
- Restore parts of an image to a previous state
- Edit images with AI Assistant
- View and synchronize multiple images
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Settings and preferences
- Adjust preferences
- Backup and restore preferences
- Reset preferences
- View keyboard shortcuts
- Change tool pointers
- Change Photoshop language settings
- Connect social media accounts for Content Credentials (Beta)
- Display file information in the info panel and document status bar
- Photoshop preferences locations
- Generative AI in Photoshop
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Create, open, and import images
- Import files
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Create images
- Generate an image with descriptive text prompts
- Edit images with Generative Fill
- Generate sharper variations with Enhance Detail
- Explore beyond the canvas with Generative Expand
- Use reference images for consistent results
- Generate images guided by a reference image
- Edit images with Prompt to edit
- Use Markup for AI image generation
- Create documents using presets
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Create and manage layers
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Get started with layers
- Layers overview
- Organize layers with layer groups
- Work with the Layers panel
- Video Layers overview
- Convert background and regular layers
- Duplicate layers
- Create document from layer or group
- Change transparency preferences
- Sample from all visible layers
- Rasterize layers
- Organize layers in the Layers panel
- Transform and manipulate layers
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Color adjustment and fill layers
- Adjustment and fill layers overview
- Work with adjustment layers
- Use layer masks to target adjustment or fill layers
- Create adjustment layers
- Merging adjustment or fill layers
- Adjustment presets overview
- Create custom presets
- Correct color balance with Color and vibrance
- Create fill layers
- Adjustment layer options
- Change adjustment and fill layer options
- Adjust contrast with Clarity and Dehaze
- Adjust texture with Grain
- Adjust image lighting with Light
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Apply layer effects
- Add layer styles
- Work with preset styles
- Layer style effects and options overview
- Manage preset styles
- Display or hide layer styles
- Copy and paste layer styles
- Import preset style libraries
- Manage contours
- Set a global lighting angle for all layers
- Scale layer effects
- Remove layer effects
- Work with layer styles
- Convert layer styles to image layers
- Create texture effects with Knockout
- Set layer opacity and blending modes
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Smart objects
- Smart Objects - overview and benefits
- Create embedded Smart Objects
- Create linked Smart Objects
- Update Linked Smart Objects
- View Linked Smart Object properties
- Embed Linked Smart Objects
- Package and locate linked Smart Objects
- Convert embedded Smart Objects to linked
- Filter the Layers panel by Smart Objects
- Duplicate an embedded Smart Object
- Edit the contents of a Smart Object
- Replace the contents of a Smart Object
- Convert Smart Objects to layers
- Rasterize Smart Objects
- Export the contents of an embedded Smart Object
- Reset Smart Object transforms
- Create layer compositions
- Layout and design tools
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Get started with layers
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Crop, resize, and transform
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Resize and adjust resolution
- Printed image resolution
- Set image size and resolution
- Resample option in the Image Size dialog
- Monitor resolution and image display size
- File size
- Printer resolution
- Resolution specs for printing images
- Preserve visual content when scaling images
- Specify content to protect when scaling
- Resize images
- Resampling options in Photoshop
- Change the pixel dimensions of images
- Change print dimensions and resolution
- Manage image file size
- Resizing parameters in Photoshop
- Change the canvas size
- Image size, resolution, and resampling
- Transform images, shapes, and paths
- Crop and straighten
- Transform, manipulate, and reshape
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Resize and adjust resolution
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Make selections
- Get started with selections
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Automatic and color-based selections
- Improve Select Subject and Remove Background results
- Make precise selections using Select People
- Remove objects with Delete and Fill Selection
- Improve hair selections with the Refine Hair tool
- Mask all objects in a layer
- Detect subject using Select Subject
- Paint a selection with Quick Selection tool
- Select areas by color with the Magic Wand tool
- Freehand selections
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Refine and modify selections
- Move a selection or selection border
- Refine your selection and mask
- Hover layer bounds in the Move tool
- Copy and paste selections
- Create multiple copies of a selection within an image
- Paste one selection into or outside another
- Delete or cut selected pixels
- Control the movement of a selection
- Hide or show selection edges
- Inverse selection
- Adjust a selection manually
- Select only an area intersected by other selections
- Refine and soften selection edges
- Select pixels using anti-aliasing
- Define a feathered edge for a selection tool
- Create a selection around a selection border
- Expand or contract a selection
- Clean up stray pixels in a color-based selection
- Fringe pixels around a selection
- Decrease the fringe on a selection
- Remove a matte from a selection
- Use selections for generative editing
- Select areas and pixels of images in focus
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Create masks
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Layer masks
- Add layer masks
- Create layer masks for all detected objects in a layer
- Unlink layers and masks
- Disable or enable layer masks
- Apply or delete layer masks
- Alpha channels and masks in Photoshop
- Create and manage clipping masks
- Edit and refine existing layer masks
- Mask layers with vector masks
- Position elements with snapping
- Blend images
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Layer masks
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Repair and retouch
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Remove objects and fill space
- Remove background in your images
- Replace background with Generate Background
- Retouch tools overview
- Blend objects and people into any background with Harmonize
- Remove objects and fill the area with Content-Aware Fill
- Adjust Content-Aware Fill settings
- Tools to fine-tune sampling and fill areas
- Apply or cancel Content-Aware fill changes
- View full-resolution preview in the Preview panel
- Remove objects from within the Contextual Task Bar
- Remove tool known issues and workarounds
- Remove tool minimum and recommended hardware requirements
- Remove objects
- Remove wires, people, and general distractions
- Review and refine general distractions
- Fill selections with Multi-Image Content-Aware Fill
- Use the Content-Aware Patch tool
- Heal and clone
- Adjust light and tone
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Clean and restore images
- Enhance image quality with Generative Upscale
- Define planes to adjust perspective
- Manipulate the planes to adjust perspective
- Edit different perspectives in the same image
- Keyboard shortcuts to adjust perspective
- Get started with Photomerge
- Create panoramic images with Photomerge
- Create 360-degree panoramas
- Remove imperfections with the Spot Healing Brush
- Retouch a large area with the Healing Brush tool
- Repair an area with the Patch tool
- Remove red eye in flash photos
- Define an image as a preset pattern
- Erase parts of an image with the Eraser tool
- Auto Erase with the Pencil tool
- Create smoother brush strokes using stroke smoothing
- Change pixels to transparent with the Background Eraser tool
- Remove similar pixels with the Magic Eraser tool
- Remove reflections
- Remove small spots with the Spot Healing Brush
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Remove objects and fill space
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Adjust color
- Color profiles
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Choose colors
- Set foreground and background colors
- Choose colors with the Adobe Color Picker
- Choose a color while painting
- Choose web-safe colors
- Choose a CMYK equivalent for a non-printable color
- Choose a spot color
- Spot color libraries
- Choose colors in the Color panel
- Change the color picker
- Color modes in Photoshop
- Color modes
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Color corrections
- Apply a Hue or Saturation adjustment
- Colorize a grayscale image or create a monotone effect
- Adjust color and tone with Curves
- Adjust color saturation using a Vibrance adjustment layer
- Adjust color and tone with Levels and Curves eyedroppers
- Adjust tonal range and color balance using Levels
- Apply the Brightness/Contrast adjustment
- Apply Color Balance adjustment in Photoshop
- Color adjustment basics in Photoshop
- Use Auto Tone, Auto Contrast, and Auto Color
- Use the Histogram panel
- Adjust image color and tone
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Selective color adjustments
- Match color in different images
- Match color between two images
- Match color of two layers in the same image
- Save and apply settings in Match Color
- Replace Object Colors by Applying a Hue or Saturation Adjustment
- Customize indexed color tables
- Make selective color adjustments
- Mix color channels with Channel Mixer
- Color effects and techniques
- HDR and channel manipulation
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Apply painting techniques
- Fill objects, selections, and layers
- Create and fill with patterns
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Brushes and presets
- Get started with brush presets
- Display the Brush Settings panel and brush options
- Create a brush tip from an image
- Create a brush and set painting options
- Select a preset brush
- Create a new preset brush
- Create preset brush groups
- Rename preset brushes
- Delete preset brushes
- Import brushes and brush packs
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Draw shapes and paths
- Create shapes
- Draw lines and curves
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Text and typography
- Get started with text
- Select and manage fonts
- Type layers and creation
- Text on paths and shapes
- Characters and glyphs
- International text and languages
- Work with Dynamic Text
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Effects and filters
- Get started with filters
- Smart filters
- Blur and sharpen filters
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Artistic and stylize filters
- Reshape and distort images with Transform Warp
- Warp a Layer with Cylindrical Transform
- Get precise distortions with Split Warp
- Distort specific image areas with Puppet Warp
- Overview of Liquify filter
- Overview of distortion tools
- Use Liquify to distort an image
- Freeze or thaw areas
- Work with meshes
- Work with backdrops
- Reconstruct distortions
- Replace the sky in images
- Select and manage sky presets
- Enhance images with generative AI filters
- Apply texture and surface effects to filters
- Correct lens distortion and perspective
- Neural filters
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Use grids and measurement guides
- Alignment grids and guides
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Measure and scale
- Manage measurement scales
- Manage scale markers
- Use the measurement log for performing measurements
- Measurement data points overview
- Create, edit, and delete data point presets
- Manage measurement logs
- About the measurement scale and scale markers
- Use rulers in Photoshop
- Measure and position with the Ruler tool
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Add video and animation
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Create animation frames
- Create frame-based animations
- Add frames to animations
- Select animation frames
- Edit animation frames
- Unify layer properties in animation frames
- Copy frames with layer properties
- Create frames using tweening
- Manage layer visibility in animation frames
- Specify a delay time in frame animations
- Choose a frame disposal method
- Specify looping in frame animations
- Delete animations
- Use keyframes
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Create animation frames
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Automate tasks
- Create and record actions
- Process a batch of files
- Automation settings and presets
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Save and export
- Save files
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Export files to different formats
- Video and animation export formats
- Enhance animation frames
- Flatten frames into layers
- Export video files or image sequences
- Photoshop file formats overview
- File compression in Photoshop
- Supported file formats in Photoshop
- Image file formats supported in Photoshop
- Export your work using the Quick Export as option
- Fine-tune export settings with Export As
- Export settings and export location preferences
- Export files in different sizes
- Export layers as files
- Export artboards as PDF
- Export artboards as files
- Save and export to cloud
- Metadata, CSS, and content credentials
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Share and collaborate
- Collaborate and edit
- App integrations
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Troubleshoot
- Tools and resources
- Performance and stability issues
- File and format issues
- Tool and feature issues
Channels in Photoshop
Learn how channels store color data, selections, and print plates in your images in Adobe Photoshop on desktop.
Channels form the foundation of how Photoshop stores and manages image information. Every image you work with contains channels that are grayscale representations that store different types of data, from the colors you see to the selections you save to specialized printing information.
Understanding channels helps you make informed decisions about file formats, manage complex selections, and troubleshoot color issues. While you may rarely interact with channels directly, they influence everything from your file sizes to how your images print.
Three types of channels
Photoshop uses three distinct channel types, each serving a specific purpose in your workflow.
Color information channels
Color information channels store the actual image data you see on screen. Photoshop creates these automatically when you open or create a new image, with the number and type determined by your color mode.
An RGB image contains separate channels for red, green, and blue information, plus a composite channel that displays all colors combined. CMYK images have cyan, magenta, yellow, and black channels. Grayscale images use a single channel to represent tonal information.
Each color channel is a grayscale image where brightness values represent color intensity. In 8-bit images, these values range from 0 (no color) to 255 (maximum color intensity). The composite channel combines these individual channels to display the full-color image you edit.
Alpha channels
Alpha channels store selections as grayscale images, preserving complex selection boundaries you've spent time refining. When you save a selection to an alpha channel, white areas represent selected regions, black areas represent masked regions, and gray values represent partial transparency.
These channels let you recall intricate selections across work sessions without recreating them. You can store multiple alpha channels in a single image, each preserving a different selection. Alpha channels also form the foundation of layer masks, though the two concepts serve different purposes in your workflow.
Spot color channels
Spot color channels define additional printing plates for specialized inks beyond standard CMYK process colors. Print shops use these channels when your project requires precise color matching with premixed inks, such as Pantone colors, or when adding special finishes like metallic or varnish effects.
Each spot color channel specifies where that particular ink prints on the page. Unlike color information channels, spot channels don't contribute to the on-screen appearance unless you specifically view them. They exist solely for print production, translating to separate plates during output.
Channels panel
The Channels panel displays all channels in your image, providing visibility into your image's underlying structure. Channels appear in a specific hierarchy that reflects how Photoshop processes your image data.
Channel organization
For RGB, CMYK, and Lab images, the composite channel appears first, followed by individual color channels. Alpha channels appear after color channels, and spot color channels display last. This ordering matters for spot color printing, where channels overprint from top to bottom in the sequence shown.
Each channel displays a thumbnail preview showing its grayscale content. These thumbnails update automatically as you edit, helping you track changes. You can resize or hide thumbnails through the panel menu if you prefer a compact view or need improved performance.
Channel visibility and selection
The eye icon next to each channel controls visibility in your document window. You can view channels individually to examine specific color information or view multiple channels simultaneously to see how they combine.
Selected channels appear highlighted in the panel. You can select multiple channels by shift-clicking, though you can paint or edit only one channel at a time. When all default color channels are visible, Photoshop automatically displays the composite channel.
Channel limits and performance
Photoshop supports up to 56 channels per image, including all color, alpha, and spot channels combined. Most images use far fewer—an RGB image with a few saved selections might contain only 6-8 channels total.
File size considerations
Each channel adds to file size based on your image dimensions and bit depth. An alpha channel in a 1000×1000 pixel, 8-bit image adds approximately 1 megabyte. Larger images or higher bit depths increase this proportionally—a 16-bit image doubles the space required per channel.
Complex alpha channels with detailed masks can substantially increase disk space requirements. Before saving, consider whether you need all stored alpha channels or if you can delete unused selections.
The Photoshop document status bar shows total file size, including all channels and layers, when you select Document Sizes from the pop-up menu. This value reflects uncompressed size; actual saved file size varies based on format and compression settings.
File format compatibility
Your choice of file format determines which channel types Photoshop preserves when saving.
Color channel preservation
All standard formats preserve color channels as long as they support your image's color mode. Saving an RGB image as JPEG preserves the three color channels, though JPEG's compression may reduce quality.
Alpha channel preservation
Only specific formats maintain alpha channels: Photoshop (PSD), Photoshop Large Document Format (PSB), PDF, TIFF, and Raw formats. Saving to formats like JPEG or PNG discards any alpha channels you've created, permanently losing saved selections.
Spot channel preservation
Spot channels have the most limited format support. Only Photoshop formats (PSD, PSB), TIFF, and PDF reliably preserve spot channels. DCS 2.0 format saves spot channels but discards alpha channels. Most other formats ignore spot channels entirely.
When working with spot colors for print production, verify with your print service provider which format they prefer. TIFF often provides the best compatibility while preserving all necessary channel information.
Create stunning images with Photoshop
Edit, retouch, and transform photos with the industry-leading creative tools you know and love.